Interference in memory for tonal pitch : implications for a working-memory model
Identifieur interne : 001225 ( Main/Merge ); précédent : 001224; suivant : 001226Interference in memory for tonal pitch : implications for a working-memory model
Auteurs : T. Pechmann [Allemagne] ; G. MohrSource :
- Memory & cognition [ 0090-502X ] ; 1992.
Descripteurs français
- Pascal (Inist)
- Wicri :
English descriptors
- KwdEn :
Abstract
The degree of interference caused by different kinds of stimuli on memory for tonal pitch was studied. Musically trained and untrained subjects heard a sequence of two tones separated by an interval of 5 sec. The tones were either identical in pitch or differed by a semitone. Subjects had to decide whether the tones were identical or not. The interval was filled with tonal, verbal, or visual material under attended and unattended conditions
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Pascal:92-0305516Le document en format XML
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<author><name sortKey="Pechmann, T" sort="Pechmann, T" uniqKey="Pechmann T" first="T." last="Pechmann">T. Pechmann</name>
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<term>Auditive stimulus frequency</term>
<term>Cognition</term>
<term>Experimental study</term>
<term>Hearing</term>
<term>Human</term>
<term>Interference</term>
<term>Interindividual comparison</term>
<term>Memory</term>
<term>Music</term>
<term>Perception</term>
<term>Pitch(acoustics)</term>
<term>Retention</term>
<term>Working memory</term>
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<keywords scheme="Pascal" xml:lang="fr"><term>Interférence</term>
<term>Mémoire</term>
<term>Audition</term>
<term>Tonie</term>
<term>Hauteur tonale</term>
<term>Rétention</term>
<term>Mémoire travail</term>
<term>Comparaison interindividuelle</term>
<term>Aptitude</term>
<term>Musique</term>
<term>Etude expérimentale</term>
<term>Cognition</term>
<term>Perception</term>
<term>Homme</term>
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<front><div type="abstract" xml:lang="en">The degree of interference caused by different kinds of stimuli on memory for tonal pitch was studied. Musically trained and untrained subjects heard a sequence of two tones separated by an interval of 5 sec. The tones were either identical in pitch or differed by a semitone. Subjects had to decide whether the tones were identical or not. The interval was filled with tonal, verbal, or visual material under attended and unattended conditions</div>
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