PARADES, PUBLIC SPACE, AND PROPAGANDA: THE NAZI CULTURE PARADES IN MUNICH
Identifieur interne : 000706 ( Main/Exploration ); précédent : 000705; suivant : 000707PARADES, PUBLIC SPACE, AND PROPAGANDA: THE NAZI CULTURE PARADES IN MUNICH
Auteurs : Joshua Hagen [États-Unis]Source :
- Geografiska Annaler: Series B, Human Geography [ 0435-3684 ] ; 2008-12.
English descriptors
- KwdEn :
- Teeft :
- American geographers, Arndt, Atkinson, Bamberg rider, Bayerland, Bayerns metropole, Cambridge university press, Centre, Chronological narrative, Classical greece, Comparative studies, Craft guilds, Cultural geographies, Cultural geography, Culture parades, David atkinson, Democratic societies, Deutsche, Deutsche kunst, Deutschen, Deutschen kunst, Dictatorial states, Dritten, Dritten reich, Entartete kunst, Event organizers, Fascist, Fascist italy, Female participants, Geografiska annaler, Geography, Geography parades, German achievement, German culture, German history, German press, Germanic group, Glory ages, Gothic period, Great german, Grouping, Hagen, Hermann, House location, Human geography, Ideological message, Jahre, Jahre deutsche kultur, Joshua hagen, Journal compilation, King ludwig, Knorr hirth, Kultur, Kunst, Kunststadt, Large eagle, Leitung, Little coverage, Martial valour, Mother earth, Munich, Munich parades, Nachklang, National community, National identity, National unity, Nazi, Nazi conceptions, Nazi culture parades, Nazi germany, Nazi ideology, Nazi leaders, Nazi movement, Nazi party, Nazi regime, Nazi views, Nazi vision, Northern ireland, Nuremberg, Nuremberg party rallies, Nuremberg rallies, Oat, Organizer, Other decorations, Parade, Parade organizers, Parade programme, Parade route, Participant, Party leaders, Paul ludwig troost, Political geography, Political religions, Programme, Propaganda apparatus, Propaganda events, Public performance, Public space, Public spaces, Public spectacles, Racial purity, Schuster, Second half, Soviet union, Spatial layout, Spectacles, Swastika, Swedish society, Third reich, Toronto press, Totalitarian contexts, Urban landscape, Urban landscapes, Victory gate, Visual arts, Zweitausend jahre deutsche kultur.
Abstract
As the birthplace of the Nazi Party and the official Capital of the Movement, Munich assumed a high profile within the party's propaganda apparatus. While Berlin became the political and foreign policy centre of Hitler's Reich and Nuremberg the site of massive displays of national power during the annual party rallies, national and local party leaders launched a series of cultural initiatives to showcase Munich as the Capital of German Art. Munich hosted numerous festivals proclaiming a rebirth of German art and culture, as well as the regime's supposedly peaceful intentions for domestic and international audiences. To help achieve these goals, Nazi leaders staged a series of extravagant parades in Munich celebrating German cultural achievements. The parades provided an opportunity for the regime to monopolize Munich's public spaces through performances of its particular vision of German history, culture and national belonging. While such mass public spectacles had obvious propaganda potential, several constraints, most prominently Munich's existing spatial layout, limited the parades’ effectiveness.
Url:
DOI: 10.1111/j.1468-0467.2008.00298.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000364
- to stream Istex, to step Curation: 000343
- to stream Istex, to step Checkpoint: 000530
- to stream Main, to step Merge: 000706
- to stream Main, to step Curation: 000706
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">PARADES, PUBLIC SPACE, AND PROPAGANDA: THE NAZI CULTURE PARADES IN MUNICH</title><author><name sortKey="Hagen, Joshua" sort="Hagen, Joshua" uniqKey="Hagen J" first="Joshua" last="Hagen">Joshua Hagen</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:2376661547A747B3AB177047457C2E14EC67190A</idno><date when="2008" year="2008">2008</date><idno type="doi">10.1111/j.1468-0467.2008.00298.x</idno><idno type="url">https://api.istex.fr/document/2376661547A747B3AB177047457C2E14EC67190A/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000364</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000364</idno><idno type="wicri:Area/Istex/Curation">000343</idno><idno type="wicri:Area/Istex/Checkpoint">000530</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000530</idno><idno type="wicri:doubleKey">0435-3684:2008:Hagen J:parades:public:space</idno><idno type="wicri:Area/Main/Merge">000706</idno><idno type="wicri:Area/Main/Curation">000706</idno><idno type="wicri:Area/Main/Exploration">000706</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">PARADES, PUBLIC SPACE, AND PROPAGANDA: THE NAZI CULTURE PARADES IN MUNICH</title><author><name sortKey="Hagen, Joshua" sort="Hagen, Joshua" uniqKey="Hagen J" first="Joshua" last="Hagen">Joshua Hagen</name><affiliation wicri:level="1"><country wicri:rule="url">États-Unis</country><wicri:regionArea>Department of Geography, Marshall University, One John Marshall Drive, Huntington, WV 25755‐2664</wicri:regionArea><wicri:noRegion>WV 25755‐2664</wicri:noRegion></affiliation></author></analytic><monogr></monogr><series><title level="j">Geografiska Annaler: Series B, Human Geography</title><idno type="ISSN">0435-3684</idno><idno type="eISSN">1468-0467</idno><imprint><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="2008-12">2008-12</date><biblScope unit="volume">90</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="349">349</biblScope><biblScope unit="page" to="367">367</biblScope></imprint><idno type="ISSN">0435-3684</idno></series><idno type="istex">2376661547A747B3AB177047457C2E14EC67190A</idno><idno type="DOI">10.1111/j.1468-0467.2008.00298.x</idno><idno type="ArticleID">GEOB298</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0435-3684</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Munich</term><term>Nazi Germany</term><term>cultural policy</term><term>parades</term><term>propaganda</term><term>public space</term></keywords><keywords scheme="Teeft" xml:lang="en"><term>American geographers</term><term>Arndt</term><term>Atkinson</term><term>Bamberg rider</term><term>Bayerland</term><term>Bayerns metropole</term><term>Cambridge university press</term><term>Centre</term><term>Chronological narrative</term><term>Classical greece</term><term>Comparative studies</term><term>Craft guilds</term><term>Cultural geographies</term><term>Cultural geography</term><term>Culture parades</term><term>David atkinson</term><term>Democratic societies</term><term>Deutsche</term><term>Deutsche kunst</term><term>Deutschen</term><term>Deutschen kunst</term><term>Dictatorial states</term><term>Dritten</term><term>Dritten reich</term><term>Entartete kunst</term><term>Event organizers</term><term>Fascist</term><term>Fascist italy</term><term>Female participants</term><term>Geografiska annaler</term><term>Geography</term><term>Geography parades</term><term>German achievement</term><term>German culture</term><term>German history</term><term>German press</term><term>Germanic group</term><term>Glory ages</term><term>Gothic period</term><term>Great german</term><term>Grouping</term><term>Hagen</term><term>Hermann</term><term>House location</term><term>Human geography</term><term>Ideological message</term><term>Jahre</term><term>Jahre deutsche kultur</term><term>Joshua hagen</term><term>Journal compilation</term><term>King ludwig</term><term>Knorr hirth</term><term>Kultur</term><term>Kunst</term><term>Kunststadt</term><term>Large eagle</term><term>Leitung</term><term>Little coverage</term><term>Martial valour</term><term>Mother earth</term><term>Munich</term><term>Munich parades</term><term>Nachklang</term><term>National community</term><term>National identity</term><term>National unity</term><term>Nazi</term><term>Nazi conceptions</term><term>Nazi culture parades</term><term>Nazi germany</term><term>Nazi ideology</term><term>Nazi leaders</term><term>Nazi movement</term><term>Nazi party</term><term>Nazi regime</term><term>Nazi views</term><term>Nazi vision</term><term>Northern ireland</term><term>Nuremberg</term><term>Nuremberg party rallies</term><term>Nuremberg rallies</term><term>Oat</term><term>Organizer</term><term>Other decorations</term><term>Parade</term><term>Parade organizers</term><term>Parade programme</term><term>Parade route</term><term>Participant</term><term>Party leaders</term><term>Paul ludwig troost</term><term>Political geography</term><term>Political religions</term><term>Programme</term><term>Propaganda apparatus</term><term>Propaganda events</term><term>Public performance</term><term>Public space</term><term>Public spaces</term><term>Public spectacles</term><term>Racial purity</term><term>Schuster</term><term>Second half</term><term>Soviet union</term><term>Spatial layout</term><term>Spectacles</term><term>Swastika</term><term>Swedish society</term><term>Third reich</term><term>Toronto press</term><term>Totalitarian contexts</term><term>Urban landscape</term><term>Urban landscapes</term><term>Victory gate</term><term>Visual arts</term><term>Zweitausend jahre deutsche kultur</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">As the birthplace of the Nazi Party and the official Capital of the Movement, Munich assumed a high profile within the party's propaganda apparatus. While Berlin became the political and foreign policy centre of Hitler's Reich and Nuremberg the site of massive displays of national power during the annual party rallies, national and local party leaders launched a series of cultural initiatives to showcase Munich as the Capital of German Art. Munich hosted numerous festivals proclaiming a rebirth of German art and culture, as well as the regime's supposedly peaceful intentions for domestic and international audiences. To help achieve these goals, Nazi leaders staged a series of extravagant parades in Munich celebrating German cultural achievements. The parades provided an opportunity for the regime to monopolize Munich's public spaces through performances of its particular vision of German history, culture and national belonging. While such mass public spectacles had obvious propaganda potential, several constraints, most prominently Munich's existing spatial layout, limited the parades’ effectiveness.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country></list><tree><country name="États-Unis"><noRegion><name sortKey="Hagen, Joshua" sort="Hagen, Joshua" uniqKey="Hagen J" first="Joshua" last="Hagen">Joshua Hagen</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Sarre/explor/MusicSarreV3/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000706 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000706 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Sarre
|area= MusicSarreV3
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:2376661547A747B3AB177047457C2E14EC67190A
|texte= PARADES, PUBLIC SPACE, AND PROPAGANDA: THE NAZI CULTURE PARADES IN MUNICH
}}
| This area was generated with Dilib version V0.6.33. |  |