Statistical gestalts — Perceptible features in serial music
Identifieur interne : 001553 ( Istex/Curation ); précédent : 001552; suivant : 001554Statistical gestalts — Perceptible features in serial music
Auteurs : Elena Ungeheuer [Allemagne]Source :
- Lecture Notes in Computer Science [ 0302-9743 ] ; 1997.
English descriptors
- Teeft :
- Acoustical domain, Avantgarde music, Basic durations, Detail level, Electronic music, Equal distribution, Evolutionary forms, First stage, Gesang, Gestalt, Gestalt theory, Impulse complexes, Information theory, Jiinglinge, Mass phenomena, Mass phenomenon, Massive complexes, Serial composition, Serial music, Sketch transcription, Sound complexes, Statistical forms, Statistical gestalts, Stockhausen, Stockhausens gesang, Tape recorder, Timbre.
Abstract
Abstract: Serial composing in the electronic studio opened new fields of musical perception. In this regard the discovery of statistics plays an important role. Parallels can be seen with the development in physics, where statistics helped to integrate the probabilistic behavior of quants into the causalistic concept of the physical world. Over and above that, Stockhausen's serial masterpiece Gesang der Jünglinge shows how serial composing of mass phenomena was orientated towards the creation of dynamic Gestalts on a statistical basis, being referential figures for the composer as well as for the listener.
Url:
DOI: 10.1007/BFb0034110
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<front><div type="abstract" xml:lang="en">Abstract: Serial composing in the electronic studio opened new fields of musical perception. In this regard the discovery of statistics plays an important role. Parallels can be seen with the development in physics, where statistics helped to integrate the probabilistic behavior of quants into the causalistic concept of the physical world. Over and above that, Stockhausen's serial masterpiece Gesang der Jünglinge shows how serial composing of mass phenomena was orientated towards the creation of dynamic Gestalts on a statistical basis, being referential figures for the composer as well as for the listener.</div>
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