Carnal knowledge: The late engravings of Lucas van Leyden

Identifieur interne : 000526 ( Istex/Curation ); précédent : 000525; suivant : 000527

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Carnal knowledge: The late engravings of Lucas van Leyden

Auteurs : Larry Silver

Source :

• Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek [ 0169-6726 ] ; 1978.

RBID : ISTEX:361D539720349EB435CA78445B3DB586B5833088

English descriptors

• Teeft :
  • Adulterous nature, Albrecht, Albrecht altdorfer, Allegorical, Allegory, Altdorfer, Ambrose, Ambrose states, Amorous, Amorous follies, Angus fletcher, Animal nature, Aster, Baldung, Betty kurth, Biblical scenes, Bibliography, Bildenden kunst, Cardinal virtues, Caritas, Carnal, Carnal knowledge, Carnal love, Carnal principle, Celestial venus, Choir stalls, Christian virtue, Christian virtues, Christlichen ikonographie, Classical antiquity, Classical figure style, Classical form, Classical subjects, Classical tradition, Classicizing, Classicizing forms, Classicizing style, Comprehensive study, Contemptus mundi, Courtauld institutes, Cupid, Dead abel, Delilah, Deutsche vierteljahrsschrift literaturwissenschaft, Early netherlandish painting, Early prints, Edgar wind, Engraving, Female nudes, Female personification, Female sensuality, Fifteenth centuries, Fifteenth century, Final version, First maniera, First murder, First parents, First prohibition, Formal language, Fortuna, Friedlander, Fulgentius, Garden city, Genesis, Genesis cycle, Genesis scenes, Genre, Germanischen nationalmuseums, Ghent altarpiece, Goddess, Golden calf, Gossaert, Gossaert prints, Graphik, Hans baldung grien, Harbison, Hercules, Heroic nudes, Hildesheim, Hildesheim doors, Historia scholastica, Human body, Human form, Ibid, Icones symbolicae, Iconographic, Iddle ages, Idolatry, Immaterial principle, Inverted torch, Janson, Judgement, Kunst, Large number, Last judgement, Late engravings, Late middle ages, Late paintings, Late period, Late prints, Late style, Late works, Leyden, Limited range, Lion skin, Literary formulations, Little cupids, Lucas, Lucas cranach, Lust, Luxuria, Many cases, Marcantonio, Marcantonio raimondi, Mary magdalene, Massive nudes, Medieval tradition, Middle ages, Minerva, Minor arts, Modal relation, Morton bloomfield, Museum beuningen, Naked woman, Nakedness, Negative connotations, Next scene, Northern artists, Northrop frye, Nude, Nude allegories, Nude body, Nude figure, Nude figures, Nude forms, Nude virtues, Nude woman, Nuditas, Nuditas criminalis, Nudity, Other artists, Other dutch masters, Other examples, Other hand, Other prints, Other versions, Other words, Other works, Ovide moralis, Pagan gods, Panofsky, Particular type, Patrologia latina, Paul alpers, Personification, Petrus comestor, Phyllis, Physical character, Physical form, Physicality, Picture space, Popular subject, Print, Print tradition, Prose fiction, Raimondi, Relational nature, Religious context, Renaissance form, Rhetorical forms, Roman subject, Rosy kahn, Same artist, Same meaning, Same period, Same subject, Same time, Samson, Schifanoia frescoes, Sensuality, Several paintings, Sexuality, Sinful mankind, Solom idolatry, Special significance, Spiritual nature, Subject matter, Such images, Susan smith, Symbolic connotations, Thirteenth century, Tiny figure, Typological relationship, Venus, Venus engraving, Venus lucas, Venus victrix, Viewer, Virgil, Visual arts, Warburg, Wide variety, William bouwsma, Wolfgang stammler, Women context, Women cycles, Women theme, Woodcut, Woodcut cycles, Woodcut version, Zestiende eeuwsche.

Url:

• https://api.istex.fr/document/361D539720349EB435CA78445B3DB586B5833088/fulltext/pdf

DOI: 10.1163/22145966-90000498

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