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Snow

Identifieur interne : 000B82 ( Istex/Corpus ); précédent : 000B81; suivant : 000B83

Snow

Auteurs : Huldah Jane Kenley

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DOI: 10.1177/002743213101700348

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<meta-value> 1931 SCHOOL CONTEST NUMBERS Five Masterworks in t h e which to begin this type of study. Both are charming and the Wilbye sings itself. The six-part anthem of Orlando Gibbons, Hosanna to the Son of David, is one of the finest old English church pieces. It is quite possible for a good high school chorus with enough s o pranos and altos for the necessary division. Mr. Wiseman's editing has preserved all the beauty of the original editions and our most critical comment is a hope for additions to the series. CHRIST IS ARISEN. The Year Boak to places on high school programs of merit. I DREAM OF JEANIE. Stephen C. Foster. Harmonized and arranged by Gordon Balch Nevin. [J. Fischer & Bro.] There are two similar arrangements, one for soprano and alto, one for four voices, mixed. The frequent seekers for Foster material that is not too hackneyed will be grateful for this very likable song. THE CUCKOO CLOCK. G. A. Grant- Jungnickel Edition L I S Z T, Dreams of Love Small Orchestra Full Orchestra Grand Orchestra Orchestral Score $1.50 2.00 2.75 2.50 RUBINSTEIN, Kamenoi Ostrow (Cloister Scene) Small Orchestra Full Orchestra Grand Orchestra Orchestral Score 1.60 1.90 2.50 2.50 1.50 2.00 2.50 2.00 50 Press. [H. F. W. Deane & Sons.]. A twelfth century melody harmonized by J. S. Bach. Serious students of appreciation or composition should sing and study this Easter Carol. It is placed so as to bring the melody within reach of all voices for unison singing but the editor suggests upward transposition for part singing. A s it stands the bass and alto are low for immature voices and transposition would make the tenor a bit high in spots, but for mature or exceptional voices this is a beautiful choral number. Carl Fischer, Inc., offers a number of interesting and usable items. Here are three selections JARDIN D' AMOUR (In Love's Garden), Schaefer. [Clayton F. Summy Co.] A very smart arrangement by the composer of this old song known to most of us. It belongs in the repertoire of the girls' glee club and its learning will be good for their voices. THE SLUMBER BOAT. Jessie L. Gaynor. [Clayton F. Summy Co.] A soprano and alto arrangement of this long-loved lullaby by Mrs. Gaynor's daughter, Dorothy Gaynor Blake. THOSE EVENING BELLS. David Nyvall, B R U C H, K o l Nidrei Small Orchestra Full Orchestra Grand Orchestra Orchestral Score Four Sax. parts Jr. [Clayton F. Summy Co.] Four parts mixed, with soprano obligato, a cappella. Eight-four measure, belllike vocal accompaniment and interesting expression study. SLEEPERS, W A K E, A VOICE IS SOUNDING. WAGNER-WILHELMJ, Meistersinger, Prize Song Small Orchestra Full Orchestra Grand Orchestra Orchestral Score 1.50 1.75 2.00 2.00 an old French air arranged for three women's voices by Louis Victor Saar. Both French and English words are given, parts are tuneful, singable, in range. A light and facile song for girls' glee clubs. LA BELLA MARGHERITA, an ancient popu- WAGNER-WILHELMJ, Siegfried Paraphrase Small Orchestra Full Orchestra Grand Orchestra Orchestral Score. 1.70 2.25 2.75 2.00 lar song of Italy arranged for two sopranos and alto by Bainbridge Crist. A brisk and lively song, changing back and forth from six-eight to two-four, very trickily, with a la-la and la-di-ru accompaniment in the lower voices. Girls' glee club. BALLADE OF COLLEENS, a three part Johann Sebastian Bach. From Church Cantata No. 140. [G Schir mer, Inc.] For four part chorus of mixed voices. One of the very beautiful chorales loved by singers and hearers. Any high school chorus of serious purpose is capable of doing it reasonably well and all should have the experience of trying it. SNOW. Channing Lefebure. [G. R i cordi & Co., Inc.] Three part chorus for women's voices. Lovely, atmospheric, drifting. It changes from five-eight to six-eight, without accent, without expression. Harmony and voice lines add beauty and interest of the same spirit and the range is well suited to immature voices. Huldah Jane Kenley. Operettas T H E FARMERETTE. Claire Chapman [The Arthur P. Schmidt C o.]. An operetta for juvenile voices. The characters are garden vegetables, sunshine fairies, farmerette and assistant. The songs are quite simple and tuneful; two (N o. 3 and part of No. 9) can be transposed as much as a third higher to good advantage. The nicest bits are given to the fairies. The lines lean to the commonplace with rather heavy attempts at humor. Cuts can be made, however, and it would be a possible o p eretta for small children.–Susan T. Canfie Id. THE AUK. A Sea Fantasia. Text–James J. Montague; Music–G. A. Grant-Schaefer [The Arthur P. Schmidt C o.]. On opening the cantata the first thought is “why the auk?” The moral to the tale, however, is disclosed in the last chorus and may start some youth on the road to fame! The cantata is melodious, catchy, not difficult; is well Music Supervisors Journal chorus for tenor, tenor and bass. L. A. Mackey-Cantell. Light, fluid and vocal, in comfortable range and attractive in style, for boys' glee clubs. M A N, BEHOLD These works are unsurpassed for their artistic quality, and scholastic value. The orchestral score should be on the desk of every director for best results. Melody and words (1 5 6 6) by the Bohemian Brethren. Harmonized by Friedrich Riezel (b. 1 8 2 5). Edited by Carl F. Pfatteicher. [Carl Fischer, Inc.] THOU T H Y MASTER. Just Issued–Home, Sweet (mixed voices) Home This four part hymn is marked by the simplicity, dignity and sincere reverence characterizing the religious body of which it was an expression. Its front cover carries an interesting discussion of sources and history. It is a beautiful illustration for classes in music history or appreciation to do for themselves, and very usable for chapel or church service. Two Negro Spirituals: I' M GOIN' HOME. A crooning version by W m. J. Skeat, dedicated to and sung by the National High School Camp Chorus at Interlochen, Mich. Attributed to Clarence Cameron White. Arranged for mixed chorus by Louis Victor Saar. DOWN BY DE RIBBER SIDE. Clarence Cameron ROSS JUNGNICKEL, Inc. 122 F i f t h A v e n u e New Y o r k,. Y. Page 74 White. Arranged for mixed chorus and solo quartet by Louis Victor Saar. [Carl Fischer, Inc.] These two spirituals, to be sung unaccompanied, are so arranged as to retain their folk quality and yet conform to musicianly practice. Parts are in easy range and both songs are well suited </meta-value>
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