MusicSarreV3, Istex, Corpus, bibRecord, 000483

Front Matter

Identifieur interne : 000483 ( Istex/Corpus ); précédent : 000482; suivant : 000484

Front Matter

Auteurs :

Source :

Music Educators Journal [ 0027-4321 ] ; 1931-12.

RBID : ISTEX:2F0DA414266F5C9BBEFA1F973C66DCA88F80BE4A

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Teeft :
- Aeolian band classics, American medley march, April, Cappella, Carl fischer, Central conference, Cents piano, Claude rosenberry, Comic opera, December, East jackson blvd, Evening star, Full information, Grand rapids, Haydn, Jackson blvd, John minnema, Kansas city, Lyric soprano, Mail coupon, Midsummer dream, Mozart, Music appreciation, Music appreciation committee, Music supervisors, Music supervisors journal, Orchestra parts, School band, School orchestra, School students, Sectional, Series program december, Single copies, State chairman, Supervisor, Supervisors conference, Tobani america, Tobani american patrol, Treble instruments, Voco study plan, Voice classes.

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https://api.istex.fr/document/2F0DA414266F5C9BBEFA1F973C66DCA88F80BE4A/fulltext/pdf

DOI: 10.2307/3383348

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ISTEX:2F0DA414266F5C9BBEFA1F973C66DCA88F80BE4A

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<meta-value> I N THE F O O T S T E P S OF THE MASTERS was llie secret of TSCHAIKCWSKIS orches ion ) A C K from hungry M o s c o w trudge the beaten French, herded b y Cossacks, haunted b y the pealing of liberated belfries … O n a Serbian hillside stands a little pear tree, watching the struggle of a human soul in t h e valley below … Along t h e Danube, M o t h e r Russia interposes her shield between the T u r k and his Slavic victims… Such is t h e history and drama of Tschaikowski, pictured (except for an added tuba) b y t h e modest classic orchestra of Beethoven. His “gloomy eloquence” arises from the lower registers of t h e orchestra – and from exact knowledge of brass i n s t n i ’ ment possibilities. M o d e r n music calls on the brasses for t h e same virtuoso performance once exacted only from t h e strings. For these newer demands, the House of York has developed its line t o a point where York Instruments are gaining steadily increasing accept’ ance where the utmost is demanded … in America's greatest orchestras and bands. Yet, w i t h all the research and ingenuity t h a t have made the line one of balanced perfection, York Band Instruments are no more costly than other “ s t a n d a r d makes. For your work, a York meets every essential requirement – true in t o n ’ ation, pure tone, flexibility of execu’ tion and response. And it will tae you as far as you can go toward the heights of musical artistry. 11 new T r o m Lone L Qiori W h y be satisfied w i t h less – w h e n perfection is so easily attainable? Now the House of York brings forth a new Trombone which, we confi* dently believe, is without a superior in America or Europe. Its brilliant musical qualities are supplemented by important manufacturing improvements, giving perfect freedom and intonation in every position including the seventh. Slides, under our new process, are hard as flint and smooth as glass. Refined methods have improved the balance and reduced the weight three ounces. It's a revc lation to play this new instrument, which (with its rakish, compact case) sells for $40 to $50 less than other instruments of comparable excellence. You are invited to test and compare this marvelous Trombone under our regular 6'day free trial terms, with* out obligation. Write today for an early shipment!. CTHE HOUSE OF YORK B A N D I N S T R U M E N T C O. Vtaers of G O B N I S R M N S Since O D A D NT U E T 1882 D e p a r t m e n t 731N Grand Rapids, Mich. Page l December, Nineteen Thirty-one DURING the week beginning April 3, the huge Exhibition Hall of t h e C l e v e l a n d P u b l i c A u d i t o r i u m will h o u s e o n e of t h e g r e a t e s t e x p o s i t i o n s of m u s i c e d u c a t i o n m a t e r i a l s t h a t it h a s e v e r b e e n p o s s i b l e t o assemble. H e r e will b e d i s p l a y e d i n o r d e r l y a n d a t t r a c t i v e m a n n e r, easily accessible for e x a m i n a t i o n, t h e c r e a m of t h e b e s t a n d latest p r o d u c t s of t h e p u b l i s h e r s, i n s t r u m e n t a n d effort of c o m p o s e r s, a u t h o r s, i n v e n t o r s a n d e d u c a t i o n a l a u t h o r i t i e s. A l t h o u g h t h e e x h i b i t s will c o v e r a n a r e a a l m o s t e q u a l t o a n a v e r a g e city p r a c t i c a l l y n o n e of t h e t h i n g s y o u will see t h e r e w e r e ence w a s organised twenty-five years ago. available a t t h e t i m e t h e block, Confercraftsmen a n d e q u i p m e n t m a k e r s – a visual s y m p o s i u m, c o m p r i s i n g t h e c o m p o s i t e t h o u g h t, e x p e r i e n c e I n d e e d, t h e b u l k of t h e e x h i b i t s will r e p r e s e n t d e v e l o p m e n t s of t h e p a s t f e w y e a r s; t h e r e will b e m u c h t h a t h a s c o m e f r o m t h e p r e s s a n d t h e w o r k s h o p t h e p r e s e n t s e a s o n – a n d e v e n items t h a t a r e still i n t h e p r o d u c t i o n o r p l a n n i n g s t a g e a t t h e t i m e t h i s is w r i t t e n . So R P AI D h a s b e e n t h e p r o g r e s s of m u s i c e d u c a t i o n that, with the accompanying i m p r o v e m e n t s in a n d a d d i t i o n s t o t h e “ l a b o r a t o r y e q u i p m e n t a v a i l a b l e f o r t h e m u s i c classr o o m, t h e m e r e m a t t e r of k e e p i n g in t o u c h w i t h n e w l i t e r a t u r e, m a t e r i a l s a n d o t h e r aids p r e s e n t s a serious p r o b l e m t o s u p e r v i s o r a n d t e a c h e r s. T h i s is j u s t t h e r e a s o n w h y t h e C o n f e r e n c e authorities give t o t h e exhibits s u c h a n i m p o r t a n t p a r t in t h e C o n v e n t i o n p r o g r a m s. your JUNL O R A. I t is also t h e r e a s o n w h y s u c h g e n e r o u s u s e is m a d e of t h e a d v e r t i s i n g p a g e s of E v e r y issue of y o u r m a g a z i n e c o n t a i n s a n n o u n c e m e n t s of n e w c o m m o d i t i e s a n d m a t e rials–new a n d i m p r o v e d tools devised for y o u r use. display at t h e Cleveland M u s i c Education Exposition these columns. P e r h a p s t h e r e is s o m e t h i n g d e s c r i b e d i n a n a d v e r t i s e m e n t in t h i s issue t h a t will h a v e a n i m p o r t a n t b e a r i n g o n y o u r w o r k this season–provided y o u d i s c o v e r it i n t i m e. P r a c t i c a l l y e v e r y t h i n g t h a t will b e o n has been–or will b e – d e s c r i b e d in OUR P I T ON cance. is t h a t, w h i l e n o t h i n g else c a n t a k e t h e place of t h e p e r s o n a l v a l u e t o y o u of t h e e x h i b i t s a t t h e Silver A n n i v e r s a r y M e e t i n g n e x t A p r i l, t h e a d v e r t i s i n g s e c t i o n – t h e “ e x h i b i t d e p a r t m e n t ”, if y o u will–of t h e JUNL O R A, is of e q u a l a n d c o n t i n g e n t signifi- I n fact, as a n a l e r t s u p e r v i s o r o r t e a c h e r, w e h o p e y o u o v e r l o o k n o m e d i u m of cont a c t w i t h t h e s t r e a m of n e w p r o d u c t s, i n o r d e r t h a t y o u m a y h a v e p e r s o n a l k n o w l e d g e of t h e offerings, a n d d e c i d e f o r y o u r s e l f w h a t i n t e r e s t s y o u, a n d w h a t d o e s n o t; w h a t y o u w o u l d like t o i n v e s t i g a t e f u r t h e r – a n d w h a t is of sufficient i m p o r t a n c e t o o r d e r f o r i m m e d i a t e exa m i n a t i o n o r trial. RAN T A T N O TE D t h e Silver A n n i v e r s a r y C o n f e r e n c e a t C l e v e l a n d, A p r i l 3 - 8. T a k e a d v a n t a g e of all t h e f e a t u r e s of t h e g r e a t p r o g r a m t h a t h a s b e e n p r e p a r e d for y o u, a n d s p e n d as m u c h t i m e as possible i n E x h i b i t i o n H a l l d u r i n g t h e p e r i o d s a l l o t t e d for t h a t p u r p o s e. I n t h e m e a n t i m e, r e a d t h e a d v e r t i s e m e n t s in t h e zines. J U N L and O R A, other music maga- If t h e y tell y o u of s o m e t h i n g t h a t y o u w o u l d like t o i n v e s t i g a t e n o w, r e m e m b e r t h a t it is n o t n e c e s s a r y t o w a i t u n t i l y o u c a n visit t h e e x h i b i t – t h e e x h i b i t c a n b e b r o u g h t t o y o u, if y o u will g e t in t o u c h w i t h t h e p u b l i s h e r or m a n u f a c t u r e r of t h e article t h a t i n t e r e s t s y o u . MUSIC E U A I N E HBT R AS CA I N D C TO X I I O S SO I TO EAST JACKSON BLVD., CHICAGO, ILLINOIS Franklin Dunham, President. Earl V. Hadley, Vice-President. Joseph A. Fischer, Secretary-Treasurer Directors: E u g e n e E. Gamble, J. F. Boyer, J. Tatian Roach, Blanche H. Skeath 64 Page 2 Music Supervisors Journal CONTENTS FOR DECEMBER M Advertisers' Index 4 N e w s and Comments 6 and 8 M u s i c T e a c h e r s N a t i o n a l Association 10 E d i t o r i a l O p i n i o n s – T h e Silver A n n i v e r s a r y, t h e S u p e r v i s o r as T e a c h e r, M e m o r i z i n g School Songs 13 a n d 29 A N e w Challenge for t h e M u s i c S u p e r v i s o r. Y o u n g Cleveland T u n e s U p. Lillian A c c e n t a n d t h e Msalliance in S o n g . U E R U S V R I I N S C O L R S S U J P O A OFFICIAL ORGAN OF T H E Music Supervisors National Conference a n d of t h e Six U n i t e d C o n f e r e n c e s CALIFORNIA WESTERN SCHOOL M U S I C CONFERENCE EASTERN M U S I C SUPERVISORS CONFERENCE NORTH CENTRAL M U S I C SUPERVISORS CONFERENCE NORTHWEST M U S I C SUPERVISORS CONFERENCE SOUTHERN CONFERENCE FOR M U S I C EDUCATION SOUTHWESTERN M U S I C SUPERVISORS CONFERENCE Augustus D. Zanzig L. Baldwin… 16 20 22 14 T. Campbell Young N a t i p n a l H i g h School C h o r u s a n d O r c h e s t r a Planning an Instrumental Rehearsal. N a t i o n a l M u s i c D i s c r i m i n a t i o n Contest. Arthur L. Williams 23 26 VOL. X V I I I DECEMBER, A YEAR THE 1931 15, DEC. 1, NO. FEB. 2 1, P r e s i d e n t's P a g e. Russell V. Morgan 28 F a c t s A b o u t t h e Silver A n n i v e r s a r y C o n f e r e n c e …. 3 0 Cleveland H o t e l s 31 S u g g e s t i o n s for a Self S u r v e y of School M u s i c. T e s t i n g t h e A p p r e c i a t i o n H o u r in R u r a l Schools. Music Appreciation Committee PUBLISHED FIVE TIMES MARCH 15, MAY 1) CONFERENCE, 6 4 SUBSCRIPTION: (OCT. MUSIC BY SUPERVISORS NATIONAL $1.75 W. E. JACKSON BLVD., $1.00 PER YEAR; EDWARD B. CHICAGO, ILLINOIS. FOREIGN CANADA $ 1. 2 6; BIRGE, SINGLE CONIES 2 5 C EDITORIAL BOARD: W. C. CHAIRMAN; JOHN BEATTIE; A N N E LANDSBURY BECK, GEORGE OSCAR BOWEN, PETER D Y K E M A, WILL EARHART, M A X T. V. KRONE, PAUL J. WEAVER, BUTTELMAN (MANAGING EDITOR). John W. Beattie 33 Margaret Harrison 36 V o c a l M u s i c D e p a r t m e n t. Hollis Dann 39 I n s t r u m e n t a l M u s i c D e p a r t m e n t. Joseph E. Maddy. AS COPYRIGHT, 1 9 3 1, B Y THE M U S I C SUPERVISORS NATIONAL CONFERENCE B a n d a n d O r c h e s t r a Contest M u s i c L i s t s 45 C a l i f o r n i a W e s t e r n C o n f e r e n c e. Mary E. Ireland… 4 8 E a s t e r n C o n f e r e n c e. Mark A. Davis 52 N o r t h C e n t r a l C o n f e r e n c e. Gaylord R. Humberger. 54 N o r t h w e s t C o n f e r e n c e. Grace E. P. Holman 56 S o u t h w e s t e r n C o n f e r e n c e. Jessie Mae Agnew 58 S o u t h e r n C o n f e r e n c e. Frank C. Biddle 60 B o o k a n d M u s i c R e v i e w s. Will Earhart 62 R e c o r d R e v i e w s. Paul J. Weaver 68 R e c e s s. Mark Time 72 A r m c h a i r Gossip. E. S. 74 Headquarters Matters 79 a n d 80 r . ENTERED AS SECOND CLASS MATTER OCTOBER 1 8, 1 9 3 0, AT THE ST OFFICE AT CHICAGO, ILLINOIS, UNDER THE ACT OF MARCH 1879. M U S I C FOR EVERY CHILD–EVERY CHILD FOR M U S I C Music Supervisors National Conference RUSSELL V. MORGAN, PRESIDENT EXECUTIVE COMMITTEE: RUSSELL V. MORGAN, CLEVELAND, O.; FRANK A. BEACH, EMPORIA, K A N S.; A D A BICKING, LANSING, M I C H.; WALTER H. BUTTERFIELD, PROVIDENCE, R. I.; KARL W. GEHRKENS, OBERLIN, O; MABELLE GLENN, (1ST V I C E - P R E S.). KANSAS CITY, M O.; M A X T. KRONE (2 N D V I C E - P T E S.), CLEVELAND, O. EXECUTIVE SECRETARY: C. V. BUTTELMAN. HEADQUARTERS AND PUBLICATION OFFICE: BOULEVARD, SUITE 8 4 0, CHICAGO, ILLINOIS. BOARD OF 64 EAST JACKSON DIRECTORS DENVER COLO.; SAN NATIONAL CONFERENCE: JOHN C. KENDEL, FRANCES DICKEY NEWENHAM, SEATTLE, W A S H. CALIFORNIA CONFERENCE: FRANCISCO, CAL.; GLENN H . MARY WEAVER MCCAULEY, W O O D S, OAKLAND, CAL. EASTERN CONFERENCE: M. CLAUDE ROSENBERRY, P A.; JAMES D. PRICE, HARTFORD, CONN. HARRISBURG, NORTH CENTRAL CONFERENCE: H E R M A N F. SMITH, MILWAUKEE, W I S.; ALICE INSKEEP, CEDAR R A P I D S, IOWA. NORTHWEST CONFERENCE: HELEN COY BOUCHER, W A S H.; MARGUERITE V. HOOD, HELENA, MONT. SEATTLE, SOUTHERN CONFERENCE: WILLIAM C. MAYFARTH, SPARTANBURG, S. C; GRACE V A N DYKE MORE, GREENSBORO, N. C. CONVENTION DATES SOUTHWESTERN CONFERENCE: GEORGE OSCAR OKLA.; J. LUELLA BURKHARD, PUEBLO, COLO. BOWEN, TULSA, December 29-31, 1931–Music Teachers National Association a t D e t r o i t, M i c h i g a n (H o t e l B o o k - C a d i l l a c) . (F O R NAMES OF SECTIONAL CONFERENCE OFFICERS, SEE SECTIONAL CONFERENCE DEPARTMENTS IN THIS MAGAZINE.) MEMBERSHIP A N Y PERSON INTERESTED IN M U S I C EDUCATION MAY BECOME A MEMBER OF THE MUSIC SUPERVISORS NATIONAL CONFERENCE UPON PAYMENT OF THE PRESCRIBED DUES, WHICH AUTOMATICALLY INCLUDE MEMBERSHIP OF THE SAME CLASS IN THE S E C TIONAL CONFERENCE IN WHOSE TERRITORY THE MEMBER RESIDES. D U E S : ASSOCIATE $ 2. 0 0; ACTIVE $ 3. 0 0 *; CONTRIBUTING $ 1 0. 0 0 *; SUSTAINING $ 5 0. 0 0 *; LIFE $ 1 0 0. 0 0 *; PATRON $ 1, 0 0 0. 0 0 *. INCLUDES SUBSCRIPTION TO THE MUSIC SUPERVISORS JOURNAL. January 21-22,1932–Association of A m e r i c a n Colleges, N e t h e r l a n d P l a z a H o t e l, Cincinnati, O h i o. of S u p e r i n t e n d e n c e, …, at W a s h i n g t o n, D. C. February 20-25, 1932–Department April 3-8, 1932–Music Supervisors National Conference Silver A n n i v e r s a r y M e e t i n g at Cleveland, O h i o. Education Association June 26-July 1, 1932–National at A t l a n t i c City, N e w J e r s e y . December, Nineteen Thirty-one FOR FURTHER INFORMATION ADDRESS THE EXECUTIVE SECRETARY MUSIC SUPERVISORS NATIONAL CONFERENCE 6 4 EAST JACKSON BOULEVARD SUITE 8 4 0 CHICAGO, ILLINOIS Page 3 ADVERTISERS' INDEX OUTSTANDING FOR JUNIOR AND MUSIC SENIOR HIGH TEXTS SCHOOLS American Book Company Arfredgar Press, The 51 56 Birchard & Company, C. C Back Cover, 52, 53, 60, 76 Clark-Brewer Teachers Agency Cleveland Institute of Music Congdon & Company, C. H Conn, Ltd., C. G Cundy-Bettoney Company, The Curtis Class Piano Course Deagan, Inc., J. C Denison Company, T. S Ditson Company, Inc., Oliver Educational Music Bureau ….48 6 71 5 6 61 76 76 40-41 55 69 46 32 43 38 Cover 3 63 9, 73 10 42 10 61 4 11 57 53 8 78 42 55, 67 51 UNIVERSAL SONG BOOK Damrosch-Gartlan-Gehrkens I n c l u d e s f o l k s o n g s of all n a t i o n s, s p i r i t u a l s, s o n g s b y c o n t e m p o r a r y c o m p o s e r s, s o n g a r r a n g e m e n t s f r o m g r e a t s y m p h o n i e s a n d m a s t e r p i e c e s of m u s i c w h i c h Mr. D a m r o s c h has selected as an aid to music appreciation. BOOK FOUR, UNIVERSAL SERIES Damrosch-Gartlan-Gehrkens The s o n g s include unison, two, three and four-part arrangements suited to the m a n y a n d v a r i e d g r o u p i n g s t h a t n e c e s s a r i l y a p p e a r in J u n i o r H i g h S c h o o l s. A l s o contains special s u p p l e m e n t devoted to Musical I n s t r u m e n t s and Music History. Fearis & Bro., J. S Fillmore Music House Fischer, Inc., Carl Fischer & Bro., J FitzSimons Company,. Fox Publishing Company, Sam Galaxy Music Corporation Gamble Hinged Music Company General Acoustics Company Haake, Gail Martin Haynes Company, W m. S Haywood Institute of Universal Song Hinds, Hayden & Eldredge Holton & Company, Frank Hotel Blackstone Hotel Drake Hotel Stevens Ihling Bros., Everard Company Jacobs, Inc., Walter Jenkins Sons Music Company, J. W Jones, L. R SUPPLEMENTARY SIGHT-SINGING EXERCISES Damrosch-Gartlan-Gehrkens T h e m u s i c a l t r e a s u r e s of the w o r l d in folk s o n g a n d u n h a c k n e y e d s t a n d a r d m a t e rial c a r e f u l l y g r a d e d f r o m e a s y m e l o d i e s in m a j o r k e y s t o difficult s t u d i e s in part singing. ASSEMBLY SONGS FOR EVERY OCCASION George H. Gartlan T h e m o s t c o m p r e h e n s i v e c o l l e c t i o n of s c h o o l s o n g s p u b l i s h e d, i n c l u d i n g P a t r i o t i c S o n g s, Community Songs, American Songs and Spirituals, H y m n s, Songs for Holidays and School Occasions and specially arranged part s o n g s and choruses. Kay & Kay Music Publishing Corporation. 58 HIGH SCHOOL SONGS FOR EVERY OCCASION Lambert Studios Langenus, Inc., G Lester Piano Company Lorenz Publishing Company Ludwig & Ludwig Ludwig Music Publishing Company Lyon & Healy McDonough Music Company, Anne Miessner Institute of Music Miller Music Inc Musical America Musical Research Society, The Music Education Exhibitors Association Music Service Music Supervisors National Conference 71, 77, Nicomede Music Company Northwestern School of Music Pauli Pioneer Music Company Pedler & Company, Harry Penzel, Mueller & Co., Inc Presser Company, Theodore Preufer Mfg. Company, G Roosa, Harris F Schirmer, Inc., G Schmidt & Co., Arthur School Music Schwartz Music Company, Inc., J Selmer, Inc., H. & A Silver, Burdett & Company Sims Song Slide Corporation Summy & Company, Clayton F University Extension Conservatory University of Michigan Vega Company, The Voit Company, Inc., W m White Company, The. Willis Music Company Witmark & Sons, M Worley Company, John Instrument Company York Band 76 47 56 60 59 58 75 69 49 65 76 53 2 52 78 60 55 77 47, 78 50 36 50 61 44 48 6 8 79 Cover 1 53 56 54 71 77 71 35 7 12 60 Page 1 Gartlan and Donnelly M u s i c i a n l y a r r a n g e m e n t s t h a t a r e w i t h i n t h e v o c a l a b i l i t i e s of the a v e r a g e h i g h s c h o o l g r o u p a n d t h a t w i l l h e l p to t e a c h t h e r u d i m e n t s of h a r m o n y t h r o u g h t h e m e d i u m of s o n g. C o m p l e t e o r c h e s t r a t i o n a v a i l a b l e . HIGH SCHOOL CHORUSES FOR SPECIAL OCCASIONS Gartlan and Donnelly F i f t e e n s e l e c t e d c h o r u s e s t h a t s h o u l d be in t h e r e p e r t o i r e of e v e r y H i g h S c h o o l Glee Club. Purchased separately in octavo form, the cost of these selections would b e a t l e a s t five t i m e s t h a t of t h i s book. MELODIC VIOLIN METHOD George E. Hubbard An epochal work–new and original. Completely illustrated charts for checking p r a c t i c e A E a c h b o o k c o n t a i n s t w e n t y l e s s o n s, the t w e l f t h a n d t w e n t i e t h of w h i c h are p r o g r a m s A B o o k s a r e the r i g h t size to fit s n u g l y in t h e v i o l i n c a s e w i t h o u t f o l d i n g A B l a n k s t a v e s are p r o v i d e d at f r e q u e n t i n t e r v a l s so t h a t the t e a c h e r m a y p r o v i d e a d d i t i o n a l e x e r c i s e s of h i s o w n s e l e c t i o n . For Group Instruction–In T w o Volumes Examination copies cheerfully sent on request HINDS, HAYDEN & ELDREDGE, Inc. 5 U N I O N SQUARE NEW YORK CITY /uwtiuir /mi il mi/ Page 4 MUU m/v // J-v yjwnK-yqi*TM Music Supervisors Journal . National Runners-up Play C O N N I nstruments The trophy shown above was w o n by Marion at the 1931 National High School Band Contest, Tulsa, Oklahoma. It symbolizes Marion's rapid rise to national recognition and, n o doubt, forecasts an even more brilliant future. The photograph shows the prize winning band w i t h i t s practically 100% Conn equipment. T H E M A R I O N High School Band, also w o n o n C o n n instruments. Each year it Marion, Indiana, winner of Indiana is the same. Surely this remarkable record is State Championships in 1926, 1927 of real significance t o every director, music and I 9 2 9, forged ahead t o well deserved supervisor and individual musician. national prominence when it w o n second If you want your band t o make m o r e rapid place, Class A, at Tulsa this year. progress and attain greater musical success, Its splendid achievement is due largely t o equip with Conns. Every C o n n added t o the ability and foresight of its able director, your instrumentation enhances its performC. R. Tuttle, w h o first determined what it ance and its chances for success. H o m e trial, takes t o build a successful band a n d then convenient payments make purchase easy. followed through courageously with the See your C o n n dealer or write for literature. C. R T U T T L E. building. In addition to sound instruction Director Marion M e n t i o n instrument or instruments which and direction, Mr. Tuttle early recognized High School Band interest y o u most. the necessity of insisting on g o o d instruments. V A L U A B L E CHARTS FOR M U S I C S U P E R V I S O R S H e says, “ W e urge t h e pupils in our grade school bands t o purchase g o o d instruments. W e find that only C o n n's Band a n d Orchestra Charts are a wonderful about 5 % of those w h o o w n g o o d instruments fail t o teaching aid. Standard i n hundreds o f schools. Set of succeed, while 4 0 % of those w h o purchase cheap incharts o n 18 instruments a n d text book, H o w Music is struments become discouraged a n d d r o p out. O u r H i g h M a d e, “ sent postpaid for $ 1, about one-tenth retail value. School Band has a practically complete set of C o n n InstruConn's Band Organizing Plan makes it possible t o start ments, contributing t o a finished performance which it with beginners a n d have a playing band in 4 t o 6 weeks. would b e difficult if n o t impossible t o secure in any Factory organizers handle all details. Full information and other way. There is n o doubt but that these splendid infree b o o k, B a n d O r g a n i z i n g M a d e E a s y, “ s e n t without ob* struments have helped our band in its rapid progress.” ligation to music supervisors, directors or any school official. Marion's experience is entirely typical. Consider that C. G. C O N N, Ltd., 1 2 1 2 C O N N B l d g., E l k h a r t, I N D. all three of the 1931 prize w i n n i n g Class A bands a n d both first and second place Class winners are largely Conn equipped. A majority of t h e prize winning soloists IF IT CONN IS IS NOT A ON THE INSTRUMENT CONN NOT GENUINE mm INSTRUMENTS 5 AND WORLD'S LARGEST MANUFACTURERS December, Nineteen Thirty-one Page 5 for any occasion, material just write us to send suitable “for examination“ Y A B I C E N T E N N I A L OF W A S H I N G T O N'S WILL BE CELEBRATED 11 ASHINGTON'S SHORT BY LINA WOVEN CIDENT. LORING, THE BIRTHDAY,“ IN TWO JUVENILES, IS LAID IN A IS IN- BIRTHDAY OPERETTA FOR THE SCENE ACTS THROUGHOUT THE N A T I O N I N A SERIES OF E V E N T S F R O M F E B R U A R Y 2 2 TO N O V E M BER 24. AS WAS MUSIC THE A WILL FATHER OF OUR OF BE ARE COUNTRY MUSIC, PROFOUND LOVER AROUND CHERRY-TREE THE G A R D E N OF W A S H I N G T O N'S H O M E. T H E R E ARE FOUR PRINCIPAL CHARACTERS A N D A C H O R U S OF A S M A N Y DESIRED. THE B O Y S OR GIRLS A S REIT THIS P I E C E I S TUNEFUL, UNDOUBTEDLY WE O N E OF T H E M O S T I M P O R T A N T IN THIS C O M M E M O R A T I O N . FACTORS FRESHING A N D B R I S K W I T H A C T I O N. PATRIOTIC Co.) WORKS PUT OUT BY E Q U I P P E D TO FILL Y O U R M O S T EXACTING R E Q U I R E M E N T S FOR CHORUSES, OPERETTAS, “V SOLOS, E T C., ETC. I S O N E OF A S P L E N D I D A S S O R T M E N T OF CELEBRATED H O U S E OF OPERETTAS. (The Willis Music FEB. 14 MAR. I Seasonable Operettas PRINCE SCHOOLS. CHARMING. BY JOS. CAST SCORE 1.00 1.00 SURDO A C O M I C OPERETTA I N O N E ACT FOR H I G H U N I S O N OR T W O - P A R T. M A Y B E LARGE OR SMALL. The Psychological Course for School Orchestra and Bands “UNIVERSAL TEACHER”–BY T H E BEGINNER'S BOOK PIANO MADDY & GIDDINGS 1.00 (Conductor's SCORE) .75 REPERTOIRE“ PIANO 1.00 .75 SITUATION. FULL I N S T R U M E N T A T I O N, ALL P A R T S, EACH ORCHESTRATION O N RENTAL. S T A G E G U I D E THE A WISHING WELL. BY BASED J. ON W. MUSICAL COMEDY THE TEN., 1.00 1.00 PERM SCORE BY A. ACTS, 1 MAND 1.0 1.0 SCORE VOLUME 1 DODGE “INSTRUMENTAL FITE ANY QUARTET 17 CONCEIVABLE F A M O U S I R I S H LEGEND I N THREE ACTS FOR H I G H SCHOOLS. 2 BAR., 2 SOP., MUSIC. 1 1 PRINCIPALS, 1 1 CONT. CHARMING FULL I N S T R U M E N T A T I O N, ALL P A R T S, EACH “INSTRUMENTAL TECHNIQUE” BY MADDY & GIDDINGS PLAYING. E A S Y TO STAGE. T H E K E Y TO SUCCESSFUL E N S E M B L E ORCHESTRATION O N RENTAL. S T A G E G U I D E T H E L A D Y OF THE T E R R A C E. A R O M A N C E OF IRELAND OR B A R., 1 CONT. WITH 3 BAR., 2 VERY IN TWO FOR H I G H SCHOOLS. TEN. SOP., FULL I N S T R U M E N T A T I O N, ALL P A R T S, E A C H .50 “WILLIS G R A D E D SCHOOL ORCHESTRA A N D B A N D S E R I E S VOLUME I. 1 6 EASY PIECES. 1 0 PRINCIPALS, SOP., UNIQUE PICTURESQUE TUNEFUL MUSIC. E A S Y TO S T A G E . PIANO FULL I N S T R U M E N T A T I O N, ALL P A R T S, EACH II. 1 3 M E D I U M PIECES. PIANO (Conductor) .50 1.00 (Conductor) FULL SCORE .75 5.0 1.00 Operettas of Patriotism PAUL REVERE. A B Y M A Y HEWES DODGE AND J. W. T H R E E ACTS. 1 0 PRINCIPALS, FOR H I G H S C H O O L S. SOP., 1 TEN., 2 THE P L A Y. ORCHESTRATION O N RENTAL. WHEN A ACTS. TRY LAND BETTY RM O M A D E OLD GLORY. E A S Y TO C O S T U M E. SHOW FOR BAR. GOOD COMEDY ORCHESTRATION O N RENTAL. S T A G E G U I D E VOLUME FULL I N S T R U M E N T A T I O N, ALL P A R T S, EACH 10 FAVORITE CLASSICS. PIANO DODGE 3 1.25 1.00 III. TRADITIONAL STORY I N A BEAUTIFUL M U S I C A L SETTING THROUGHOUT SCORE STAGE G U I D E BY 3 .60 1.00 (Conductor) .75 5.00 FULL S C O R E S Y M P H O N I C I N S T R U M E N T A T I O N, EACH PART For Qrade Schools and Junior High “THE BY LITTLE FOLKS THE OWN ORCHESTRA” BEGINNERS SOON .75 .40 B Y GRIFFITH L E W I S G O R D O N “PLAYING WORDS” DEVELOP ASTONISHING E N S E M B L E. P I A N O (W I T H W O R D S, STORY OF P I E C E A N D H I N T S) FULL I N S T R U M E N T A T I O N, ALL P A R T S C O N T A I N W O R D S, EACH WALLACE. C H A R M I N G LITTLE M U S I C A L P L A Y FOR J U V E N I L E S I N T I M E 1 } HOURS. A MINSTREL SCORE JUNIOR-HIGH B Y FRED JOHNSON. O'C O T T O N . C A N B E G I V E N I N A SETTING OF “ALL N A T I O N S W I T H U N C L E S A M A S T H E INTERLOCUTOR. ORCHESTRATION O N RENTAL. A COMPLETE DESCRIPTIVE OPERETTAS“ WILL B E SENT F R E E U N I S O N OR C H O R U S SCORE STAGE G U I D E CATALOG ON ”WILLIS’ REQUEST 1.00 1.00 I T H E “ S C H O O L ORCHESTRA M A I L O R D E R S E R V I C E CONTAINING SAMPLE INSTRUMENTAL SEND PARTS OF II I II || TWELVE I M P O R T A N T W O R K S FOR SCHOOL B A N D S A N D ORCHESTRAS'IS F R E E. FOR A C O P Y. U S YOUR N A M E A N D A D D R E S S A N D THAT OF Y O U R FRIENDS T December, Nineteen H E Thirty-one W I L L I S M U S I C C O Page 7 137 W e s t Fourth Street, Cincinnati, Ohio FOK NEW CHORUSES SA SSA SSA SSA SSAA SSAA TTBB TTBB TTBB TTBB SATB SATB SATB SATB C-HOKfIL .15 .10 .15 .12 .15 .20 .20 .15 .15 .15 .15 .12 .12 .15 GROUPS IMPROVE CHORUS SINGING In Italy Jeanne Boyd T i s Spring Frances C. Darr Calm Be T h y Sleep Hoble Cain N o c t u r n e (a cappella). Elizabeth A. Coo Calm Be T h y Sleep (a cappella) Cain T h e N e w M o o n (two piano acc.) …Price T h e Mongrel Yank W. L. Dawson A Ballad of Trees a n d t h e M a s t e r. Bergen A Spring Song Pinsuti-T attersall Calm Be T h y Sleep (a cappella) Cain Calm Be T h y Sleep (a cappella) Cain N e w Year's Eve (a cappella). Protheroe C o u l d I Speak J. W. Thompson O u t of t h e Deep Have I Cried U n t o T h e e R. G. Jones CHRISTMAS Marryott Marryott Rntgen by Combining Voice Training with Rehearsals BEAUTIFY ENUNCIATION AND INTERPRETATION G I V E EDUCATIONAL INTEREST TO REHEARSALS T h e Voco Study Plan by Charles N o r m a n Granville, provides solutions to problems encountered i n t h e study of songs. T h e fundamentals of singing a r e interestingly presented in novel b u t sound form, t h e understanding of which eliminates t h e danger of voice strain. This work, designed especially for choirs, choruses and voice classes of adults or children, makes t h e w o r k of teachers a n d conductors more effective a n d enjoyable. Be one of t h e many whose value as a teacher has been enhanced through t h e use of THE VOCO STUDY PLAN S A T B Joseph's Carol (a cappella) S A T B W h a t Child is This? (a cappella) Ralph A. S A T B Christmas Carol Julius .12 .15 .15 Ask us t o send a copy a n d t h e Teacher's M a n u a l for examination. If you teach privately, let us help you develop voice classes. VOCO STUDY PLAN, SINGLE COPIES $1.12 TEACHER'S MANUAL 2 T 1 1 COPIES, EACH… $ 0. 9 0 O 1 2 O MORE, EACH R 84 $0.50 Single copies of these or music of any other publisher will gladly be sent for your approval on request. Order a selection describing your needs. FOR I N S T - R U N T - A L MIRICK GOU-PS METHOD I N N E W FORM! BINDING “TECHNICAL F U N F o r A l l I n s t r u m e n t a l G r o u p s – b y W. A. S tor er FOR B A N D, ORCHESTRA A N D CLASS “TECHNICAL FUN” PRESENTS A MOST COMPREHENSIVE SET OF 2 4 LES’ SONS IN MAJOR AND MINOR KEYS. IT PROVIDES EIGHT PROGRESSIVELY ARRANGED EXERCISES IN EACH LESSON, YET A L HARMONIZE. THIS PER’ L MITS BEGINNER AND ADVANCED PUPILS T PLAY TOGETHER EXERCISES O AS EASY O AS DIFFICULT AS THE INDIVIDUAL REQUIRES. R SUPPLEMENT O F L O ANY BEGINNERS’ METHOD WITH “TECHNICAL R OL W FUN” AND YOU PROVIDE AFINEBACKGROUND F R PLAYING BAND AND O ORCHESTRA MUSIC. ORDER “ON APPROVAL”–A BOOK FOR EACH PUPIL An Achievement–$035 per Book C Treble Instruments F Treble Instruments flat Treble Instruments D flat Treble Instruments flat Treble Instruments Viola–Alto Clef Bass Clef Instruments Drums FIRST FORTY LESSONS FOR VIOLIN FIDDL-ETTE CLASSES by Edwin Harris AND Bergh COMBINING LOOSE-LEAF ADVANTAGES WITH Permanent THE MIRICK METHOD OF INSTRUMENTAL INSTRUCTION F R BAND O (AND ORCHESTRA AD LIB.) IS NOW AVAILABLE “WITH HINGED COVERS.” STRIPS OF GAMBLE HINGE ATTACHED T THE COVERS MAKE A HINGED O FOLIO T WHICH EACH LOOSE'LEAF LESSON MAY BE PERMANENTLY AT’ O TACHED A THE TIME THE PUPIL RECEIVES THE LESSON. T THE ONLY DIFFERENCE IN COST IS “WITH HINGED COVERS” NET LIST PRICE IS CHARGED IN REGULAR FORM 2 0 % DISCOUNT ALLOWED PARTS PUBLISHED F R ALL INSTRUMENTS O $0.75 DIRECTOR'S MANUAL AND SCORE, EACH 1.50 N E W – F Mezzo Saxophone Part–JUST PUBLISHED! GAMBLES CLASS METHOD FOR STRINGS by Max I. Fischel and Aileen Bennett NOW COMPLETE–COMPREHENSIVE–GRADED FOR SEPARATE CLASSES O ENSEMBLE GROUPS OF VIOLIN, VIOLA, R CELLO AND BASS. Teachers Will Find This Series INTERESTING, PRACTICAL, SOUND PEDAGOGY THAT IS PRODUCTIVE OF EXCELLENT RESULTS. SINCE PUBLICATION OF BOOK I, THIS SERIES HAS HAD A CONSTANTLY INCREASING SALE. IF YOU ARE NOT USING IT, BE SURE T O SEND F R APPROVAL COPIES. O NEW ENLARGED EDITIONS–IN THREE VOLUMES BOOK I–ELEMENTARY Prices (Usual Discounts) BOOK II–INTERMEDIATE VIOLIN …. 6 0 C CELLO BOOK III–ADVANCED VIOLA 75C BASS A METHOD F R YOUNG BEGINNER CLASSES THAT DOUBTLESS IS THE O MOST INTERESTING AND PRACTICALLY ARRANGED BOOK F R THIS PURPOSE. O INSTRUCTORS HAVE MARVELLED A THE INTEREST MAINTAINED IN THEIR T CLASSES BY USE OF MR. BERGH'S BOOK. THE AUTHOR IS ENDOWED WITH A RARE ABILITY TO TEACH CHILDREN SUCCESSFULLY. THIS IS REFLECTED IN THE WORK HE HAS CREATED. VIOLIN PART $0.75 PIANO ACC. (B Y DON WILSON)… 1. 5 0 “Gambleized Music” Means Economy–available on all publications Subject to Quantity Discounts 75C 75C G f l m L U I N G D mUSIC C O . 2 2 8 SO.ume-AS-H -fW-E. CHICAGO Complete Service on all Publishers' music– let us serve you December, Nineteen Thirty-one Page Iftottott Band Instruments THE C L E I T T U P T O L GA E R M E TUY A AS CA A OG TU PT RL N RORT MN RMES I T. BIT T CM R FVRB W TE U O O P E AOAY T H L A LI H AEAE S CLD SADR LE BT A V G O AE TNAD I S U T R L N A PPLR PIE WL WH TE RC O A R E TN H E H U C L II A O TE PRN O TE AEAE SHO BY F H AET F H V G COL O R AD GL MD T PA A WL A SL. N I. AE O LY S E S EL R L P P L R PRICED EDITIONS O F M U OU A F A OS BAND I S R M N MASTERPIECES NT U E T HLO CLEAE BN N RMNS WE CET FR TE SHO OTN OLGT AD IS U ET E R E O H COL I T R AD BN MRE. TE ME I EEY RSET TE DMN O AD AKT HY ET N V R E C H E AD F P A AU MSIN FR QAIY A PPLR P I E. MTR UIAS O UL T O A R S E C T U C T E A E G O L O I G T E RH AD AT C H Y R O D O KN. HI C N RSI RI I T AERNE W NATY I PES Y U P AAC L IS NL MRS O. P IT L T E P RO M P R E T Y TE HV TE T N, TE H Y E F R E F C L. HY AE H OE H PRC TN G TE ASLT ES O PAN DMNE B GET EF T UI, H B UE A F LYG E ADD Y R E N O E I A A TT, – AD I A GET DGE TA YU W FINDI MN RI S S NN R E ERE HN O L AR I L N AY POEOA ISRMNS RFS NL NTU ET. S I T E E D U V L E. TUY POEOA QAIY I TE R M N O S A U S RL RFS NL UL N H S I T PIE RNE O TE SHO BN – TE GETT BN NRMN R AG F H COL AD C H R E AD IS U ET AS T VLE EE OFRD AUS V FEE. R A D B S O A L FAK HLO C. PODY PT IS N E T F L. RN OTN F O RUL US T NM O A O IS POUT YU GAAT O HNS WRMN A E N L F T RDCS OR URN F OE OK AL; Y T S I AD FR P I E H N A R. P IC M I T E C U O. W W PO PL SN N R AO AL H O P N E L RM Y ED IF MTN I L T OI O TE NRMN YU ID AE TY A CLEAE FR T, DY N H IS U ET O NI T. R T C OLGT O E AS I N FE. RE FR T E S PR IO O H UE V R S IVSIAE TE HLO GAATE PA TA POUE A PAN NE GT H OTN URNED LN HT RDCS T LYG I BN I 12 W K W OT FACL R T TE SHO O PRNS AD N E S T U NNA S O H COL R AET. E IH I I I K N O E PA LE I. T E CU N W BIG DTIS O T R LN K T H OP L R EA. H I OIN L L Frank H o l t o n & C o . MKR O A E I A GETS BN ISRMNS A ES F M R S RAET AD NTU ET CELH R, WS O SN LC ON I C N I I F R A N K H O L T O N & CO., J 600 Church St., Elkhorn, W i s. I D m Send me Free Loan Application. I am interested T E AMN SHO BN W OGNE I S P H L OD COL AD A RAZD N E“ S I TME, 1930 B FAK HLO 6 C, AD E BR Y RN OTN ? O N. CMEL E UPD W HLO CLEAE I ’ O PTY QI E T OTN OLGT N LE P I H I SRMNS UDR TE CPBE DETN O RSL TU ET NE H A L RCO F UEL. A II S R GIDE T I FINEBN NT OL WNFIRSTPAE. RL H N S AD O N O Y LC I TE WC NI CNE I M Y 1931 AAS N H I OS OTS N A, SN T GN IT EH O E ETAT BT WS GE SEIL MNO GT T R NRNS U A I N PC ETN I H, V A I FR OTADG PROMNE O US NN EFR AC. TI December, Nineteen Thirty-one Send Details of your School Band Plan. Name Street Address City State … Page n THE ELOQUENT BATON I ER AT A H R] CHRISTMAS CAISTATAS *THE *GLAD **THE IN WONDROUS TIDINGS FIRST STORY (KOUNTZ) EACH. (KOUNTZ) T H E GREAT ORATORIO, I N A R E V I S E D (KOUNTZ)– AND ABRIDGED EDITION.BY RICHA PENNY ERETTA STRONG FOR C H R I S T M A S FOR CHILDREN STORY,. 6 0. THE O L D W O M A N W H O (JEWITT). OPERETTA (FIELDS). OPALONE–UNUSUALLY THE MESSIAH JOY TOMMY OPERETTAS MURPHY'S CHRISTMAS (PENN). S.A.–S.S.A.–S.A.T.B.–60C OF G R E A T CHRISTMAS –S.A.B.–.60. S.A.–.60. BETHLEHEM LOS– .60. *Stageguide **Stageguide for dramatizing for dramatizing 75 25 (KRNITZ)–S.S.A.–.60. A.T.B.–SO- OPERETTA FOR ADULTS A N D CHILDREN,. 6 0 . ARD K O U N T Z, I S M A D E PRACTICABLE FOR HIGH SCHOOL CHORUS, 1. 0 0 . GLORY TO G O D (P E ERY)–S. CHRISTMAS W I T H LIVED IN A SHOE FOR Y O U N G CHILDREN,. 5 0 . H E AC P E L - APLA will consist of eleven v o l u m e s, g r a d e d a s t o difficulty, a n d, w h e n completed, will c o n s t i t u t e a complete c o u r s e in a cappella singing. V o l u m e I I I – S. A. B, (m e d i u m t o diffic u l t), t h e first volume published, is n o w available. P r i c e .60. C OU H RS A C PEL C OU APLA H RS GIL IFF I T H J O N E S MAX T. KRONE The M. WTTMAMCfcS M. WT A K & S N IMR OS –EDUCATIONAL PUBLICATIONS– 1650 B r o a d w a y, N e w Y o r k PAGE 12 MUSIC SUPERVISORS JOURNAL National Music Discrimination Contest T ING ARE : C THE MUSIC APPRECIATION COMMITTEE ANNOUNCES A CONTEST FOR HIGH T 1 SCHOOL STUDENTS IN CONNECTION WITH 1 9 3 2 BIENNIAL AT CLEVELAND. I P THREE FULLY PAID SUMMER MUSIC CAMP SCHOLARSHIPS TO BE AWARDED J J HIS TIME OF CONTEST DURING WILL B E HELD SOMEDAYS MEET- MILIAR COMPOSITION WILL B E PLAYED A N D TO WRITE THEIR T H E FIRST THREE ANNIVERSARY THE SILVER W ITH SATISFACTION THE M U S I C RELEASES OF A M U S I C MADE THAT WILL THE STUDENTS PERMITTED B E S H A R E D B Y ALL C O N F E R E N C E APPRECIATION THIS ANDISCRIMPOSSIBLE OF THE PRESCOMPANY. REACTIONS. O F THE M U S I C SUPERVISORS NATIONAL MEMBERS, C O N F E R E N C E I N CLEVELAND, A P R I L 3 - 8, 1 9 3 2. PERSONS ELIGIBLE TO ENTER THE CONTEST COMMITTEE NOUNCEMENT INATION THROUGH NATIONAL ALTHOUGH QUALIFY COMPETE MUSIC AWARDED TEST SANDS TAGE TO PREPARATION FOR CONTEST THE BER HEARD OVER ACCOMPANYING COMPOSITIONS LIST G I V E S WHICH A NUMBE OF CAN CONTEST THE COOPERATION BROADCASTING ONLY (1) Members of the 1932 National High School Chorus; (2) Members of the 1932 National High School Orchestra; (3) Visiting band players assembled in Cleveland for the Conference Band Demonstration; AND (4) High and Junior High School students recommended by their school music teachers or supervisors, and in Cleveland at the time of the Contest. PRIZES THE THE WILL PAID WILL B E S C H O L A R S H I P S SUMMER IN ANY OF CAMPS. THROUGH RADIO. PHONOGRAPH RECORDS A N D PARTICIPANTS L E T N O TEACHER B E A L A R M E D ENT AT THE C L E V E L A N D B I E N N I A L W H O AS PRESCRIBED WILL BE FOR CAMP AS I N THE A N ELIGIBLE TO SUMMER TO B E NOUNCEMENT B Y THE LENGTH O F THE LIST, FOR this is not CAN B U I L D OF M U S I C COMPOSERS a memory A OR FEELING contest. A PUPIL STYLES THE THREE SCHOLARSHIPS PRIZES, FOR THE FOUR FOR THE STYLES HEARING B Y GIVING O F CERTAIN ALL O F THE NATIONAL AVAILABLE THE THE THOUADVANDOUBT TAKE BROADCAST WILL M A K E SCHOOLS COUNTRY. WITHOUT WILL WITHOUT LISTED. THE SELECTIONS HOWEVER, MUCH OF IN THROUGHOUT A LONG LIST, TO COVER THE C O M M I T T E E THE THE MATERIAL HOPED THAT IS OF P U P I L S N O W AVAILABLE O F THE O P P O R T U N I T Y THUS A F SCHOOL IN THIS FORDED. Important–EVERY SIDERING TIFY TEE, ENTERING HIGH PUPILS TEACHER OR S U P E R V I S O R W H O I S C O N DISCRIMINATION MUSIC MUSIC CONTEST SHOULD N O COMMITNATIONAL JACKSON AT ONCE. STUDY TO C O N - CLASSROOM. T E A C H E R S WILL FIND THAT THE S A M E SELECTIONS FOR CAN B E EXAMPLE, OF USED WHEN FOR M A N Y LESSONS. ESTABLISHED NATIONAL FURNISH MUSIC W E ARE O B S E R V I N G STYLE AND THROUGH MOZART, THE WE BROADCASTING THREE COMPANY FULLY AT THE SCHOLARSHIPS, ALL E X P E N S E S, APPRECIATION SUPERVISORS 64 EAST ILLINOIS, MUSIC MINUETS MAY CLASSICAL HAYDN OF A N D INCLUDING CONFERENCE, BLVD., THE PLANS GETHER BECOME FAMILIAR WITH THREE-PART BEING CAMPS THE THE SELECTED B Y THE W I N N E R S. CONTEST WILL B E BROADCAST FROM CHICAGO, WHICH WITH S O N G F O R M, M O S T O F THESE M I N U E T S I N THAT F O R M. I E D THROUGH HAYDN, THUS A SONATA COMMITTEE I S PREPARING WILL B E SENT FULL MEMBERS F O R M I S BEST S T U D A N D SONATAS O F BEETHOVEN, AND NATIONAL IN BROADCASTING THIS COMPANY'S BROADCAST S O THAT STUDIO N E W YORK. FERENCE O N REQUEST, T O INFORMATION RE- SYMPHONIES AND MOZART FEELING WILL B E OVER A NATIONAL H O O K - U P ALL STUDENTS IN A M E R I C A WILL G A R D I N G THE CONTEST. COMMITTEE ON MUSIC FOR THE STYLES O F THESE WHEN SO- H A V E THE COMPOSERS NATA F O R M A CAN B E D E V E L O P E D IS BEING FOR PRIVILEGE O F T A K I N G THE TEST I N THEIR O W N SCHOOLROOMS HOWEVER, FOR THEIR PAPERS OWN WILL BENEFIT. NOT BE APPRECIATION MABELLE GLENN, Chairman, KANSAS CITY, MO. LILLIAN L. BALDWIN, CLEVELAND, OHIO. LENORA COFFIN, INDIANAPOLIS, I N D. INEZ FIELD DAMON, LOWELL, MASS. WILL EARHART, PITTSBURGH, P A. LILLA BELLE PITTS, ELIZABETH, N. J. SADIE M. RAFFERTY, EVANSTON, 111. ALICE ROGERS, SANTA MONICA, CALIF. M. CLAUDE ROSENBERRY, HARRISBURG, P A. SUDIE L. WILLIAMS, DALLAS, T E X. GRACE P. WOODMAN, CHAPEL HILL, N. C . EMPHASIZED. DIFFERENT TYPES OF FEELING THEIR V O I C E S A N D DIFFERENT BE DEVELOPED TYPES O F SONGS CAN MANY G R A D E D B Y THE C O M M I T T E E . T O B E ELIGIBLE (A) QUALIFY 3 OR 4 IN SIMULTANEOUSLY. FOR P R I Z E S, CONTESTANTS M U S T AS THE IN STIPULATED PARAGRAPH CLEVELAND (PUPILS IN ITEMS ABOVE, 1, 2, FOLK S O N G S, FOUND ART S O N G S A N D ARIAS M A Y B E BOOKS. INSTRUMENTS O F THE M U S I C IN I N HIGH SCHOOL M U S I C QUALITIES OF AND (B) MUST BE O F THE C O N OF CLEVELAND EXPRESSIVE MAY USED STYLES AT THE T I M E IN SCHOOLS B E OBSERVED TO IN MUCH TEST. A N D ADOINING TOWNS, ulated PETE in item 4, ARE who qualify ELIGIBLE as stipTO COM- DEVELOP DISCRIMINATION A N D FORM. FOR P R I Z E S.) Address Correspondence to 64 E. Jackson Blvd., Suite 840 Chicago, III. SUGGESTED PREPARATORY MUSIC PART POINTS TO B E COVERED IN THE CONTEST in IN I – E x a m p l e s of different instrumental music: (1) CLASSICAL styles of I. Ability to recognize instrumental music FROM THE M O S T T H E S E STYLES. Classical–HAYDN, different THROUGH styles EXAM- PLES FAMOUS COMPOSERS I I I. Ability to identify the following forms in music: (A) THREE-PART SONG THEME FORM, WITH (B) RONDO FORM, (D) (C) VARIATIONS, SONATA F O R EXAMPLE: MOZART. SCHUBERT, SCHU- Romantic MANN, – CHOPIN, FORM. MENDELSSOHN. Impressionistic–DEBUSSY. Modern–STRAUSS, STRAVINSKY. NOTE: THROUGH RADIO PROGRAMS AND SCHOOL CLASSES PUPILS SHOULD HAVE MANY OPPORTUNITIES TO CONTRAST THESE FOUR STYLES. I V. Ability (A) (C) ARIAS to identify (B) OPERA. types FOLK of song: HAYDN SURPRISE SYMPHONY. TRIO IN G MAJOR. MOZART SUITE FROM L E S PETITS RIENS. SYMPHONY IN G MINOR. JUPITER SYMPHONY. MINUET IN D. (2) ROMANTIC SCHUMANN SOARING. TRAUMEREI. CONCERTO IN A MINOR. ROMANZA, FROM SYMPHONY N O. 4 IN D MINOR. S O N G – T W O GRENADIERS. MENDELSSOHN SPINNING SONG. FINGAL'S CAVE OVERTURE. NOCTURNE, FROM MIDSUMMER NIGHT'S DREAM. OVERTURE, FROM MIDSUMMER NIGHT'S DREAM. WEDDING MARCH, FROM MIDSUMMER NIGHT'S DREAM. SYMPHONY N O. 3 (SCOTCH). ANDANTE, FROM ITALIAN SYMPHONY. ART SONGS, FROM SONGS, AND V. types LYRIC TENOR, Ability to of voices: SOPRANO, (E) distinguish (A) (C) different (B) (D) COLORATURA, CONTRALTO, AND BASS. I I. Ability to recognize the styles of certain composers. FOR EXAMPLE: MOZART, BEETHOVEN, WAGNER, CHOPIN, TSCHAIKOWSKY, DEBUSSY. BARITONE V I. Ability to identify different instruments O F THE ORCHESTRA THROUGH THEIR VII. FOR EXPRESSIVE QUALITIES. I N ORDER TO G I V E A N O P P O R T U N I T Y EXPRESSION, ONE UNFA- NOTE: I N ADDITION TO THE ABILITY TO RECOGNIZE CERTAIN GENERAL STYLES (PART ONE) HIGH SCHOOL STUDENTS SHOULD DEVELOP SOME FEELING FOR THE INDIVIDUAL STYLES OF THE MORE FAMILIAR COMPOSERS. INDIVIDUAL Page 26 Music Supervisors Journal CHOPIN WALTZ IN C $ MINOR. NOCTURNE IN FLAT. AEOLIAN HARP ETUDE. BUTTERFLY ETUDE. FANTASIE–IMPROMPTU. MILITARY POLONAISE. NOCTURNE IN D FLAT. PRELUDE, O P. 2 8, N O. 2 0. PRELUDE N O. 4. SCHUBERT IMPROMPTU IN A FLAT. UNFINISHED SYMPHONY. ROSAMUNDE BALLET. FTHE ERLKING. SONGS J A V E MARIA. HARK, HARK THE LARK. (3) IMPRESSIONISTIC EXAMPLES OF FOLK SONGE ALL THROUGH THE NIGHT–WELSH. VERMELAND THOU LOVELY–SWEDISH. VOLGA BOAT SONG–RUSSIAN (BASS–CHALIAPIN A GOOD EXAMPLE). SANTA LUCIA–ITALIAN. O, N O, JOHN–ENGLISH. IRISH T U N E FOR COUNTY DERRY–IRISH. (THERE WILL BE MANY EXAMPLES FOUND IN HIGH SCHOOL MUSIC BOOKS.) EXAMPLES OF ARIAS FROM OPERAS ELSA'S DREAM, FROM LOHENGRIN–WAGNER (LYRIC SOPRANO). HEAVENLY AIDA, FROM A I D A – V E R D I (TENOR). O N E F I N E D A Y, FROM M A D A M BUTTERFLY– PUCCINI (LYRIC SOPRANO). A LITTLE VOICE I HEAR, FROM BARBER OF S E VILLE–ROSSINI (COLORATURA SOPRANO). EVENING STAR, FROM TANNHUSER–WAGNER (BARITONE). MUSETTA'S WALTZ, FROM L A BOHEME–PUCCINI (SOPRANO). BE SENT ON REQUEST, MANY OTHER EXAMPLES WILL BE SUGGESTED. ADDITIONAL AIDS MR. DAMROSCH'S FRIDAY MORNING M U SIC APPRECIATION HOUR FURNISHES MUCH HELP IN PREPARING FOR THIS DISCRIMINATION CONTEST. FOR EXAMPLE, ON DECEMBER 18TH, IN SERIES C, DR. DAMROSCH WILL PLAY HAYDN'S Surprise Symphony, WHICH OFFERS A SPLENDID OPPORTUNITY FOR STUDY OF BOTH CLASSICAL STYLE AND SONATA FORM. BELOW ARE LISTED NUMBERS THAT WILL OFFER VERY DEFINITE HELP IN PREPARATION. DECEMBER 4, SERIES C–MOZART : JUPITER S Y M PHONY DECEMBER 4, SERIES D–BEETHOVEN PROGRAM DECEMBER 1 1, SERIES A – F O R INSTRUMENT STUDY DECEMBER 1 8, SERIES D–SCHUBERT PROGRAM DECEMBER 1 8, SERIES C – H A Y D N : SURPRISE S Y M PHONY JANUARY 8, SERIES A – F O R INSTRUMENT STUDY JANUARY 1 5, SERIES C–MOZART SUITE, L E S PETITS RIENS JANUARY 2 9, SERIES D – S C H U M A N N PROGRAM FEBRUARY 5, SERIES – M O V E M E N T S FROM B E E THOVEN AND MOZART SYMPHONIES FEBRUARY 2 6, SERIES – M U S I C OF MOZART AND BEETHOVEN MARCH 4, SERIES D – W A G N E R PROGRAM MARCH 4, SERIES C–MENDELSSOHN: SCOTCH S Y M PHONY MARCH 1 1, SERIES –OVERTURE TO TANNHUSER MARCH 1 8, SERIES C–MENDELSSOHN: SCOTCH SYMPHONY DEBUSSY GIRL WITH THE FLAXEN HAIR. REFLECTION ON THE WATER. CLAIR DE L U N E. (4) STRAUSS TILL EULENSPIEGEL'S STRAVINSKY FIREWORKS. PETROUCHKA. MODERN MERRY PRANKS. P A R T I I – M u s i c which illustrates of some composers: BEETHOVEN SONATA PATHTIQUE. EGMONT OVERTURE. SYMPHONY N O. 3. SYMPHONY N O. 5. SONATA APPASSIONATA. WAGNER styles P A R T V I – A FEELING FOR THE EXPRESSIVE QUALITIES OF ANY INSTRUMENT IS BUILT THROUGH THE HEARING OF MUSIC ESPECIALLY WRITTEN FOR THAT INSTRUMENT BY A RECOGNIZED COMPOSER. FOR EXAMPLE: IN THE Mignon OVERTURE, BY THOMAS, THE INSTRUMENTS FEATURED ARE THE CLARINET, FLUTE, HARP AND FRENCH HORN. IN In a Village BY IPPOLITOFFIVANOFF, THE INSTRUMENTS FEATURED ARE THE ENGLISH HORN, THE VIOLA AND THE OBOE. IN THE STUDY PLAN, WHICH WILL MAGIC FIRE M U S I C, IROM T H E VALKYRIE. RIDE OF THE VALKYRIES, FROM T H E VALKYRIE. CLOSING SCENE, FROM T H E D U S K OF THE GODS MARCH, FROM TANNHUSER. EVENING STAR, FROM TANNHUSER. PRELUDE TO LOHENGRIN. ACT I I I, INTRODUCTION, FROM LOHENGRIN. OVERTURE TO T H E FLYING DUTCHMAN. PRIZE SONG, FROM T H E MEISTERSINGER. PRELUDE TO T H E MEISTERSINGER. DANCE OF THE APPRENTICES, FROM T H E MEISTERSINGER. TSCHAIKOWSKY SYMPHONY N O. 4. MARCHE SLAVE. ANDANTE, FROM SYMPHONY N O. 6. ANDANTE CANTABILE. CHOPIN SEE SEE LIST ABOVE. LIST ABOVE. MOZART DEBUSSY SEE LIST ABOVE. GRAND RAPIDS, MICHIGAN–100 PER CENT T F YOUR MEMORY OF CONFERENCE HISTORY DATES BACK THAT FAR, YOU WILL R C L EAL * THAT GRAND RAPIDS ENTERTAINED THE NATIONAL CONFERENCE IN 1917–ITS TENTH ANNIVERSARY–WHEN PETER W. DYKEMA WAS PRESIDENT. AND PERHAPS YOU HAVE HEARD THAT GRAND RAPIDS IS T ENTERTAIN THE NORTH CENTRAL CONFERENCE IN O 1933. BUT WHAT IS MORE T THE POINT THAN MATTERS OF PAST HISTORY, O FUTURE OC O R CURRENCE, IS THE FACT THAT THE “FURNITURE CAPITAL OF AMERICA” HAS RECORDED 1 9 3 2 OF THE MEMBERS OF ITS SCHOOL MUSIC DEPARTMENT. THOSE WHO ARE INCLINED T MINIMIZE THE IMPORTANCE O OF THIS FOREHANDED ACHIEVEMENT BECAUSE MR. HAYDN MORGAN, THE SUPERVISOR OF MUSIC, HAS BEEN APPOINTED STATE CHAIRMAN F R MICHIGAN SHOULD KNOW O THAT THE APPOINTMENT WAS MADE AFTER THE ONE HUNDRED PER CENT ENROLLMENT WAS RECORDED. ANYWAY, GRAND RAPIDS HAS SECOND PLACE ON THE LIST OF ONE HUNDRED PER CENT CITIES–AND FIRST PLACE F R CITIES OF OVER 1 0 0, 0 0 0 POPULATION. O one hundred per cent Conference enrollment for P A R T I I I – F o r m in Music: THREE-PART SONG FORM. MARCH OF THE DWARFS–GRIEG. MINUET IN D – M O Z A R T. MAZURKA–CHOPIN. RONDO RONDINO–VIEUXTEMPS. GYPSY R O N D O – H A Y D N. R O N D I N O – EETHOVEN- KREISLER. ECOSSAISES– EETHOVEN. THEME WITH VARIATIONS HARMONIOUS BLACKSMITH–HANDEL. SURPRISE SYMPHONY, SECOND MOVEMENT – HAYDN. SONATA FORM SURPRISE SYMPHONY, FIRST MOVEMENT – HAYDN. EGMONT OVERTURE–BEETHOVEN. SYMPHONY IN G MINOR, FIRST MOVEMENT– MOZART. CONGRATULATIONS ARE EXTENDED T SUPERINTENDENT LESLIE A. BUTLER. W E O SHARE HIS PRIDE IN THE A E T AND PROGRESSIVE MUSIC DEPARTMENT WHICH IS TYPICAL LR OF THE GRAND RAPIDS SCHOOL SYSTEM. HERE ARE THE MEMBERS: H. WALTON ALDERFER, FLORENCE BEST, RUTH A. OF SCHOOLS), A. HUDSON, B. NINA B. COYE, E. BOSSIER, D. SILAS BOYD, LESLIE A. DAVIS, M R S. MARIE BUTLER EVARTS, (SUPERINTENDENT GREGORY, BESSIE B. MONIQUE, RABBERS, MARCIA GEORGE THEO. F. FRYFOGLE, DALE V. LINDLEY, GLENN GILLILAND, LEONARD W. MAMIE KUNSMAN LITTON, IRENE GLOVER, NELLIE GOSS, M R S. FLORENCE (ASSISTANT MERWYN EBBA V. SUPERVISOR W. OF M U S I C), ROY L. DONALD W. MITCHELL, MCGURRIN, PETRILLI, HAYDN MORGAN STELLA M. LOIS RICHARDS, V A N BROOK, (SUPERVISOR OF M U S I C), MICHAEL A. SHOWERS, FRANK GLADYS MRS. B. SILSBY, BRADFORD MURPHY, PIERSON, E. THOLE, ELSIE OSBORN, PANGBURN, M R S. HELEN CURTIS P. WOL- TULLER, EDNA KARL WECKER, WINIFRED J . WILLIAMS, MRS. RUBY BRINK, FRANCES WURZBURG. PARTS I V A N D V–Types Types of Voices: of Songs and EXAMPLES OF ART SONGS T H E ERLKING–SCHUBERT (CONTRALTO). HARK, HARK THE LARK–SCHUBERT (SOPRANO). TWO GRENADIERS–SCHUMANN (BARITONE). UNLESS WE ARE VERY MUCH MISTAKEN THE NEXT J O U R N A L WILL CONTAIN AN IMPRESSIVE LIST OF “ 1 0 0 PER CENT” CONFERENCE CITIES. IF YOU ARE INTERESTED IN RESERVING A PLACE NEAR THE TOP OF THE LIST, GET IN TOUCH WITH YOUR STATE CHAIRMAN AT ONCE. December, Nineteen Thirty-one Page 27 Facts About the Silver Anniversary Meeting P FOUNDERS ALL DAY, DOWN APRIL SERVICE. TOWN 3. CHORAL OF THE CLINIC. CHURCHES CONFERENCE THE ENTIRE MINUTES COLOR. NATIONAL DENNIS, CONDUCTOR, TRA HIGH F. SCHOOL OF THE DAILY AND CONFERENCE DEFINITE VARIOUS TECHNIQUE OFFICIAL I N F O R M A T I O N PRESIDENT CLEVELAND RUSSELL AND V. ADVANCE MORGAN OF T H E PROGRAM AND THE MUSIC 3-8, SUMMARY AS ANNOUNCED FOR CON- EXECUTIVE SUPERVISORS 1932 COMMITTEE NATIONAL THE CONVENTION FERENCE, APRIL ARRANGEMENTS WILL ARE B E I N G SPECIAL MADE STONE MUSIC FOR ON SUITSUN- MUSIC THEORY. CATION WILL B E THE I M P O R T A N C E O F THIS P H A S E OF M U S I C IN THE GENERAL AND SESSIONS. IN EDU- A B L E O B S E R V A N C E O F THE 2 5 T H A N N I V E R S A R Y I N O L D FEATURE CHURCH. EMPHASIZED MUSIC. FIELD RURAL ATTENTION. SCHOOL NEEDS DEVELOPMENTS WILL R E C E I V E THIS VITALLY I M P O R T A N T DIRECTION AS A INTENSIVE OF H O L L I S STUDY OF DANN, TO AND WITH FORTY TONE ACTING AND CHORUS. THIRTY OF M U S I C EDUCATION SPECIAL CONDUCTING SCHOOL M U S I C IN COMMUNITY AND LIFE. THE “CARRY-OVER” FROM PHASES OF I N T E R P R E T A T I O N THE S C H O O L S I S A P R O B L E M E D U C A T O R S AT THIS T I M E, MUSIC PROGRAM. SPEAKERS. ARRANGED OF VOICING EDUCATION. FEBRUARY A EDUCATION WHICH OF U N U S U A L S I G N I F I C A N C E TO ALL M U S I C ATTENTION. CHALLENGING ON THE WILL R E C E I V E S P E C I A L RADIO. AN CHORUS. CONDUCTOR, ST. OLAF CHARLES M. (FOR CHI- THROUGH WILL HAVE ANOTHER COLLEGE PACIFIC, STOCKTON, CALIFORNIA; COLLEGE. GUEST DEVELOPMENT, IMPORTANT PLACE MELIUS SUITE CHRISTIANSEN, 840, 64 EAST I N F O R M A T I O N, A P P L I C A T I O N B L A N K S, ETC., A D D R E S S, COMMITTEE, ILLINOIS.) CAPPELLA FIELD THE AND CHOIRS. CHICAGO COLLEGE THE A VARIOUS BY PHASES CHOIR, JACKSON CAGO, A THIS CHORUS-ORCHESBOULEVARD, S M A L L B U T V E R Y SELECT LIST OF S P E A K E R S EACH OF AND WHOM HAS BEEN GIVEN THE FORCIBLY HIS BELIEFS WILL B E HAS BEEN MUSIC FOR, A PRIVILEGE IN THE FRANKLY REGARDING PUBLISHED OF A C H I E V E M E N T AND A SELECTED IN LIST WILL B E DEMONSTRATED CHOIRS. OUTSTANDING ORGANIZATIONS, J UNL O R A. BEEN LIST O F T H E S E SPEAKERS INCLUDING OF S C H O O L CAPPELLA SECTIONAL APRIL 7) HAS OF IN THE CONFERENCES. SET ASIDE TO AN FOR ENTIRE THE THESE EVENING EVENTS WILL (THURSDAY, MEETINGS TAKE PLACE BANQUETS SECTIONAL AND CLEVELAND OF CHORAL SHORT OF A GROUPS. AN ALL-HIGH ALSO SCHOOL JAMES BE CHORUS H. BY A WILL FES- SECTIONAL CONFERENCES. THE G I V E A SHORT N E W CLEVELAND. CHORUS AND TIVAL PUPILS, VOICES THE BE WORK THREE RECENTLY W R I T T E N B Y WILL THOUSAND CHORUS OF JUNIOR CHOSEN THREE HIGH ROGERS THE HOTELS A S S I G N E D VARIOUS CONFERENCES. PROGRAMS GIVEN FROM INFORMAL D I N N E R A N D P L A Y N I G H T. HAS BEEN DEDICATED TO GOOD AND OCCASION ALL S E R I O U S N E S S TUESDAY AND WILL EVENING, APRIL 5, FUN. ON THIS BE BANNED. OFFICE BE IN SIXTH-GRADE UNCHANGED FELLOWSHIP FORMALITY AND FESTIVAL FROM THOUSAND SCHOOLS. SPECIAL SELECTED CHOIR IN THE REGISTRATION EMPHASIS WILL WILL B E THE ACTIVITIES, THE OF STUDY DEVELIN WITH HEADQUARTERS THE EXCEPTIONS AUDITORIUM NATIONAL CONFERENCE ALL ABOVE, WILL ELEMENTARY SCHOOLS. LOCATED IN MUNICIPAL AS AUDITORIUM. INDICATED CONVENTION GIVEN TO T H I S DEVELOPMENT. MEETINGS IN CHOIR, WILL B E D E V O T E D TO (A) SCHOOL, THE (B) SMALL PROBLEMS VOCAL (C) VOCAL SECTIONS. OF V O I C E OPING HIGH AN TRAINING A MUNICIPAL A BUILDING. D I S P L A Y OF M A T E R I A L S, ARRANGED THE BY THE ASSOCIATION. AUDITORIUM OF FEATURES COMMODIOF WILL AND THE H I G H EXHIBITS. TIES THE BE AND MUSIC LOCATED BE COMPREHENSIVE IS BEING IN CAPPELLA ENSEMBLE PUBLICATIONS EDUCATION IN EXHIBIT OF THE MEMBERS EXHIBITS BUILDING, THE G. SCHOOLS. SINGING. THE SINGS“ BROWN. SCHOOL ORCHESTRA. OF MUSIC, COMMISSION; CONDUCTOR, VICTOR L. F. DUE UNDER ATTENTION WHICH THE WILL B E WILL GIVEN TO THIS CUSOF EXHIBITORS HALL RECREATIONAL FEATURE TOMARY ALBERT DURING “LOBBY EDMUND CONFERENCE, INCLUDE THE WILL (FOR ONE OUTSTANDING REGARDING 64 EAST THE CONVENTION. MUSIC DUNHAM, CHICAGO, GENERAL CHAIRMANSHIP INFORMATION SUITE EXHIBITS, JACKSON ADDRESS EDUCATION PRESIDENT, ILLINOIS.) HOTELS. MUCH EVER, AS IN EXHIBITORS 840, ASSOCIATION, FRANKLIN BOULEVARD, NATIONAL REBMANN, YORK) AND GOOSSENS, SYMPHONY BOULEVARD, HIGH DIRECTOR CONDUCTOR WESTCHESTER GUEST COUNTY (NEW EUGENE RECREATION CONDUCTORS, SYMPHONY OF THERE WILL BE NO OFFICIAL CONVENTION THE HOTEL, INASHOWCON- OF THE C I N C I N N A T I ASSISTANT (FOR ORCHESTRA, CLEVELAND BLANKS, JACKSON REGISTRATION ORDER HEADQUARTERS AND NATIONAL CONFER- RUDOLPH RINGWALL, CONDUCTOR 64 E N C E OFFICE WILL B E L O C A T E D I N THE M U N I C I P A L A U D I T O R I U M. TO FACILITATE A R R A N G E M E N T S BANQUETS, TO REGISTER BUT ETC., AT EACH THE THAT FOR SECTIONAL FERENCE ARE NOT DO MEETINGS, REQUIRED SO. SECTIONAL ORCHESTRA. SUITE 8 4 0, OHIO INFORMATION, ILLINOIS.) BAND. APPLICATION EAST ETC., A D D R E S S, CHORUS-ORCHESTRA CHICAGO, HIGH COMMITTEE, CONFERENCE MEMBERS TO THEIR WISH H A S B E E N A S S I G N E D TO A HOTEL. SECTIONAL TO CONFERENCE, (CALIFORNIA NORTH I T S H O U L D B E N O T E D THAT HOTEL ASSIGNED IF WINTON; HAVE PRIVILEGE NORTHEASTERN EXCEPT THAT THE SCHOOL BE THIS FROM ORGANIZATION ORCHESTRA, RESTRICTED BAND INTERTO A. ALL IN A. THE THEY WILL B E D E V E L O P E D I N A S I M I L A R W A Y PLAYERS CLINIC, WILL TERRITORY A S I N D I C A T E D. DEMONSTRATION OF C O N C E R T ESTING AND CONFERENCE HARDING AND AND THE TO THE N A T I O N A L DRAWN THE OF BE WESTERN–HOTEL EASTERN –CLEVELAND; CENTRAL–STATLER; NORTHWEST–WINTON; PROGRAM FEATURING WORK. WILL WILL ALSO I N C L U D E A VARIOUS GREAT IN THIS EXCEEDINGLY VALUE OF SOUTHERN–WINTON; HOTEL GIVEN ON TO THE FURNISHED. RAILROAD ARE SENT TO PAID. 1932 RATES. EACH SOUTHWESTERN–WINTON.) OFFICIAL RATES AND PAGES. CHOICE, RESERVATION LOCATIONS SEND YOUR THE USING FORM OF ALL AND FULL INARE FORM DEPARTMENTS MILITARY BAND RESERVATIONS. INCLUDING OF THE F O L L O W I N G YOUR PRACTICAL MEMBERS, WORK. HARRY FEATURE AND THE F. BE FORMATION, HOTELS, PARTICULARLY EVENT WILL TO T H O S E INTERESTED RESERVATIONS APPLICATION DIRECT INSTRUMENTAL AND CHARGE HOTEL CLARKE. SCHOOL THEM, OF ORCHESTRA. BY HIGH REQUEST, SCHOOL, UNDER A THE DIREC- CLEVELAND T I O N OF J. WILL B E BY OF THE THE ALL-HIGH FARE OF AND ONE-HALF ROUND FOR TRIP 1932 CERTIFICATES HAVE BEEN OF LEON RUDDICK. AMONG OF CONTEST SECTION PIANO OTHER INSTRUMENTAL MUSIC SHORT A FEATURES PROGRAM WINNER MEMBER THE WHOSE DUES INCLUDED, ORCHESTRA NATIONAL REGULATIONS DUES. PARTIES, THE RAILWAY PASSENGER ASSOCIATIONS PAYMENT GLENVILLE CLASS R E Q U I R E THAT N O CERTIFICATE B E I S S U E D, E X C E P T U P O N 1931. THESE CLASS WILL INCLUDE (A) INSTRUMENTAL SMALL THAN OF LEMS. PIANO, (C) MEETINGS. (B) CLASS SPECIAL ARRANGED. MAN OF SPECIAL CARS, AND SPECIAL WITH C. TRAINS E. ARE: WILL BE 64 FOR INSTRUMENTAL GERTRUDE ENSEMBLES, KINSCELLA, INSTRUCTION ORCHESTRA OTHER PROB- I F INTERESTED, C O M M U N I C A T E TRANSPORTATION BOULEVARD, CONFERENCES T. V. S. CHICAGO, MCCORKLE, WILSON, T H E GENERAL CHAIR- INSTRUCTION, (D) BAND UNDER AND CHAIRMANSHIP COMMITTEE, ILLINOIS LUTTON, F. HAZEL EAST JACKSON THE S E C T I O N A L CONKLIN, CALIFORNIA; BOUCHER, (SUB-CHAIRMAN GLENN T H U S FAR A P P O I N T E D SOUTHERN; COLWELL WOODS, COY EASTERN; GRACE COMPLIMENTARY ORCHESTRA AND EUM BY SUNDAY, W. AT ARTHUR CONCERTS, APRIL P. 3, M. QUIMBY, BY THE P. CLEVELAND M. OF THE SYMPHONY HALL, MUS- SOUTHWESTERN; HELEN AT 4 : 0 0 AT S E V E R A N C E CLEVELAND NORTHWEST). FOR FURTHER INFORMATION OR THE 840, THE REGARDING SILVER ANY MAT- ORGANIST OF A R T, 3:00 INFORMATION. TERS P E R T A I N I N G MEETING 64 EAST 1380 TO T H E CONFERENCE, SUITE ANNIVERSARY ILLINOIS, OF OR MUSIC DISCRIMINATION ON MUSIC CONTESTS. UNDER DIRECTION OF THE AT C L E V E L A N D, A D D R E S S JACKSON RUSSELL E. 6TH BOULVARD, V. ST., MORGAN, CONFERENCE 120, HEADQUARTERS, EDUCA- COMMITTEE APPRECIATION, A N D W I T H THE (SEE COOPERATION CHICAGO, BOARD OF THE N A T I O N A L IN D E C E M B E R BROADCASTING MUSIC S PR IO S J U N L UE V R O R A) S . COMPANY. ANNOUNCEMENT PRESIDENT TION, SUITE CLEVELAND, OHIO. Page 30 Music Supervisors Journal HOTEL Cleveland Silver who you offers an abundance Meeting of of the hotel Music Anniversary attend desire to can to be comfortably in the the hotel work housed. assigned of the It to is stay your INFORMATION and, although Conference that it is anticipated far be exceed reserved that any at attendance previous once, at the all if National will record, important, however, rooms The particularly are Sectional Conference will be this page.) Southern Conference Conference S. Chorus & … Orchestra Olmsted Auditorium Winton Winton made cannot Conference. officers to be in assignments for the listed below affairs makes direct to made accommodations, Supervisors primarily solely for of to facilitate own in Sectional effort arranging various who pertaining application the hotel their groups. his While every accommodate guaranteed. every Send member reservations your choice. Eastern Sectional Conference blank on hotel, next reservations (Use application Conference Western Conference Hotel Cleveland Winton Statler Winton California North Southwestern National Boys Girls H. Central Conference Northwest Conference DIRECTORY OF HOTELS IN CLEVELAND ROOM–ONE NAME LOCATION With Allerton Auditorium Belmont tClren d o n Cleveland Colonial Devon Hall fBuclid Fern Hall Oillsy Hollenden Mecca New Amsterdam Olmsted tRegent Statler Sterling fStockbridge Winton Cheater Ave. at E. 13th St East 6th at St. Clair A v e 3844 E u c l i d A v e 3 St. Clair A v e., N. E …. Superior A v e. a n d Public S q u a r e …. Prospect Ave. and Colonial Arcade. 1588 A n s e l R o a d (W o m e n o n l y) Euclid at E. 14th St 3250 E u c l i d A v e E. 9th St. at Chester A v e Superior A v e. at E. 6 t h S t 1866East 9th St Euclid Ave. and E. 22nd St Superior A v e. at E. 9th S t 10539 E u c l i d A v e Euclid Ave. at E. 12th St Prospect Ave. at E. 30th St 3328 E u c l i d A v e Prospect Ave., near E. 9th St 00 t o 00 t o 00 to t.00 t o !.50 t o 25 t o 00 to 50 to 00 to 50 to 50 and 50 to 50 to 00 t o 00 to 50 to 00 to Bath 13.50 3.60 3.50 8.00 5.00 2.50 3.00 3.00 6.00 2.50 3.00 4.00 3.00 9.00 3.00 3.50 5.00 Without $2 00 to Bath $2.50 With Bath 15.00 13.50 to 15.00 3.50 to 6.00 6.00 4.00 3.25 3.50 4.00 6.00 3.00 4.00 4.00 4.00 4.50 3.00 3.50 4.50 to to 12.00 7.00 Without Bath 00 PERSON ROOM–TWO PERSONS 13 00 a n d 14 1.25 2.00 1.50 1.50 1.50 to to to to to 1.50 2.00 2.00 3.50 2.00 2.00 2.50 2.00 to 3.00 5 00 4.00 3 00 4.00 1.75 to 2.00 to 3.50 to 4 50 to 5.00 to 12.00 to 3 50 to 6 00 to 6 00 to 5.00 to 16.00 to 5.00 to 5.00 to 7.00 3 00 to 3 00 to 2 50 to 3.00 to 3.00 TOO'to “isO RESIDENTIAL HOTELS Alcazar Bolton F e n w a y Hall Lakeshore tMt. Royal Park L a n e Villa… tOuad Hall tSt. Regis Wade Park Manor Westlake Derbyshire R d. at Surrey R d Carnegie A v e. at. 89th St Euclid A v e. at E. 107th St 12506 E d g e w a t e r D r i v e 4311 P r o s p e c t A v e 105th at P a r k L a n e 7500 E u c l i d A v e 8205 E u c l i d A v e E. 107th at P a r k L a n e (Rocky River Station) Cleveland. Board. 14.00 $2.50 to 4.00 to 4.00 to 2.50 to 4.00 to 2.00 4.00 3.00 3.50 to to to $5 00 8 00 15.00 3 50 6 00 $2.00 4.00 5.00 5.00 to $2.50 $6.00 $5.00 to 6.00 to 6.00 to 3.50 to 6.00 to 4.50 to 3.00 to 8.00 5 00 to $7.50 15.00 25.00 6.00 10.00 5.00 6.50 8.00 $3.00 to $3.50 M e m b e r s C l e v e l a n d H o t e l Association, Inc., and Convention fMembere Cleveland Convention Board. Authorised by Convention Board, Clevefond Chamber of Commerce, CLEVELAND A. J. Kennedy, Manage The Auditorium is on East 6th Street between Lakeside and St. Clair December, Nineteen Thirty-one Page jj HIGHLIGHTS of the YEAR! Program Suggestions! COMMENCEMENT ORCHESTRA ARRANGEMENTS OF SCHOOL CHORUSES (Each a r r a n g e m e n t complete and playable for Orchestra alone or for accompanying t h e Chorus) Small Orchestra 50 Full Orchestra 75 Extra Parts 10 each Old Refrain–Fritz Kreisler SATB 20 SAB-SA ea. 15 May Dance–William Lester SA 12 SS A 15 Shepherd's Song–William Lester SA 12 SSA 15 Song of Exile–William Lester SA 12 SSA 15 ORCHESTRA MUSIC SMALL SMALL FULL FULL School Spirit. Flint Praise Ye the F a t h e r (Triumphant Chorus). Gounod-Seredy 50 .75 85 1.25 15 10 L* 12 15 15 .15 .15 .15 .15 Young America. Goldman Intermezzo, Op. 27. Wiegand-Roberts. 75 .50 1.15 .75 CHORUSES Always Faithful. Sousa. SA-SAB Song of Youth. Sharp. SA Raindrops. Loomis. SA Pussywillow. Loomis. SA Pierrot's Return. Chaminade. SSA-SAB Winds of the Silent Morn. Emery. SSA Wood God P a n. Garbett. SSA The Day Ends. Drigo. SAB-SSA-TBB. each Loyalty. Sousa. SA-SSA-SAB-TBB each The Spirit of Youth. Smith. S S A - T T B - S A B. Lights Out. McCoy. S A - (S S A) - S A B - T B B … By the Roadside. Clark. TBB Seville. Clark. TBB-SSA-SAB Turkish Rider. Eilenberg. TBB-SA-SSA-SAB. Messenger. Lester. TTBB-SSA–Mixed, .each Passing By. Purcell. TTBB–Mixed each Hills of Home. Fox. Mixed–TTBB-SSA At the Clear Fountain. Saar. M i x e d – S S A … Air de Chasse. Crist. Mixed .15 12 12 .15 .15 .15 15 .15 15 LINCOLN'S BIRTHDAY BAND MUSIC ORCHESTRA MUSIC FULL SMALL Lincoln Centennial. March. Sanford. 75 Memories of the W a r (1861-3). LaurAround the Campfire. Seredy. 1.35 endeau 2.00 American Volunteers March. Songs from the Old Folks. Grand SeTobani 75 lection. Lake 2.00 Songs from the Old Folks. Lake 1.05 1.85 1.15 1.15 F a t h e r of Liberty–Washington March Song–By Charles J. Roberts–specially written for this historic occasion. Arranged for Unison Chorus, .12; Arranged for Band, .75 Orchestra Arrangement. Small, .50; Full, .75. BAND MUSIC THE WASHINGTON BI-CENTENNIAL America Overture. Tobani America Forever. Tobani American Patrol. Meacham Around the Campfire. Seredy H u r r a h for Old Glory. March. Ascher 2.00 3.50 2.00 1.50 .75 Triumph of Old Glory. March. Pryor 1.00 American Medley March, No. 4. Brooks .75 American Medley March, No. 5. Brooks .75 American Medley March, No. 6. Brooks .75 Evolution of Yankee Doodle. L a k e. 3.50 ORCHESTRA MUSIC SMALL FULL PAINTS AND PATCHES An amusing new O p e r e t t a ! BOOK AND LYRICS BY S. G. CLARK MUSIC BY ARTHUR P E N N –WITH ART STUDENTS AND GYPSIES IN PICTURESQUE COSTUME–HUMOROUS SITUATIONS AND COMICAL CHARACTERS WORKED INTO AN INTERESTING PLOT. CATCHY SONGS AND LYRICS–GOOD DIALOG–ATTRACTIVE BUT SIMPLE SETTINGS. FOUR BOYS AND FOUR GIRLS' SOLOS; CHORUS IN UNISON AND VERY LITTLE S. A. PRICE–1.00 America Overture. Tobani America Forever. Tobani American Patrol. Meacham Around t h e Campfire. Seredy H u r r a h for Old Glory. March. Ascher Old Glory. Seredy Triumph of Old Glory. March Pryor 1.35 1.65 1.35 1.35 75 1.05 75 1.85 2.40 1.85 1.85 1.15 1.50 1.15 COOPER SQUARE, NEW YORK For Canada–Radio Music Co. 193 Yonge St., Toronto, Ont. Page 32 CARL FISCHER, Inc. F o r a c o m p l e t e list of special music, send for o u r new “ S p e c i a l Occasions” catalog Journal Music Supervisors Del Staigere Frank S i m o n . F. Goldman Walter S m i t h T a k e t h e “Royal Road” t o . Success i n M u s i c ! M Play a King ORE t h a n anyone else, a boy or a girl learning t o play a musical instrument needs t h e very best instrument he can get. F o r a n instrument t h a t is faulty in scale, or hard t o blow, may ruin your tone ear and spoil your whole chance for success. A n d you never really know t h a t you're h u r t i n g yourself, until t h e damage is done. But there is one way you may be sure–sure of your instrument–sure t h a t you a r e learning right–not wrong. Play a King. Don't Risk Your Musical Career Learn Faster on a King For King instruments a r e musically correct, easy to blow, and finger so easily and smoothly t h a t they make progress rapid and assist t h e student quickly t o reach the very heights of his musical possibilities. I t is easier for the student to acquire a beautiful tone, with a King. A skilled musician can render a creditable performance on any make of instrument, regardless of i t s faults. B u t the g r e a t artists choose Kings because King tone is naturally beautiful and Kings a r e so much easier t o play–continuously –through long programs. Edwin F r a n k o Goldman, idol of many a school band musician, writes us a s follows: Dear Mr. White: Feb. 13, 1931. The latest model KING Instruments which we secured some time ago for my band have met every possible requirement. The entire brass section of my band and the saxophone are KINGS. I attribute a great deal of the success of my band to the fine quality of instruments which are being used by its members. With kind greetings, and wishing you continued success. Sincerely yours, Artists Endorse and Play Kings Mail Coupon Below T h e H. N. W h i t e C o m p a n y, 5225 S u p e r i o r A v e n u e, C l e v e l a n d, O h i o, Gentlemen: Without obligating m e in a n y w a y p l e a s e s e n d f r e e c o p y W h i t e W a y N e w s N o. 4, a n d put m y n a m e on your list to receive future editions. 1 A new issue of t h e White W a y News contains many articles of fascinating interest and helpfulness to both school musicians and their Bandmasters and Orchestra Directors. A copy will be sent free on request to a n v reader of the MUSIC SUPERVISORS J O U R N A L. Mail coupon for your free copy. This places you under no obligation whatever. Read These Instructive Articles Name Address Town Agre I play a (Instrument) State. THE H. N. WHITE CO. 5225 Superior Avenue December, Nineteen Thirty-one C L E V E L A N D. OHIO Page 35 What Fellow-Supervisors Recommend– M a n y Supervisors have decided o n T h e s e N u m b e r s, Leadership in Sales Records is T h e i r D e p e n d a b l e E n d o r s e m e n t . Judge Their Merits Yourself By Requesting Examination Privileges. OPERETTAS HEARTS AND BLOSSOMS By R. M. Stulls Vocal Score, $ 1. 0 0 The music, lyrics and dialog of this comic opera in two acts are such as to gain the spontaneous enthusiasm of any audience. An excellent vehicle for young people in their teens and twenties. Orchestra parts may be rented. BETTY LOU By R. M. Stulls Vocal Score, $ 1. 0 0 A sweet, charming musical play in three acts that does not require a large group, although with ample stage facilities there need be no limitation to the chorus and dancing groups, if the latter are available. Orchestra parts may be rented. CRIMSON EYEBROWS By May Hewes and John Wilson Dodge Vocal Score, $ 1. 0 0 A fantastic romance of old China in three acts with melodious musical numbers, and a delightful, entertaining plot. The choruses of ladies and nobles of the court, soldiers, etc., may be any worth while number. Orchestra parts may be rented. THE MARRIAGE OF NANNETTE By Louis Woodson Curtis Vocal Score, $ 2. 0 0 A notable success with competent. amateurs. However, it is not difficult despite the effective performance opportunities within it. The music is very tuneful and there is in both lyrics and melodies of this three act comic opera, a romantic charm and flavor closely associated with the atmosphere of France and of Spain in the eighteenth century. Orchestra parts may be rented. BAND AND ORCHESTRA THE VERIFIRST BAND BOOK Written and Compiled by Walter Lewis Price, Each Part, 3 0 cents Beginning with a clear, concise exposition of the rudiments of music and then progressing, this book in an incredibly short time has beginners playing some really satisfying melodious pieces which are part of this work. THE VERIBEST BAND BOOK For Young Bands Price, Each Part, 3 0 cents Students in only the first and second years of band playing find their parts for each of these 24 attractive numbers interesting. With a limited organization it is possible to play these numbers with good effect without reeds, if desired. U. T. D. BAND BOOK By L. P. Laurendeau Price, Each Part, 3 0 cents Good, effective arrangements of 24 splendid numbers. The parts are all within the ability of those in their first year of band playing. PRESSER'S POPULAR ORCHESTRA BOOK For School and Amateur Use Parts–Each, 3 0 cents Piano A c e, 6 0 cents There is no doubt about the popularity of these 14 catchy selections with boys and girls who find them easy to play and attractive to audiences. CHORUSES TWO-PART, TREBLE VOICES Cat. No. Title and Composer Price 20071 About Katy–Wilson $0.10 35120 Angelus–Chaminade 10 35137 The Brook– Huerter 15 15716 The Gypsy Trail–Galloway- Warhurst .15 20448 The Merry Zingarellas–Rockwell 12 35054 Mighty Laka Hose– Nevin 10 2073 Pickaninny Sandman–Talbert 08 149 Pond Lilies–Forman 15 20757 Sunshine in Rainbow Valley–Hamblen .12 159 35038 35033 15606 20688 35124 35036 35100 35029 20803 35121 35105 20615 20329 20264 2846 20834 20356 20898 35028 20263 35018 20831 20790 35050 THREE-PART, TREBLE VOICES The Dance of the Pine Tree Fairies –Forman The Green Cathedral–Hahn Hindu Slumber Song–Ware Indian Spring Song– Lieurance The Lavender Beds–Bornschein The Lure of the Gypsy Trail–Jones Maytlme–Riccl Minor and Major–Spfoss The Naughty Little Clock–DeKovenSproes Sweet Miss Mary– Neidlinger Venetian Love Song (Violin or Cello ad lib.)–Nevin Will-o-the-Wisp–Spross The Woodpecker–Nevin THREE-PART, S. A. B. A + = C–Gest Ebbing and Flowing–Stults Echo Song–Gest Fealty Song–Spooner Garden of Bses–Ritter The Gardens of the .Tapanee– Wilson The Gypsy Trail–Galloway-Felton. The Haunt of the Witches–ToofloodWoods The Owl–Gest Recessional–DeKoven Rose Tetals–Lawson Sleepy Hollow Tune– Kountz Springtime–Strauss-Bliss Venetian Love Song–Nevin 15 15 10 06 12 .12 18 12 20 12 15 12 12 10 10 08 12 12 .08 .12 15 08 10 08 12 -15 15 Let Us Help You in Your Search for Suitable Music. Just Tell us Your Needs and Request Suggested Materials for Examination. Catalogs on Any Classification of Music Cheerfully Given. THE LYRIC CONCERT COLLECTION FOR ORCHESTRA Parts–Each, 5 0 cents Piano A c e, $ 1. 0 0 These 15 selections are arranged in easy and effective orchestral offerings and they make up a commendable collection in every way. THE STUDENTS' ORCHESTRA FOLIO–No. 1 Compiled and Arranged by John N. Klohr Parts–Each, 4 0 cents Piano A c e, 75 cents Waltzes, marches, easy overtures, an Intermezzo, a serenade and a reverie make up the 16 compositions by well-known writers selected for this folio. The violin parts are in the first position with the bowing marked. THEODORE PRESSER 1712-1714 CHESTNUT CO. STREET PHILADELPHIA, PA. The World's Largest Stock of M u s i c of all Publishers Maintained for Prompt Service Page 36 Music Supervisors Journal Couldn't Wait–Played from the Proofs! STCRUNG MORTON BICH J Sterling Morton High School Band, Cicero, III. John Minnema, Director. The big band that couldn't wait for AEOLIAN BAND CLASSICS to be published and played from the proofs! John Minnema, director, says: “Aeolian Band Classics should be in every school band. They helped our band in intonation, ensemble and finish.” T h e C o n t e n t s Speaks for Itself! Bach–“Bourre from the 3rd Violoncello Suite. Beethoven–”Excerpt“, from Symphony No. 1 in C Major Op. 21. Beethoven–”Minuet“, from Sonata Op. 49 No. 2. Brahms–”Waltz“, Op. 39 No. 15. Grieg–”Huldigungsmarsch“, from Sigurd Jorsalfar. Massenet–”Prelude“ (Le Dernier Sommeil de la Vierge). Mozart–”Andantino“, arranged for Brass Ensemble. Mozart–”Minuet“, arranged for Saxophone Ensemble, from Symphony in Eb Arranged by G. 1 Just Off the Press! H e r e it i s ! F u l l i n s t r u m e n t a t i o n. A w o n d e r f u l little library of p r o g r a m classics in itself. E a s i l y h a n d l e d by Class C to A b a n d s, b u t w o r t h while for a n y band. C o n d u c t o r's score (p i a n o p a r t) $1.00. Band parts, $.40. Q u a n t i t y discount. Mozart–“Romanza”, arranged for Woodwind Ensemble, from Piano Concerto No. 20. Schubert–“Andante con Moto”, from Symphony No. 1 in C Major. Schubert—“Moment Musical”. Tschaikowsky–“Morning P r a y er”, Op. 39 No. 1. Tschaikowsky – “ O l d F r e n c h Song,” Op. 39 No. 16. Tschaikowsky–“Waltz”, Op. 39 No. 8. Thomas–“Gavotte”, from the opera “Mignon”. E. Holmes A n Uproariously “Sight-Singing” Based on Rhythmic, Melodic, H a r monic, E a r T r a i n i n g . IHB D C A E C AO R N 2 Acts. 2 Scenes. Funny Operetta by Stanley R. Avery. BY D. A. C I PN E LP I G R Y o u can't afford to overlook this rem a r k a b l e n e w book which c o n t a i n s t h e instruction a noted voice teacher gives to professional pupils. I t is t h e key to r e a d y, a c c u r a t e sight-singing, b e t t e r t e a c h i n g m e t h o d s a n d bett e r results with s t u d e n t s. $1.00. 15 d a ys' e x a m i n a t i o n privilege. Write today for FitzSimons I t's different. Splendid score, historical s e t t i n g a n d u p r o a r i o u s l y f u n n y comedy. D o n't decide on y o u r o p e r e t t a w i t h o u t e x a m i n i n g it. $1.50. Q u a n t i t y discount. Write for selections on approval F i t z S i m o n s o p e r e t t a s lend a p r o f e s sional a i r to t h e a m a t e u r p e r f o r m a n c e. T h e y a r e given all o v e r t h e world. W r i t e for selection on a p p r o v a l stating type, g r a d e a n d length w a n t e d, a n d vocal m a t e r i a l available. numbers and octavo selec- catalogs, thematic circulars of band and orchestra tions on approval for your glee clubs. H* T. FitzSimons Dept. S. 23 East Jackson Blvd., Page 38 Company Music Chicago, III. Supervisors Journal MUSIC TEACHERS NATIONAL Can You Learn to Swim on Your Library Table? A R E YOU INTERESTED IN TEACHING CLASSES OF CHILDREN TO PLAY THE PIANO? IN HAVING THEM ACQUIRE FROM THE S A T A TRUE PIANO TOUCH? A CORRECT SENSE OF INTR TONATION? IN HAVING THEM THOROUGHLY ENJOY THE PROCESS? A N D IN KNOWING THAT THEY CAN PRACTICE A L YOU WISH THEM TO WITHOUT ANY ONE ELSE HEARING THEM? L ASSOCIATION MANY WELL KNOWN MEMBERS OF THE MUSIC SUPERVISORS NATIONAL CONFERENCE ARE TO TAKE PART IN THE PROGRAM OF THE FORTHCOMING DETROIT MEETING OF THE MUSIC TEACHERS NATIONAL ASSOCIATION, ACCORDING TO AN ANNOUNCEMENT RELEASED BY PRESIDENT D. M. SWARTHOUT. THE MEETING–THE FIFTY-THIRD ANNUAL CONVENTION OF THE M. T. N. A. – I S TO HOW THIS IS DONE: r>THE A LOAR PRACTICE PIANOi BE HELD DECEMBER 2 9 - 3 1 IN CONJUNCTION WITH THE NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC, THE LATTER ORGANIZATION CONVENING ON MONDAY, DECEMBER 28TH. PAPERS INCLUDED ON THE FORENOON A. REPORT ON THE H. L. BUTOF THE FIRST DAY OF THE M. T. N. PROGRAM WILL BE: “ A S. FOUR OCTAVE PRACTICE KEYBOARD WITHOUT “PIANO” STRINGS TUNED WITHOUT TENSION ON THE “STRINGS” TUNED ONCE A THE FACTORY, ALWAYS IN TUNE THEREAFTER T N O SOUNDING BOARD O BRIDGE R PLAYED LIKE ANY PIANO THE “STRINGS” NOT HAMMERED BUT PLUCKED DELIGHTFULLY SMOOTH ACTION, WITH A L THE DYNAMIC VARIATIONS POSSIL BLE TO A GRAND PIANO ACTION AND CONTROLLED IN THE SAME WAY TONE CAN BE HEARD BY THE PLAYER NOT AUDIBLE TO OTHERS A SCORE O MORE MAY BE OPERATED IN THE SAME ROOM A THE SAME R T TIME WITHOUT ONE INTERFERING WITH THE OTHERS THE SUPERVISOR CAN HEAR ANY INSTRUMENT AT WILL, OR NONE, FROM DESK OR ABOUT ROOM BEAUTIFUL TONE (ELECTRO-MAGNETIC) INSTRUMENT PORTABLE; WEIGHS ABOUT 4 0 LBS. OCCUPIES ABOUT 4 % SQUARE FEET COSTS ABOUT ONE-TENTH OF A GOOD UPRIGHT MAY BE HAD WITH AUDIO UNIT MORE POWERFUL, MORE BEAUTIFUL, MORE IMPRESSIVE THAN A GRAND–IF YOU WISH THE MUSICAL WORLD IS GIVEN A NEW GLORY. EXAMINATION OF SCHOOLS IN THE N. A. M. “ BY ITS PRESIDENT, LER, SYRACUSE UNIVERSITY; CERTIFICATES” BY CHARLES “THE STATE N. BOYD, BOARDS OF EDUCATION AND THE BATTLE OF PITTSBURGH MUSICAL INSTITUTE; AND “THE CONGRESSIONAL LIBRARY AND ITS AVAILABLE SERVICE TO AMERICAN BY CARL ENGEL, DIVISION, WASHINGTON, D. MUSICIANS” C. IN THE CHIEF OF THE MUSIC AFTERNOON THERE WILL BE PAPERS OFFERED BY MRS. WILLIAM ARMS FISHER OF BOSTON ON “ W H Y THE AMERICAN CHORAL AND FESTIVAL ALLIANCE?”; ERN TENDENCIES IN BY ARTHUR HEAHARMONY TEACHCOX, OBERLIN CONSERVATORY, ON “MODING”; BY MRS. H. A. BEACH, BOSTON, ON “EMOTION VS. INTELLECT IN MUSIC”; AND BY HENRY PURMORT EAMES OF SCRIPPS COLLEGE, CLAREMONT, CALIF., ON “MUSIC CULTURE AS A REQUIRED MAJOR COLLEGE STUDY”. PAPERS FOR THE SECOND DAY (W E D., DEC. 30) INCLUDE: “THE INTELLECTUAL ELEMENT IN MUSIC” BY DAVID STANLEY SMITH OF YALE UNIVERSITY; “PROGRESS IN CLASS INSTRUCTION IN MUSIC TODAY” BY COMING: THE INDIVIDUAL AMPLIFICATION OF A L STRINGED INSTRUMENTS. FOR PRIVATE L OR CLASS INSTRUCTION–SILENT, AUDIBLE TO PLAYER ONLY, O WITH GLORIOUSLY BIG CONR CERT TONE. “THE NOBLEST JOY IS THE JOY OF PROGRESS.” For the help you want write GENERAL DEPT. J Note:–We ACOUSTICS of, nor interested COMPANY HOLLAND, MICHIGAN products. radio C. M. TREMAINE, NEW YORK CITY; AND A PAPER, NOUNCED, TORONTO, THE SUBJECT BY ERNEST CANADA. YET TO BE ANMACMILLAN OF AFTER- are not manufacturer in “quickster” WEDNESDAY NOON WILL BE GIVEN OVER TO TAKING IN THE SIGHTS AND ATTRACTIONS OF DETROIT, WITH AN ORGAN RECITAL SCHEDULED AT 4 : 3 0 O'CLOCK IN THE ART MUSEUM, BY EDWIN ARTHUR KRAFT OF CLEVELAND. WILL ON WEDNESDAY EVENING OCCUR THE L A S T C A L L FOR 1 9 3 1 CONFERENCE YEARBOOK! (SEC PAGE 7 7) ANNUAL BANQUET, AT WHICH MR. ERNEST FOWLES OF LONDON, MR. OSSIP GABRILOWITSCH, AND OTHER WELL KNOWN FORENOON MUSICIANS WILL SPEAK. THURSDAY WILL OCCUR THE VOICE FORUM, WITH FRANTZ PROSCHOWSKI FROM THE CHICAGO MUSICAL COLLEGE AS CHAIRMAN. JECT, MR. PROSCHOWSKI WILL GIVE FLORENCE A PAPER AND DEMONSTRATION ON THE SUB“VOICE AND INTELLECT”; LAMONT HINMAN OF DENVER, COLORADO, WILL PRESENT A PAPER ON “DEVELOPING A WM. “JflPtV fefl S. H A Y N E S CO. he if marks identify genuine Heynes products m a k e r s of h i g h g r a d e B o e h m F l u t e s a n d Piccolos, used b y leading artists in S y m p h o n y a n d O p e r a O r c h e s t r a s. N catalog sent u p o n request. e w HIt W Page M S-HAYNES C0-I08 MASS AVE BOSTON-MASS- C NIUD O PG F T - N OT E N AE I Y E N FO Music Supervisors Journal JO M SC T A H R N TO A UI E C E S A I N L A S CA I N S O I TO (CONTINUED FROM PAGE 10) W r a l Musicianship in the Adult ok be Singer w o has not h d Musical h a Training“. T e a n a business meeth n ul ing o the Association is scheduled for f this forenoon at 11:00 o'clock. T e afternoon will b given over to h e a Piano F r m with P r y Gan e ou, e c r i gr presenting a demonstration in i n Pa o Ensemble“; Clarence Hamilton o f Wellesley in a p pr o h Future ae n Te o Piano Study“; a d a p pr o f n ae n ui Without Tears“, b M s M sc y r. Cob A a s o Montreat, N. C r r s y dm f ao lina. T e po r m has been arranged h r ga so as to allow for free a d full discusnsion at the close of e c r u d table ah o n a d general session. n Interspersed between papers will b e a n m e o musical p o r m o high u br f r ga s f merit. M s H. H. A. B a h will give r. ec a short recital o h r o n composifew tions; the Detroit Little S m h n o y poy f twenty-two musicians will give a proga; Gog Miquelle, solo cellist of rm e r e the Detroit S m h n, will a pa in y poy p er in unison. a solo group; the Laurel Singers, a ladies' ensemble o sixteen solo voices, f will give several n m es u dr its u br n e director, M. Jason Moore; a d the r n Cnr l Hg School A C p ea C ou e ta i h a pl h r s u dr H ry Seitz will sing a group. n e ar The HIGH ROAD OF SONG is unequalled Po a l the m s outstanding musir b by ot cal event, however, will b the concert e in the genuine musical worth of its songs o Tuesday evening b the Detroit n y for use in rural and ungraded schools S m h n Orchestra in a po r m o y poy r ga f A eia music fo c ne p r r mrc n r m o tm oay composers, to b ar n e for a d e ra gd n directed b H w r H no o the y o ad a s n f E sm n School o Music. This proat a f gram, md possible through the genae erosity o M. Ossip Gabrilowitsch, fr AMERICAN BOOK COMPANY conductor o the orchestra, a d M. f nr M ra G Paterson, manager, will b ury. e New York Cincinnati Chicago Boston Atlanta complimentary to the mm es in e br attendance at the Association meeting. T e regular T u s a evening concert h h rd y o the Detroit S m h n will also b f y poy e available to those staying over o the n When writing to advertisers, please mention the Music Supervisors Journal last evening by m kn advance resaig ervations for tickets b Dcm e 15th. y ee br A T e local a d all-state committee h n J O N ALlV/lllll On Page 78 Vb C ATRH LEYRevised IbyPUT JonesPCUA BT LI OI -N S with Jason M oe as chairman, is a or Vincent very representative one that is setting F r y u convenience in paying (j PARTA PI PANDE DPARTH AII,R M O N YEACH L LI o or $2.00 out to mk the Detroit meeting the dues you willfinda remittance S ae TONE THINKING and m s successful o e in the m r than c u o a d the address o y u ot n oe E A R T E S T I N G $2.00 o pn n f o r half a century of the Association's KEYBOARD HARMONY Sectional Conference Treasurer. J) Part I, 50c; Part II. 50c; Part III, $1.00 existence. f DIAGNOSTIC TESTS IN HARMONY (Doris Moon) Mm es i in the M T. N. A. is writing to D. M Swarthout, President e brhp. Jj Form A, $2.25; Form B, $2.25 open to all interested in music a d of the …, School of Fine ? E S S E N T I A L S I N T H E T E A C H n. IN G OF HARMONY musical education. Those not already Arts, University o Kansas, Lawrence. ES f (Vincent Jones) $1.50 o the Association register my receive Application has been m d for re- n a ae a c p of the po r m a d other in- d cd rates o all railroads based o oy r ga n ue n n L. R. J N S OE formation concerning the meeting b the certificate plan. y (L PRINTER AND PUBLISHER December, Nineteen Thirty-one J 227-229 E. Fourth Street. Los Angeles JJNUSUAL charm and genuine musical quality distinguishes this book which meets the special requireBy Robert Foresman ments of rural 208 pages Price, $0.68 and ungraded schools where boys and girls of varying ages are taught together in one room. Its plan is new and practical. The training in sight reading is easy and natural. The two-part, threepart, and four-part songs can all be sung THE HIGH ROAD OF SONG Page 51 Southwestern Conference By Christopher /“ 1. _. i_ O'Hare TWO-PART CHORALS (La Golondrina). Serradell–.10 298–The Swallow 2 9 9 – M y Evening Star (Cielito Lindo) Santos–.10 300–Tis a Wild a n d Merry Dance (Kuyawiak-Polish Dance) W i e n i a w s k i –. 10 301–The Black Brigade (Salut a Pesth-Hungarian March) K o w a l s k i –. 10 3 0 2 – M y Treasure (Tresoro Mio) Becucci–.12 303–Gallant B o w s a n d Curtseys L o w (A m a ryliss–Air d u Roi XIII) Ghys–.10 304–The Skirt Dancer (Faust Uptodate) Lutz–.10 305–The Sunset Pinsuti–.10 3 0 6 – H a r k O'er t h e S a n d (P r o c e s s i o n of t h e Sardar) Caucasian Sketches I p p o l i t o w - I w a n o w –. 10 307– Blow. Y e Horns (March from Aida). Verdi–.10 3 0 8 – H y m n to the S u n R i m s k y - K o r s a k o f f –. 10 309–Deep River (Negro Spiritual). U n k n o w n –. 1 0 310–Mister Monkey Howdy D o I (Humorous Unison Choral) O'Hare–.12 O'Hare–.12 311–Hop, Y o u Grasshopper. HopI T H R E E - P A R T C H O R A L S (S. A. B.) 549–A Life on the Ocean Wave Russell–.10 550–When the Band Strikes Up (A La Franaise-A Frangesa March) Costa–.12 Golondrina).Serradell–.10 551–The Swallow (La 552–Bedouin Love Song Pinsuti–.10 5 5 3 – M y E v e n i n g S t a r (Cielito L i n d o). S a n t o s –. 10 5 5 4 – M y Treasure (Tresoro M i o) Becucci–.12 555_jThe Hunt Elder-Emery–.12 55G–Night Song Elder-Emery–.12 5 5 7 – H a r k O'er t h e S a n d (P r o c e s s i o n of t h e Sardar) Caucasian Sketches. I p p o l i t o w - I w a n o w –. 10 5 5 8 – 0 Blow. Y e Horns (March from Aida). Verdi–.10 5 5 9 – H y m n to the S u n Rimsky-Korsakoff–.10 500–The Skirt Dancer (Faust Uptodate) Lutz–.10 5 6 1 – A S o n g of F i n l a n d (V a l s e Triste) Sibelius–.10 562–Deep River (Negro Spiritual). Unknown–.10 563–Little Star (Estrellita) Ponce–.10 O'Hare–.12 564–Hop. Y o u Grasshopper. H o p l T H R E E - P A R T C H O R A L S (S. S. A.) 917–The Tin Grenadiers (Toy Soldiers' March) T s c h a i k o w s k y –. 10 918–Flower Song (Faust) Gounod–.10 919–The Nightingale's Song Zeller–.10 920–My Evening Star (Cielito Lindo) .Santos–.10 921–Serenade to Vida Gulterman-Emery–.12 Becucci–.12 9 2 2 – M y Treasure (Tresoro Mio) 923– Blow. Y e Horns (March from A i d a). Verdi–.10 924–The Skirt Dancer (Faust Uptodate) Lut–.10 9 2 5 – A S o n g of F i n l a n d (Valse Triste) Sibelius–.10 926–Gallant B o w s a n d Curtseys Low (A m a ryliss–Air du Roi XIII) Ghys–.10 927–Deep River (Negro Spiritual). Unknown–.10 928–Lo. N o w the Dawn Is Breaking (Salut d'Amour) Elgar–.12 929–Hop. Y o u Grasshopper, Hopl O'Hare–.12 N E W T. T. B. S E R I E S T o m e e t the requirement of y o u n g M a l e voices, w e offer t h i s n e w F r a n k l i n (T. T. B.) c h o r a l e d i T h e distinctive feature to be found only in tion. these arrangements is the Second Tenor part being so arranged that it m a y be taken equally well by the Baritone, which Instantly solves the Superv i s o r's p r o b l e m of w h a t to d o w i t h t h e i n d e t e r minate middle voices. O'Hare–.12 801–Hop. Y o u Grasshopper. Hopl (Salut 802–Lo, N o w the Dawn Is Breaking d'Amour) Elgar–.12 803–The Jolly Coppersmith Peters–.12 804–Morning (Peer Gynt Suite) Grieg–.12 8 0 5 – H u n t i n g S o n g (Op. 140 N o. 1 4). Gurlitt–.12 8 0 6 – S i n g Till the Clouds Roll B y (Jolly Brothers) Vollstedt–.12 807–Gipsy John Clay–.12 O'Hare–.12 808–Wind on the Hill 809–Marcheta Schertzinger–.13 810–Night Shadows Falling (Andantino) Lemare–.12 811–When the B a n d Strikes U p (A L a F r a n aise-A Frangesa) C o s t a –. 12 8 1 2 – A S o n g of India Rimsky-Korsakoff–.12 8 1 3 – G l o r y of t h e D a w n O'Hare–.12 814–Little Star (Estrellita) Ponce–.12 815–The Midshipmite Adams–.12 S e n d for complete lists of T w o, T h r e e a n d F o u r part choruses–Music sent o n approval. FRANCES S M I T H CATRON, Ponca City, Oklahoma, S T A N L E Y S. EFFINGER, Colorado Springs, Colorado, L E N A M I L A M, Beaumont, Texas, J. LUELLA B U R K H A R D, Pueblo, Colorado, GEORGE OSCAR B O W E N, Tulsa, Oklahoma, CATHARINE E. STROUSE, Kansas State Teachers College, Emporia, JESSIE M A E A G N E W, 36 Polerig Apartments, Casper, President 1st Vice-President Secretary Director Direct or Kansas, Treasurer Wyoming, 2nd Vice-President and Editor W E of the Southwestern Conference are anxiously looking forward to the Silver Anniversary Meeting at Cleveland, April 3-8, 1932. President Morgan is preparing a splendid program, and we are anticipating a great inspiration for the motivation of the music program for the school and community. Music supervisors, like other professional people, need to keep up with the trend of affairs. Instead of having an official headquarters hotel for the National Conference, the registration will take place in the Auditorium, and each Sectional Conference will have an “official hotel.” The Southwestern Conference has been assigned to Hotel Winton, where your officers will maintain headquarters, and where it is hoped the majority of our Southwestern members will have reservations. This will greatly facilitate our getting together for sectional meetings. One evening is to be devoted entirely to the Sectional Conferences–plans for our Southwestern program will be announced in the next Journal. tury of Progress, President Morgan, the Executive Committee of the Supervisors Conference, and the Sectional Presidents at the offices of the executive secretary in Chicago, October 9 and 10. It was with pleasure and pride we saw the efficient handling of conference business by our headquarters staff. Let me urge all supervisors to send in membership fees early. Keep posted on what the Conference is doing and come to Cleveland to share in the musical feast prepared for you. Frances Smith Catron, President. Ponca City, Oklahoma. Music has a great part to play in the coming bicentennial celebration of the birth of George Washington, and the Century of Progress Exposition at Chicago in 1933. Come to Cleveland prepared to shoulder your part of the responsibility of your Southwestern Conference, and with suggestions for our biennial program to be held, probably, the last three days of March 1933. We had the privilege of meeting with the Planning Committee of the CenState Chairmen KAY AND KAY MUSIC PUBL. CORP. 294 Wut 47th Street New York. Y. EP 1 RS wilim IN Page 58 Colorado: John C. Kendel, 414 14th St., Denver. Louisiana: Francis Wheeler, Centenary College, Shreveport. Missouri: Hannah Whitacre, Moberly. N e w M e x i c o : Mrs. Merl F. Cramer, 445 Pecos Ave., Raton. Oklahoma: Robbie L. Wade, 1002 N. Union St., Shawnee. T e x a s : Mrs. Lena Milam, 593 Pennsylvania Ave., Beaumont. U t a h : Emery G. Epperson, 1069 S. 7th St. East, Salt Lake City. Arkansas! : To be announced later. Kansas: Gratia Boyle, 1001 Woodrow, Wichita. W y o m i n g : To be announced later. H E N East meets West and North meets South, great things may be expected, but when all meet in one assembly what is there that cannot be accomplished individually or collectively ? In the field of education, public school music is accomplishing great strides in constructive progressiveness. True, the many phases to be carried on make the activities of the conscientious and ambitious supervisor so multitudinous that at times he may wonder whether or not his life is his own. After all, is it? We are public servants by gift and from choice, and in our chosen field of service it is our duty to carry on in such a way that the best results in the music education of our students can be obtained in the most effective manner, and with the best distribution of time and effort. Every supervisor has problems. We would not be progressing if they never occurred. But what a source of strength comes to us when we realize the opportunity and the privilege given to us to attend the various Conferences where we may mingle with those in the same line of work who are meeting similar problems; where we may discuss the ways and means for solving difficulties, how to fulfill our future needs, the results of experiments and research with our conclusions from such procedures, etc. W Conference Facts and Philosophy *** In our Sectional Conferences we have had splendid programs; concerted efforts with inspiring results were evident, and we will look forward to our Music Supervisors Journal I T K FR E N OR AD I N– F I I S I TA A EIA A A NT N AD PAN QAIIS D M E A DEEC AD YU BN T S A HT MR, S D C AI, N LYG ULE O A O W SO I ! GT NO CA P N I CA – U LD G L HW T E IT HMI S P LS IL OH S S UW E I I TE MS MSA CUTY I TE S H O U L ON N H T C I R WRD I I FR U A MS ISRC DU S AD NT TE MRE M OE ET OL. T S O S S UI NTU- RM N O H AK I P VMN. C E DR TR AD SPRIOS T MK I OE O LD G MNFC R A CME LE O PRUIN OS N UEV R O AE T N F UW S I AU T E AUS O P T N F ECS LE S O TE MS CLUE MSA C UTIS T NRMNS FR TE BN, O HT A D M C RS A H O UTRD U L ONR; O IS U ET O H AD R ER ID R T C I E T C SA N U OP. S HL DVLP TA “ NR UG” O TE EP EEO HT I E RE F H N SUET I SC A W TA TE AP E D M MK S T TE PO S N LD G HS W RCG TDNS N UH A HT HY PR- R Y U AE O H RF S UW A O EOR EI O I N CT TE BATU I MS T TE FL- NIN FR QA Y POUT W BILN, SAP TN AE H EUI L N UI O H UL IO O UL RDCS T R I T NPY O I F C T T I, IH LA E E O TE CPBIY AD AE I SI E A MRE U CRY PWR LD G DU S I SI E YU S F HR AAIT, N R NP D N AV OS ARIG O E. UW RM NP T I L R D L N I RO R T DVLP TE TLNS T TE FLE. O EEO HR AET O H ULS I T R I I W AE T D our FL DT, T E, PAES T D TE BS. F ER OO UL UY HN LYR O O H ET W MS B AR T EEY OPRUT E U E L T O VR POTNY T E I A Successful Drum Corps in 5 Easy Steps OR LE US VS E. OR NTNL PEIET AD H C U AI A RS N N I O O D S E I HU AE O D O F HR HY Y WRES AE SAIG NTN TA TE EEY SPRSR SOL HV A CP O “ EE TE OK R PR OHG HT HY VR, U V R N I CN HV A TE CM AD T GE U C M” TE N BO WC EPAS I D A TE FIVE A AE T HR O MN O I S O E H E OK H I V, W IH XLI N E L H N TI A PORM RH I FO FR TOGT S PE SES T A SCEFL D M CR–ED F PBI RGA C N OD O HUH I L TP O I M UCSU R OP RAY O UL S U S R C AD GO T. I I FR U T RCIE AERNE I S WE S O LS ! TE CU N W BN N RWH T S O S O EE. P AAC N I V P X EK, R E S H OP O L RG II L CN AYN AOD T SA A A? Not A NOE F R O TY WY F I,FREEAD W OT OL AIN T N T U BI T. I H GO if it is within his power to go! WE HR E TEE I A W TEE I A WY HS R L HR S IL A. * ** SUH EEN MEN O 1933. BT OTWS R ETG F T I U T I Y R W HV TE ADD I PTS HE S A E AE H DE MEU O TE NTNL CNEEC T B HL F H AI A OFRNE O E ED O I CEEAD O I, AR 3-8, 1932, N LVLN, H P I OL WC PO IE T B OE O TE BS, HH R M S O E N F H ET I S I NT the BS, MEN TU FR B FO ET ETG HS A, E I S E BIG UI U I MN WY. I S E N E N AY AS D NQ I TEE AE TO O YU I OR FH R R HS F O N U E SUH EEN SCI N WO HV NVR OTWS R ET T O H AE EE ATNE A NTNL CNEEC METEDD AI A OFRNE ET O I G YU CNO RAZ WA YU HV N, O ANT ELE H O AE I T MS D Y U CNO AOD T SA I E. O ANT F R O TY S F A A FO T I GET AE BE OGN WY RM H R S MLD RASAS IAI N WEE W RCV N L E A I ZT OH R E EEE E I, S T I WF WR, N I SI AI N, NIES AD EE E NP T S E DA N W RO W SG ET N, AD WEE W MGE WH U GSI S N H O R E NL T I I AD RCV FO TE BS I TE M N EEE RM H ET N H U I SA AD EUAOA FIELDS;WEE W I L N DCTNL C I H RE NT OL HA OR LAN EUAOS O N ER U EDG DCTR Y I, BT W SE FR ORLE TE MN Drum section Hobart, Ind., High School Band, National Champions, Class B, 1930-1931. U E E O US VS H AY E DMNRTN WC SRE A A MAE OS AOS HH EV S TI I ES UE FR OR O N SADRS AD WEE R O U W TNAD, N H R WC N TO A C A PO S I CAS B TE I E A I N L H M I N N LS, H W GI A KO L G O WA I BIG EA N NW DE F H S E E T N ACML E I O E PRS O OR CO PS D N T R AT F U I H H HBR BN BA S T I SLNI D M SCO W O T AD OS H PED R ETN T A TS DU I IH CUTY ONR. ECU EY LD G E UMN. W RET : LD I TN XLS L UW QI ET E EA UW OE V I I P P G T A A T I YA W AE T HV TE AOSS ITRS, ECUAE MS SUY G E VLA E GI H ER E R O AE H RU NEE NORG NS E T S UI TD, I S AUB C V L NTNL COU AD TE NTNL O - BS TAIG CM E OT S $ 5. 6 5 U. LD G SO S AOA HRS N H AOA R I I CN LE T I P UW HW I CE R, WC W B W OT D UT AI RIN. O P T UF HS A HH L E T U OB, T I IL IH YU H T OGNESN NW FR DTLD N RCOS FE. O O O RAI. ED O O EA IS UTN RE W Z IE T I JD IG FO PEI U YAS TRLG UG RM RV S ER, HLN N O II T TE nth DGE, AD BTE TA EE OH E RE N ETR HN VR BF R. Y U CNO AOD T MS EOE O ANT F R O I F S TE CNET LT AOE TE RS O TE HS OCRS E LN H E F H E, T PORM RGA. I TE LS J UNL A PE WS MD N H A ORA T LA A AE – – – —- – – – – —- – I FR EEY OE T SN I H M“EO VR N O ED N I E BR S M S I FE A OC. HV YU DN S ?L u d w i g & Ludwig, 1 2 1 8 D Ludwig Building, 1 6 1 1 - 2 7 N o r t h Lincoln St., Chicago, Illinois 1 H E T NE AE O OE O P Gentlemen I N T WY PT I OF LT M UGband; : Without obligation to me please send [] catalog and information about drums for the F O, H U T F? E E RE AD beg, I YU HV NT ARAY DNName.[] ”Here They Come“ with details of drum corps plan; [] information on rhythm bands. || N F O AE O LED OE S, send in your dues today. T E, O HN Street - _. 1 BG T SV YU D E AD PA T E I O AE OR I S N LN O N M J B I CEEAD O AR 3 D W NE State E N LVLN N P I R. E EDCity L –. 1 TE ISIAI N AD HL O TE C N H NP T R O N EP F H O FRNE AD I NES OR UIE C OEEC, N T ED U N D O P T LEAO AD SPOT NW EPCLY RTN N UP R. O SEI L, I A I T I T E O FINANCIALDPES N NH I SM F ERSI O C NIUD O PG S T - N OT E N AE I Y E N XO December, Nineteen Thirty-one Page 59 * ** Form a Rhythm Band for Beginners * ** LUDWIG & LUDWIG W Y B T T M I T I A D A CLR T T E A, U O AN AN N C EE AE H M MNU W E O C S A T D O E T M HN N E T R E “. M N CTE I T E S U H C N U T AY IIS N H OT ODC S M E S H OS F R I S R M N A W R, U M R C O L O NT U E T L O K M R O L S C N E T D W H T E M SC O E R ES O N C E I H U I T D P R M N S O T E CT S H O S IT I EA T E T F H I Y C O L. S B LE E T A M M E S F R T E S U H R E I V D HT E B R O H O T E N C M C UD B R C UT D F O T EE A P OL E E R I E R M H S P PL W O H V G TE T E H BT O U I S H A E OTN H A I F ATN I G S M E S H O, A D W O TE D N U MR C O L N H W UD W L O E S C A O P R U I Y O L E C M U H N P O T NT. THE I E O S M E C M S I T E D A F U MR A P N H M U T I S O W S E N N RH C R L A O N A F ET R O T A O I N N H S LN B E S L T T E S U H AD A OG E N OD O H O T, N S M O T E FN S I T E U I E S A E O E F H I ET N H NT D T T S A E F U D T E E H N E I OG T N T R ON H R. E C, T UH O T BE D F U T T GT T E P R N S O OR O I I L O E H AET F U FC M S A L T LNE C I D E UI L Y AE TD H R N ”music C L C M MN E. I W UD BE I T R S I G A P I D D T OL “ N E ETN A D H LF L IF T OE O Y U W O H V N E PU H S F O H AE A Y C N I T N O T E S BE T W UD N OV I S N H UJC CO OL S N T E IN. P R A S P E I E T F A E D HM E H P R SD N R N CIS W L H V R O O O R S U H R I AE OM N U O T E N L C NE E C P O R M A C E E A D F R O F R N E R G A T LVL N O A DS U SO OF IT. IC SI N OF C U S, W A E N T A V C T G A O RE E R O D O A I N C M AG T SA T A N W C M A T I A P I N O TR E A P T HS TM, F R O VO S R A O S B T D E M I E O B I U E S N! U R A S AD PA S M S P E E E T E A T AIY N L N UT R C D H C U LT ! F. C. B. CONFERENCE PHILOSOPHY (CONTINUED FROM PAGE 59) CURTIS CLASS P I A N O COURSE ORGANIZE PIANO CLASSES I YU N OR FIRST AND SECOND GRADES BEGINNERS B O O K, 7 5 c F R Y U G C ID E O O N H RN L ISetv Book Just Edited (Art Edition) by HELEN CURTIS New Features Self Explanatory A L P O E U E D FNT L I L S R T D A D E P AN D L R C D R S E I I E Y L UT A E N X L I E Probably the most complete Beginners Book yet offered. All “1 I material used has been tested by Miss Curtis with hundreds I LO/ pupils under her personal direction. J CURTIS CLASS PIANO BOOKS B GN E S B O (I S A D S C N GRADES) E I N R O K FR T N E O D B O I (HR G A E A D A O E OK T I D R D N B V) B O I (UPPER G A E A D J NO HG S H O) OK I RDS N UI R I H COL B O III (HIGH S H O) OK COL $ .75 1.00 1.00 1.00 W I H E I T O E OR C U T Y D W H C XS S V R U O N R, O E N E T GV O R B S A D U M S. A E D O I E U E T N T OT T C E E A D W WL G I A L R E VSO, L V L N E I L AN A GR I I N A D S C H L A W L AD U T “ A R N UH EP S I L I S O CRY O BTE T A E E B F R. N ETR H N V R E O E P R A S S M O U N E A “ O T” E H P O E F S ED J L. IT IS P S I L T B C M T O S L - A I O SB E O E O E O E FS TS FIED I O R L CL S C E S THE G O N U OA U C S. OD S P R IO IS N V R S TS I D F R T E E U E VS R E E A I FE, O H R IS A W Y R O F R I P O E E T E E L AS O M O MR V M N, V N A O G T E B S. W U D I N T BE A MN H ET O L T O G O I E T G T CE EA D A D S E O D D A O O O LVL N N E IF, P R H N E W A E T E O E W O N E E C A C, E R H NS H ED A “ O T ? IF, O T E OHR H N, W J L” N H TE A D E FIND T A O R W R IS O A P R W H HT U O K N A I T T A D M NT A E, W A A JOY A D S T HT E O S R T D HT N AIF C I N T T Y T D E E B T E ! S A TO O R O O V N E T R LET U S O O R C L R, A D M Y O R S H W U OO S N A U S U H ET R S C I N H V A R C R O T W S E N E TO A E EOD B E KN ATN A C– O O L I T E R A I G TE D N E N T NY N H S PO T O M M E S I A D A T N A C, U P R F E B R HP N T E D N E B T I E T UI S A D I S I I, H L I G U N N H SAM N N PRT E PN O R L A E S T M K A OHR N T N L U E DR O A E N T E A I A O C NE E C T A W L I T R M K U O F R N E HT I N U N A E S L SR N E A D S N U B C I T O R T O GR N E D S A K N O U I DVD A FIELDSA L A E S I GVN NIIUL S E DR N I I G TA W IH W L M K F R H P I R HT H C I L AE O A PE, RC E, A D F L E LV S I H R N ULR I E. M Y W SEE Y U I C E E A D A RL AE O N LVL N P I 3RD? Remember! absent! You cannot afford to be Cardboard Keyboards–Music write to Stands For information HARRIS F. R O O S A, Publisher 817 NO. D A B R ST. E RO N CHICAGO, III. LAST CALL F R 1931 C N E E C Y A B O ! (SEE P G 77) O O FRN E E R O K AE “Style in Singing and Song Interpretation” by James Woodside “IT W UD BE AFINET I G IF E E Y Y U G SN E – N S M OD O E– A I OL HN VR O N I G R A D O E L N S H D T AL T O O G L M M RZ D A D DG S E. L H R U HY E O I E N I E T D “ H R I A RA N E F R S C A U A L, G A HC A D C A I YN E P STO O T E E S E L E D O U H S B E R P I N L RF I G X O I I N F T EE E U I E B T N N T E L S V A S B E T. H S L SV, U O E H ES I L U J C S T ” –David –Edward Moore in Chicago Tribune A new “UNIVERSAL SONG” text-book “ON A P O A C PE S N O R Q ET PR V L O I S E T N E US Mattern, University of Michigan, Ann Arbor, Mich. J. M. A. Nineteen Thirty-one HAYWOOD INSTITUTE OF UNIVERSAL SONG NEW Y R OK 113 WEST 57TH S R E TET Page 6i December, John W o r l e y Company MUSIC PRINTERS E n g r a v e r s and Book Binders 166-168 TERRACE ST. B O S T O N, MASS. D e v o t e d exclusively t o t h e p r i n t i n g o f m u s i c b y every p r o c e s s. W e f u r n i s h effective designs a n d m a k e titles b y all p r o c e s s e s i n o n e o r m o r e colors. W e arrange music, revise M S S. a n d s e c u r e c o p y r i g h t if y o u d e s i r e. N o o r d e r t o o small t o receive attention. Southern Conference J. HENRY FRANCIS, Charleston, West Virginia, CLEMENTINE MONAHAN, Memphis, Tennessee, 1st J E N N I E BELLE S M I T H, Athens, Georgia, President Vice-President Secretary GRACE V A N D Y K E MORE, Greensboro, North Carolina, Director W M. C. MAYFARTH, Spartanburg, South Carolina, Director RAYMOND F. ANDERSON, 8106 Ninth Avenue South, Birmingham, Alabama, FRANK C. BIDDLE, 1455 Penn Avenue, Wilkinsburg, Pennsylvania, 2nd Vice-President Treasurer and Editor F which You very stay cle round. “don't OLKS: WISH!!! in I wish! / wish!! I play a most convenient meeting place f o r Then, too, Conference are already D i d y o u ever friends evening meeting, under So looking 3 t o 8. a n d acquaintances. for our Southern a n d arrangements w a y f o r this. the little g a m e with full (all by yourself) a n d catching to see we are to have the whole of Thursday “wishing snowflakes o n e hand, t h e other,“ t h e quicker? became know much like “wishing” is apt t o b e y o u see w h y I a m planning a n d forward I know to the week I a m going o f April to see a riding on a merry-goy o u m a y learn t o a n d become dizzy, accus- O f course, o n t h e horse, without lot o f m y friends, a n d m a k e s o m e n e w ones–and How sociates so are you. making your nearby a s with t h e b i g idea, Commence your Eduabout tomed t o t h e w h i r l i n g around in a cirgrowing but y o u your g e t a n y place.“ and never So w i t h WE PHOTOGRAPH AND PRINT FROM MANUSCRIPT AND REPRODUCE BOOKS OF EVERY KIND. WE MAKE C L E E AND F A E N L S N BOOKS OLG RTRA O G acquainted wishing; and wish bring if y o u a r e c o n t e n t t o j u s t sit get up to try a n d it will r e wonderful to prois a t o fruition, Wishing and bringing them along t o join in this grand get-together jubilee? “wishing” wish come (Spreading cation.) A l w a y s, a n d cordially, J. the wish right true. n o w, a n d make o f Music main a wish. exercise, Y o u r s f o r S. G. M. E . a n d really necessary t h e Gospel Free T e ai C t l g h m tc aao of S h o Music col Our line of operettas, cantatas, chorus b o o k s, and octavos is listed in our free thematic catalog in such a way that you can see which items are most w i d e l y u s e d. Mention the Music Supervisors J o u r n a l and this catalog is free. Our new cantata for 1931-1932 is “George Washington/’ two-part, 50c 501 E. 3rd St., Dayton, Ohio; 91 7th Ave., New York; 218 S. Wabash Ave., Chicago LORENZ PUBLISHING CO. gressive accomplishment, b u t calls f o r actual effort t o c a r r y o u t t h e idea. By I, the way,I wonder have been if y o u a n d I line? some making H N Y F A CS E R R N I, Conference President. have been wishing along the same however, plans definite t o attend Charleston, W. V a. October 30, 1931. the National Beside a Conference the in Cleveland next April. It idea o f celebrating t h e o f the National, worked Each a someone o f making t h e individual certain hotel outfor Secas is g o i n g t o b e a g r e a t reunion. wonderful plan Silver definite a is tional Anniversary N take us of. Southern OW are some Notes that w e again in that it is all settled t o s e e each of our good other Cleveland n e x t April a n d are going t o material and with Orthat for the National Camp Chorus is being get-together o f Conferences. with to be assigned chestra, let u s think a little about Southern With tablished Eastern success w e have t h e National at Interlochen, Camp this season), Conference in charge arrangeat a n y conference all d r e a m e d Michigan, the Maine (a Camp well e s - headquarters, at all times. has ments for Every member, o f course, accommodations at Oakland, t h e privilege and the Western California, a s when w e can Camp at Santa Barbara, look ahead t o the time Camp hotel; at the same time, t h e particular sured f o r n e x t summer, w e c a n at least launch a Southern a Southern Camp movement. hotel assigned t o a sectional will be t h e h o m e o f most of its m e m - For F r e s K I n s p i r a t i o n FOLK AND ART SONCS C.C. D I R C H A R D 5 C O. – - B O S T O N bers during their stay in Cleveland, a n d Many have expressed their desire f o r to take care o f o u r pupils w h o cannot attend t h e National IN THE INTERMEDIATE GRADES NEW MUSIC SUPERVISORS State Chairmen Camp. of at Several sites i n t h e m o u n t a i n s Carolina have been to to Western Asheville when such North A E I A VIOLIN SYSTEM M RC N FOR B GN E S E INR Special Public School Edition ready Sept. 1st. T w o volumes, each 4 8 pages. Price only 5 0 c. Published NICOMEDE by CO. ALTOONA, PENNSYLVANIA MUSIC Alabama: J. Jones Stewart, 377 Tuttle Ave., Mobile. Florida: Ruth Hibbard, 330 W. University Ave., DeLand. Georgia: T o be announced later. Kentucky: Price Doyle, College Station, Murray. Maryland: T o be announced later. Mississippi: Alice Quarles, 903 31st A v e., Meridian. North Carolina: H. Grady Miller, 418 W. Washington, Greensboro. South Carolina: Janette Arterburn, Winthrop College, Rock Hill. Tennessee: E. May Saunders, 3rd Avenue So., Murfreesboro. Virginia: Eva Taylor Eppes, State Teachers College, Fredericksburg. West Virginia: Karl V. Brown, High St., Spencer. offered, a n d t h e C h a m b e r o f C o m m e r c e h a s spoken the time been its desire ripe assist launch seems anxious an organization. Those that t h e a interested have camp, o n c e undertaken, the S o u t h . shall b e c o m e great p o w e r f o r musical development in T o this e n d, it h a s s e e m e d wise t o g o slowly and carefully, for, a s George Oscar Bowen says o f the Eastern a of not Camp, “Anyone w h o h a s n o t been first-hand detail, only observer great a t such a place realize the tremendous a n d small, a project amount under cannot necessary, t o p u t such Page 6o Music Supervisors Journal way, b u t to m a i n t a i n a n d accelerate t h e momentum Many summer when in once the started.“ South conduct work, I t is these of who the cities schools f o r instrumental schools. from and m o r e o r less c o n n e c t e d w i t h departments Camp pupils would The has are could o f the city be the music CURTIS CLASS PIANO COURSE ORGANIZE PIANO CLASSES in your believed that members f o r the Southern recruited gotten such summer Western sold an school, who have summer of of welcome idea the habit attending opportunity. in Carolina States FIRST AND SECOND GRADES camps North mountains l o n g been found to the South, a n d some o f the finest i n the U n i t e d there. talented if Hence, it ought not children “music BEGINNERS B O O K, 7 5 c For Y o u n g ISetv Book Just Children (Art Edition) Edited t o be d i f f i c u l t t o g e t t h e p a r e n t s o f o u r musically and helpful any cis camp minded.“ convictions will have I t w o u l d be i n t e r e s t i n g those o f y o u w h o have o n t h e subject on our at would Franfor a BY HELEN CURTIS NEW FEATURES SELF EXPLANATORY send t h e m i n. P e r h a p s President room Conference Of course, program Southern Cleveland a discussion o f i t. w e are not advocating a n e w camp at campaign to start this A L P O E U E D FNT L I L S R T D A D E P AN D L R C D R S E I I E Y L UT A E N X L I E Probably I material pupils LO/ the used under most has complete been her personal Beginners by Miss direction. Book Curtis yet offered. All “1 I J tested with hundreds time, f o r obvious reasons! B u t dreams and plans m u s t precede t h e a c t u a l i t y ! F. C. B. CONFERENCE PHILOSOPHY (CONTINUED FROM PAGE 59) CURTIS CLASS PIANO BOOKS do we At vision, “carry ”jolt.“ good there even For information write to which exists over our country, need t o give o u r best a n d u t m o s t. Cleveland w e w i l l gain a larger and such help on“ It fied Perhaps in as w i l l a i d u s t o before. us need a The of better t h a n ever some B GN E S B O (I S A D S C N G A E) E I N R O K FR T N E O D R D S B O I (HR G A E A D A O E OK T I D R D N B V) B O I (UPPER G A E A D J NO HG S H O) OK I RDS N UIR I H COL B O III (HIGH S H O) OK COL $ .75 1.00 1.00 1.00 is possible t o b e c o m e t o o self-satiso u r local is n e v e r success. satisfied, f o r Would it Cardboard Keyboards–Music Stands supervisor among good a find is a l w a y s r o o m the best. f o r improvement, n o t be a a n d see hand, we with idea to g o t o Cleveland If, on the other i f, perchance, w e a r e t h e ones w h o need “jolt”? that our work is o n a p a r better! HARRIS F. R O O S A, Publisher 817 NO. D A B R ST. E RO N C I A O III. HC G, t h a t d e m o n s t r a t e d, w h a t a j o y a n d satisfaction t o t r y t o do even L e t us show o u r colors, a n d m a y o u r Southwestern breaking Section have a recordin the attendance–not only L A S T C A L L for 1931 Conference Yearbook! (See page 77) support of membership our leaders t o make that fields will will as a n d attendance, helping National make into in us our but i n enthusiasm a n d i n spirit, another in turn us back leaders for make lives. Conference stronger individual that May which richer, “Style in Singing and Song Interpretation” by James Woodside “ I t w o u l d b e a fine t h i n g i f e v e r y y o u n g s i n g e r – a n d s o m e o l d o n e s – h a d i t all thoroughly memorized a n d digested.” –Edward Moore in Chicago Tribune “ T h e r e is a r e a l n e e d f o r s u c h a u s a b l e, g r a p h i c a n d c l a r i f y i n g e x p o s i t i o n o f these e l u s i v e, b u t n o n e t h e less v i t a l s u b j e c t s. –David “On Mattern, Approval” University of Michigan, o n Request Ann Arbor, Mich. Copies Sent A new “UNIVERSAL SONG” text-book a n d send giving happier, April to be and fuller w e see y o u i n C l e v e l a n d You cannot afford 3rd? Remember! absent! J. M. A . Nineteen Thirty-one HAYWOOD INSTITUTE OF UNIVERSAL SONG 113 West 57th Street New York Page 6i December, </meta-value>
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<detail type="issue"><caption>no.</caption>
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<author></author>
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Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Sarre/explor/MusicSarreV3/Data/Istex/Corpus

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000483 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000483 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Sarre
   |area=    MusicSarreV3
   |flux=    Istex
   |étape=   Corpus
   |type=    RBID
   |clé=     ISTEX:2F0DA414266F5C9BBEFA1F973C66DCA88F80BE4A
   |texte=   Front Matter
}}

This area was generated with Dilib version V0.6.33.
Data generation: Sun Jul 15 18:16:09 2018. Site generation: Tue Mar 5 19:21:25 2024

	Serveur d'exploration sur la musique en Sarre
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration sur la musique en Sarre

Front Matter

Front Matter

Source :

English descriptors

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri