Festival Cantata
Identifieur interne : 000473 ( Istex/Corpus ); précédent : 000472; suivant : 000474Festival Cantata
Auteurs : Susan T. CanfieldSource :
- Music Educators Journal [ 0027-4321 ] ; 1933-05.
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DOI: 10.2307/3384252
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ISTEX:2E0A2CAAF84A3CECFF9480A0F991CB79FFEE1DC9Le document en format XML
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URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="review-article" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher><publisher-name>SAGE Publications</publisher-name><publisher-loc>Sage CA: Los Angeles, CA</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3384252</article-id><article-id pub-id-type="publisher-id">10.2307_3384252</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Festival Cantata</article-title></title-group><contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Canfield</surname><given-names>Susan T.</given-names></name></contrib></contrib-group><pub-date pub-type="ppub"><month>05</month><year>1933</year></pub-date><volume>19</volume><issue>5</issue><fpage>62</fpage><lpage>62</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> T H E LORD'S PRAYER, Alexander Gretchaninoff in collaboration with Carl Deis, soprano solo with four-part chorus. Lo, GOD IS HERE, Carl F. Mueller, for eight-parts. CHRISTMAS D A Y PRAYER, L. V. Saar [G. Schirmer, Inc., New Y o r k]. The Gretchaninoff chorus is interesting both rhythmically and harmonically. It is well within high school range and while not simple, will well repay the effort required to mas ter it. FROM T H E WESTERN WORLD. An- Choral Octavo–Mixed, Unaccompanied ANCIENT CAROL John Julius Baird; CHILD JESUS, Francais-Auguste Gevaert; THE WINTER'S DONE, Mendelssohn, transcribed by Martin J. Luvaas; Lo, W H A T A BEAUTEOUS ROSE, sixteenth cen OF THE SHEPHERDS, T H E SLEEP OF THE tury melody harmonized by Michael Praetorius, edited by Max T. JCrone; JOYOUS CHRISTMAS SONG, Gevaert, ed ited by Max T. Krone; T H E W I N G AND THE STAR (The Nicolai Morning Star Choral) Peter Cornelius, arranged by Max T. Krone [M. Witmark & Sons, New Y o r k]. It is to be regretted that the editors made a new text for the Praetorius carol, since the beauty of the familiar words give full half its charm to this universally loved song. The Mendelssohn-Luvaas song has been chosen as one of this year's contest numbers in Pennsylvania – a happy choice. A CHILD T H I S D A Y, William S. Nagle [Carl Fischer, Inc.]. Anthem for quartet or chorus. An excellent bright and modern Christmas anthem, with interest, variety and development, to a fine climax. Festival Cantata A FESTIVAL CANTATA. Adapted by tonin Dvorak. Orchestrated by Ru dolph Kopp [Silver, Burdett and Com pany, Newark, N. J.]. The following quotations from notes sent with the re view copy of From the Western World describe the new number very accurately and adequately. “Intended originally for violin and piano, the sonatina, like Dvorak's sym phony ”From the New W o r l d “ con tains an inexhaustible wealth of melody, partly based upon themes of Irish, In dian, and Negro music. The tendency is toward the unexpected in harmonic and rhythmic conception, which also serves as a point of contact between the two works. In fact, the orchestra which is not equal to the technical difficulties of the larger work gains all the satis factions o f artistic achievement in this shorter and easier composition, and at the same time creates for the audience the atmosphere of poignant beauty which makes the symphony a world classic favorite…. ” “The arrangement has been carefully worked out to the end that it may be undertaken equally well by the small or the larger orchestra. The cues, and cross-cueings in case of substitutions, provide the richest possible effect with each available combination.” It is arranged for full orchestra.– LEE M. LOCKHART. RIP VAN WINKLE SUITE (Three Mr. Hindsley has for some years been an enthusiast for the marching band and has had considerable experience in the training of such organizations. He passes on to us in masterly fashion ways and means of being successful in developing the field band. The book is really quite a valuable one for the leader who finds himself forced to spend his fall season in the athletic department. A condensed student's edition, selling at twenty-five cents, is available also.– LEE M. LOCKHART. THE GIRL W I T H THE FLAXEN HAIR. Claude Debussy; band arrangement by Anton Weiss [Durand & C o.; Agents, Elkan-Vogel Co., Inc., Philadelphia, Pa.]. If this number consumed more than two minutes' time, I would feel that it might come in for criticism. It is so thinly arranged and uses the in struments so sparingly that one won ders why the band was chosen for its expression. It is chamber music for band, so to speak, and is, in a sense, a rather welcome change from the band's usual heaviness. It should have little time in rehearsal because of the result ing idleness of so many players.–LEE M. LOCKHART. Characteristic Compositions for Young Carol Christopher [The Orchestras). Raymond A. Hoffman Co., Chicago, 111.]. Orchestras just leaving their beginning books will find this little suite of three pieces most delightful. Indeed, they are easy enough to be used with the be ginning books, as supplementary mate rial, should such be needed.–LEE M. LOCKHART. MODERN SCHOOL GRADED BOOKS, VOLUMES I AND II. ORCHESTRA Composed, INTERMEZZO from the Opera “Goyescas.” Enrique Granados; arranged by Pierre Dupont, revised by Tom Clark [G. Schirmer, Inc., New York City]. Comparatively short, this number is worth investigation for use as a num ber to fill the band program. It is in teresting, but not so difficult that it will require an excessive amount of rehearsal time.–LEE M. LOCKHART. PRELUDE (f o r Symphonic Band). Carl Busch [G. Schirmer, Inc., New York City]. W e should be grateful to Mr. Busch for his regular contributions to the list of music written expressly for the symphonic band. The Prelude is scored for large band, with interesting parts for all instruments.–LEE M. LOCK HART. Ernest Read, F. R. A. M., and /. Michael Diack [Oxford University Press; Agents in U. S. A.; Carl Fischer, Inc.]. Combining nine Handel and eight Bach nurribers, the authors have built for two voices a program of con siderable proportions. Starting with an imaginary conversation between Bach and Handel, duets, solos and choruses follow in contrasting succession. The melodies are lilting and merry, the sub jects gay. The overture may be instru mental as published in the appendix or an adaptation, “ A Little Folly,” may be sung, depending upon one's taste for levity. Orchestral parts may be rented from the publisher.–SUSAN T. CANFIELD. Chords and Tunes DVENTURES W I T H CHORDS A N D T U N E S. Elisabeth Newman. [Clayton F. Summy Co. Price, $1.00,] Less familiar folk tunes, an occasional art song, melodies from opera and sym phonic works arranged to develop sightsinging ability, and skill in transposition, modulation and harmonization, a finer listening ability.–SUSAN T. CANFIELD. Orchestra SPRING FANCIES SUITE, by Franz Bomschein. From the Elementary Or chestra Series. Selected and edited by Victor L. F. Rebmann [G. Schirmer, Inc, New York City]. Junior high school orchestras will find this suite in teresting. The numbers have an aver age difficulty of the Beethoven Minuet A Edited and Arranged by Charles J. Rob erts [Carl Fischer, Inc., New York City]. The first of the two books of this series is designed to teach the be ginning orchestra by playing ensemble pieces from the beginning. The first number is a simple chorale that requires of each student the ability to play at most four notes. N o scheme of learning these notes is given in the teacher's book, so it is assumed that previous in struction is presupposed. The book progresses “into harder music faster than the reviewer thinks children or begin ners can go. With outside individual practice the class may go from one tune to the next reasonably well. The sec ond of the books carries on with graded orchestra pieces.–LEE M. LOCKHART. Band T H E NATIONAL BAND BOOK. Ed Chenette [G. Schirmer, Inc., New York City]. Mr. Chenette presents sixteen original compositions of a grade slightly harder than the Bennett sets. The index shows six marches, two waltzes, two little overtures, and six characteristic Marches T H E M A N OF THE HOUR (M a r c h). H. J. Woods [G. Schirmer, Inc., New York City]. This is a fairly difficult march. T H E ERNEST WILLIAMS BAND SCHOOL MARCH. Mayhew Lake [The Ernest Williams School of Music, Brooklyn,. Y.]. Rather difficult, but interest ing.–LEE M. LOCKHART. For Stringed Instruments OUR FIRST TRIO BOOK. Arranged by Hazel Gertrude Kinscella [G. Schirmer, Inc., New York City]. This issue con tains six familiar folk tunes nicely ar ranged for violin, cello, and piano. The difficulty is about the same as that 6 the Beethoven Minuet in G.–LEE M. LOCKHART. THE WALTZERS. Herbert Brandvig [Carl Fischer, Inc. New York City]. The Waltzers is the first of a suite of three pieces for violin to exercise the student in playing double stops in the first position. The music is pleasant and lies well, as, of course, it must. The piano accompaniment adds little more than harmony and simple rhythm.–LEE M. LOCKHART. CONTINUED ON PAGE 66 numbers.–LEE M. LOCKHART. BAND–AT-TEN-TION/ Mark H. Hindsley [Gamble Hinged Music Co., Chi cago, 111.]. Some high school bands and most college bands have found neces sary a considerable amount of field work in connection with their contribution to the football season. This field work may or may not have a value compar able to the time it takes. in G.–LEE M. LOCKHART. Page 62 Music Supervisors Journal Music Supervisors Journal is collaborating with JSTOR to digitize, preserve, and extend access to Sage Publications Ltd. www.jstor.org </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Festival Cantata</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Festival Cantata</title></titleInfo><name type="personal"><namePart type="given">Susan T.</namePart><namePart type="family">Canfield</namePart></name><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article"></genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1933-05</dateIssued><copyrightDate encoding="w3cdtf">1933</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><relatedItem type="host"><titleInfo><title>Music Educators Journal</title></titleInfo><genre type="journal">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1933</date><detail type="volume"><caption>vol.</caption><number>19</number></detail><detail type="issue"><caption>no.</caption><number>5</number></detail><extent unit="pages"><start>62</start><end>62</end></extent></part></relatedItem><identifier type="istex">2E0A2CAAF84A3CECFF9480A0F991CB79FFEE1DC9</identifier><identifier type="DOI">10.2307/3384252</identifier><identifier type="ArticleID">10.2307_3384252</identifier><recordInfo><recordContentSource>SAGE</recordContentSource></recordInfo></mods></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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