Geographies of the Performing Arts: Landscapes, Places and Cities
Identifieur interne : 000356 ( Istex/Corpus ); précédent : 000355; suivant : 000357Geographies of the Performing Arts: Landscapes, Places and Cities
Auteurs : Amanda RogersSource :
- Geography Compass [ 1749-8198 ] ; 2012-02.
English descriptors
- Teeft :
- Artistic processes, Arts festivals, Author geography compass, Basingstoke, Blackwell, Blackwell publishing, Body weather, British geographers, Cambridge university press, Canadian theatre review, Centre, Chaudhuri, City space, City spaces, Civic processions, Climate change, Community theatre project, Concise companion, Contemporary british, Contemporary toronto, Cresswell, Critical geographies, Croom helm, Cultural geographies, Cultural geography, Cultural politics, Dance movements, Different places, Duffy, Ecological, Ecological problems, Ecology, Everyday life, Folk traditions, Geographer, Geographical agenda, Geographical inquiry, Geographical issues, Geographical literatures, Geographical writings, Geography, Geography compass, Haxey hood, Human geography, Interdisciplinary, Interdisciplinary exchanges, Interdisciplinary interest, International journal, Irish drama, Lawrence halprin, Macmillan, Mcauley, Michigan press, Mission wall dances, Natural world, Palgrave, Palgrave macmillan, Particular place, Performance chorography, Performance ecology, Performance research, Performance studies, Performance works, Place site, Political economy, Routledge, Royal holloway, Safe space, Solga, Special issue, Street parades, Theatre, Theatre ecology, Twelfth night, Unstable ground, Urban exploration, Urban processes, Urban regeneration, Urban space, Urban studies, View landscape, Visual arts, Wilkie, Wylie.
Abstract
The performing arts of dance, theatre, music and live art have become established means through which cultural geographers can examine how people experience and make sense of their everyday worlds. Simultaneously, performance theorists and practitioners increasingly seek geographical tools that help elucidate the broader processes or politics that underpin artistic genres of performance. This review article works at this interdisciplinary nexus, exploring the diverse areas of engagement between geography and the performing arts. It provides an overview of three spatialities around which interdisciplinary exchanges take place, and where there are interesting synergies in the conceptual approach to studying geographies of performance, namely: landscapes, places and cities. In so doing, the article outlines some avenues where geography and performance studies academics might further their mutual interests, and argues that geography is central to the constitution, meaning and form that performance works take.
Url:
DOI: 10.1111/j.1749-8198.2011.00471.x
Links to Exploration step
ISTEX:227831CC10FD1EEF05F8588A52A07E10A772AEA1Le document en format XML
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Simultaneously, performance theorists and practitioners increasingly seek geographical tools that help elucidate the broader processes or politics that underpin artistic genres of performance. This review article works at this interdisciplinary nexus, exploring the diverse areas of engagement between geography and the performing arts. It provides an overview of three spatialities around which interdisciplinary exchanges take place, and where there are interesting synergies in the conceptual approach to studying geographies of performance, namely: landscapes, places and cities. 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