New Zealand
Identifieur interne : 000112 ( Istex/Corpus ); précédent : 000111; suivant : 000113New Zealand
Auteurs : Kirstine MoffatSource :
- The Journal of Commonwealth Literature [ 0021-9894 ] ; 2009-12.
English descriptors
- Teeft :
- Auckland, Auckland univ press, Biography series, Canterbury univ press, Cape catley, Catley, Centre, Chihuahua press, Christchurch, Commonwealth literature, Crows nest, Ction, Dunedin, Emma neale, First edition, Frank sargeson, Harpercollins, Huia, Janet, Janet frame, Kakapo books, Landfall, Longacre, Longacre press, Lower hutt, Maori, Montana book awards, Original books, Otago, Otago univ press, Paekakariki, Penguin, Poetry centre, Random house, Robert sullivan, Short stories, Soapbox press, Special issue, Steele roberts, Tuwhare, Univ, Victoria univ press, Wellington, Zealand, Zealand books, Zealand journal, Zealand literature, Zealand poems, Zealand science, Zealand scientists.
Url:
DOI: 10.1177/0021989409350198
Links to Exploration step
ISTEX:0AA96ACCC5BCDE4FB1408B4F2AF95C2057EF4F2ELe document en format XML
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England</pubPlace><availability><p>© The Author(s), 2009.</p></availability><date>2009</date></publicationStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">New Zealand</title><author xml:id="author-1"><persName><forename type="first">Kirstine</forename><surname>Moffat</surname></persName><affiliation>University of Waikato, New Zealand</affiliation></author></analytic><monogr><title level="j">The Journal of Commonwealth Literature</title><idno type="pISSN">0021-9894</idno><idno type="eISSN">1741-6442</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage UK: London, England</pubPlace><date type="published" when="2009-12"></date><biblScope unit="volume">44</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="139">139</biblScope><biblScope unit="page" to="166">166</biblScope></imprint></monogr><idno type="istex">0AA96ACCC5BCDE4FB1408B4F2AF95C2057EF4F2E</idno><idno 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journal-id-type="hwp">spjcl</journal-id><journal-id journal-id-type="publisher-id">JCL</journal-id><journal-title>The Journal of Commonwealth Literature</journal-title><issn pub-type="ppub">0021-9894</issn><publisher><publisher-name>SAGE Publications</publisher-name><publisher-loc>Sage UK: London, England</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1177/0021989409350198</article-id><article-id pub-id-type="publisher-id">10.1177_0021989409350198</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>New Zealand</article-title></title-group><contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Moffat</surname><given-names>Kirstine</given-names></name><aff>University of Waikato, New Zealand</aff></contrib></contrib-group><pub-date pub-type="ppub"><month>12</month><year>2009</year></pub-date><volume>44</volume><issue>4</issue><fpage>139</fpage><lpage>166</lpage><permissions><copyright-statement>© The Author(s), 2009.</copyright-statement><copyright-year>2009</copyright-year><copyright-holder content-type="author">The Author(s)</copyright-holder></permissions><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Journal Article</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value>139 New Zealand SAGE Publications, Inc. 200910.1177/0021989409350198 © The Author(s), 2009. 2009 The Author(s) KirstineMoffat University of Waikato, New Zealand Introduction 2008 saw the passing of two well-loved and critically acclaimed New Zealand poets: Hone Tuwhare (1922-2008) and Ruth Dallas (1919–2008). Among his many literary awards, Tuwhare earned the Prime Minister’s Award for Literary Achievement, the Te Mata New Zealand Poet Laureateship, and honorary doctorates from Otago and Auckland Universities. Speaking of Tuwhare’s enduring legacy, Robert Sullivan writes: I use the term work for Tuwhare’s oeuvre because he was brilliantly and humbly aware of his role as a worker, part of a greater class and cultural struggle. His humility is also deeply Mâori, and rmly places him as a rangatira of people and poets. It goes without saying that this tribute acknowledges the passing of a very (which adverb to use here – greatly? hugely? extraordinarily?) signi cant New Zealand poet, and the rst Mâori author of a literary collection to be published in English. No Ordinary Sun was published by Blackwood and Janet Paul in September 1964. In September 2008, it is an understatement to say that New Zealand Mâori literature in English has spread beyond its national boundaries, and that many writers, Mâori and non-Mâori, stand on Tuwhare’s shoulders (“Hone Tuwhare’s Aroha” Hone Tuwhare Special Issue:Ka Mate Ka Ora: A New Zealand Journal of Poetry and Poetics, p4). Tuwhare’s life and poetry are celebrated in a Special Issue of Ka Mate Ka Ora: A New Zealand Journal of Poetry and Poetics and by an extended tribute to “An Extraordinary Poet” by Robert Sullivan in Kunapipi: Journal of Postcolonial Writing. Ruth Dallas’s contribution to the world of New Zealand letters was signi cant and varied. Her poetry is imbued with the landscapes of her beloved Southland and Otago. In a tribute to Dallas in New Zealand Books, Margot Schwass praises Dallas’s “enduring [poetic] achievement… 140 in mastering her intense, lyrical response to the landscapes and heritage that both shaped and sustained her” (18[3], p. 8). While Dallas’s “main preoccupation remained the re nement of her poetic voice” (Schwass, p8), she will also be remembered for her acclaimed works for children, such as The Children of the Bush (1969) and her ction for adults. A homage to Dallas in Landfall, for which she was assistant editor from 1962-1969, speaks of “the wry humour, sharp observations and moral wisdom that are a hallmark of her short stories” (215, p186). Like Tuwhare, Dallas’s literary achievements were recognised with an honourary doctorate from the University of Otago, and a CBE. The passing of Robin Dudding, two days before receiving his honour- ary doctorate at the University of Auckland, was also a sad occasion for the New Zealand literary community. The editor of prominent literary journals such as Mate and Landfall, Dudding is commemorated by Peter Simpson for his “personal support for many writers”; “his unassailable editorial eye and ear”; “his openness to writers of different generations”; and “his ability to shape unobtrusively an issue of a journal”. Above all, Simpson writes of Dudding’s pioneering work “to consolidate and nourish” New Zealand literature (Journal of New Zealand Literature 26, p15). This year’s poetry list is a combination of the established and the new. Indeed, so rich and varied are the 2008 offerings that only a sample of the best work is surveyed here. C.K. Stead’s Collected Poems 1951-2006 is a comprehensive volume bringing together Stead’s poetic achievements for the rst time and giving an excellent sense of the evolution of his poetic voice and his experimentations with form. Known in New Zealand in the 1960s, Mark Young’s brief period of publication was followed by 25 years of silence until the publication of The Right Foot of the Giant in 1999. With two volumes of poetry published in 2008, Lunch Poems and Pelican Dreaming: Poems 1859-2998, Young’s impressive talent is evident. Reviewing Pelican Dreaming in Landfall, Martin Edmond writes that Young is “one of those rare poets who can make you laugh out loud”, and that his poems “suggest elegantly and without insistence, that all places and all times are accessible to the mind […]. One of the remarkable things about Young’s poetry is that this early con dence in the possibilities of reaching out to uncover, discover, recover and re-order the world is fully borne out” (217, pp 167–170). Tony Beyer’s Dream Boat: Selected Poems moves from his early work, which returns repeatedly to his father’s unhappy life, to his mature work, which focuses on subjects such as his happy marriage and his love of landscape. Hugh Roberts’ assessment is that Dream Boat “reveals a poet who has consistently produced thought- ful and rewarding poetry with little regard for the changing fashions of the literary scene” (New Zealand Books 18[4], p8). 141 Several of New Zealand’s most respected poets published new collections in 2008. Survive the Morning is Kevin Ireland’s seventeenth book of poetry. Jeffery Pararoa Holman describes the register of the poems as “the philosopher of human vanities” (New Zealand Listener Sept 13–19, p42). The death of Ireland’s wife Caroline haunts the poems. In a world where “those you love melt away”, Ireland explores the absurd yet necessary rituals that help people endure and survive. Peter Bland’s new collection, Mr Maui’s Monologues, likewise re ects on old age, mortality and the loss of youthful idealism. Hugh Roberts writes that there is “a remarkable consistency of voice and vision in these poems […] and Bland remains the congenial, wry and perceptive companion that he has always been” (New Zealand Books 18(4), p8). Jenny Bornholdt’s The Rocky Shore, a contender for the Montana Book Awards, consists of six poignant autobiographical poems that re ect on the interior life of the poet over the past six years, ranging from the loss of her father to her enjoyment of the Katherine Mans eld residency in Menton, to her garden, to her fear of ying. The opening of the rst poem, “Confessional”, speaks of how “personal poetry […] is not given much/time of day any more” and that poets and critics usually favour “compression”. Bornholdt unabashedly challenges these ideas, writing “a great sprawling/ thing” infused with the personal (p10). Likewise, Paula Green’s Making Lists for Frances Hodgkins was written during a period of convalescence from a long illness and an endnote informs readers that the poems are intended to comprise “an autobiography in the light of art”. Global politics provide a point of connection between Cliff Fell’s Beauty of the Badlands and Sonja Yelich’s Get Some, which is nominated for the Montana Book Awards. Many of the poems in Beauty of the Badlands, traversing both New Zealand and the badlands of the United States, have “Blues” in the title, signalling Fell’s prevailing mood. He is haunted by the atomic age and its connection to the current age of terror. The protagonist in Yelich’s Get Some is one of the individuals broken by global con ict, a bitter, angry United States marine who suffers an amputation after combat. According to Emma Neale, Edgar “becomes an increasing unlikeable cliché of brute masculinity” and the collection is both “ambitious and thought-provoking […] yet troubling and unlikeable” (New Zealand Books 19 [2], p21). In The Lakes of Mars, also nominated for the best volume of poetry at the Montana Book Awards, Chris Orsman returns to the Antarctic of his previous collection, South. The moving “The Book of the Dead” tells the story of Orsman visiting Scott’s hut on Ross Island. Nick Ascroft regards “frankness” and “unrelenting optimism” as two of Orsman’s hallmarks and praises his ability to “speak in clear and communicative 142 sentences”, “every phrase short and well tailored” (Landfall 216, p170). In the same review, Ascroft lauds James McNaughton’s use of language in I Want More Sugar, declaring that the poet is “at his magni cent best when indulging the love of a ne sentence over an informative one. That this book could well be the best yet of the century in New Zealand is thanks to McNaughton’s ability to see and tell images well, his love for the pitter-patter of grammar and his power to angle words novelly into one another” (Landfall 216, p173). 2008 was also a signi cant year for poetry because of the emergence of three exciting new poetic voices, all nominated for the best rst book of poetry at the Montana Book Awards. Previously known for plays such as Arctic-Anctarctic and Burnt Coffee, Charlotte Simmonds turns to lyric poetry in her collection The World’s Fastest Flower. These deeply personal poems, alternating between re ective and darkly comic modes, explore the cycles of elation and dejection of mental illness. Emma Neale writes of the profound sense of “grim uncertainties” and “unease” these poems evoke (New Zealand Listener July 19-25, p42). Damien Wilkins describes Amy Brown’s The Propaganda Poster Girl as “a compelling self-portrait” in which images and scenes, such as a yacht, a poster or a self-defence class, “carry the burden of disclosure” (). Roger Horrocks is equally complimentary about Sam Sampson’s Everything Talks: “Such a fresh eye and ear, such a keen sense of language […] it’s a pleasure just to dive in and lose one’s way in these cryptic, sensuous, witty and mysterious poems” (). The emergence of exciting new voices is also a feature of the 2008 ction list. As with the poetry list, the breadth of the novels and short stories published in 2008 require that only some of the many ctional successes can be discussed in this survey. Eleanor Catton’s The Rehearsal has been nominated for both the best ction and best rst book awards at the Montana Book Awards. The novel is due for release in the United Kingdom in 2009 and has resulted in a shower of international accolades for the author: the 2008 Glenn Schaeffer Fellowship, the 2008 Louis Johnson Writer’s Bursary, the Betty Trask Award, and an invitation to speak at the Edinburgh Writers’ Festival. The Rehearsal is an assured and mesmerising debut in which the boundaries between performance and reality are tested and stretched when a high-school sex scandal becomes the basis for a show at the local drama academy. Reviewing the novel in Landfall, Jolisa Gracewood writes that the novel is “a novel of ideas – about persuasion, power, desire, the creation of self” that “unfolds in a dozen delicious directions” (217, p186). Another of the nominees for the best rst book award at the Montana Book Awards is Mo Zhi Hong’s The Year of the Shanghai Shark. The novel, set in China, won the best rst book award in the South East Asia 143 and the South Paci c regional round of the Commonwealth Writer’s Prize. The novel is a powerful evocation of urban China as seen through the eyes of Hai Long, an orphaned teenager brought up by an uncle who makes a living as a successful pickpocket. The nal contender for best rst book is Bridget van der Zipp whose novel, Misconduct, focuses on the protagonist Simone’s attempt to reinvent herself after her obsessions and mistakes threaten to destroy both herself and her former lover. Perhaps the most talked about novel published in 2008 is Kate De Goldie’s The 10pm Question. De Goldi won the New Zealand Post Children’s Book of the Year and her novel has also been nominated for the best novel award at the Montana Book Awards. This enchanting book transcends age categorisations, as the central character, twelve-year-old Frankie, battles against the worries that beset him and the painful secret at the heart of his family. Jolisa Gracewood sums up the book’s skill and appeal: “Out of familiar tropes, De Goldi has smelted something gleaming and original” (Landfall 217, p188). The 2008 Prime Minister’s Awards for Literary Achievement to W.H. Oliver, Lloyd Jones and Elizabeth Smither also saw the work of established writers acknowledged. Jones’ Mister Pip, Biogra and Here at the End of the World We Learn to Dance were all republished, with Mister Pip also translated into Swedish and Portuguese. Novels by Janet Frame and Maurice Gee were also republished, as was Lynley Hood’s biography of Sylvia Ashton-Warner. Owen Marshall’s Selected Stories, edited by Vincent O’Sullivan, were published, as were O.E Middleton’s Beyond the Breakwater: Stories 1848-1898, edited by Lawrence Jones. New collections of stories by Elizabeth Smither and Tessa Duder appeared. Both collections rely primarily on mature female focalisers, but while Smither’s collection is her fth, Duder, better known for her young adult ction, ventures into new terrain. Collections of short stories by Tim Jones, Isa Moynihan, Paula Morris and Laura Solomon were also important 2008 contributions to the short story genre. The contenders for best novel at the Montana Book Awards are particularly varied in 2008. Along with Catton and Goldie, the nominees are: Bernard Beckett, Charlotte Randall and Emily Perkins. Beckett’s Acid Song juxtaposes the narrative voices of a disillusioned high-school teacher, a controversial biology lecturer, a resilient teenage girl, a feisty reporter and a man addicted to dreams. As the title suggests, Beckett’s view of contemporary New Zealand is profoundly critical, particularly about the prevalence of violence and hate crimes. Randall’s The Crocus Hour oscillates between the settings of New Zealand and Greece as Henry Darwin attempts to discover what happened to his daughter Sally two years earlier. Nicholas Reid has issues with the “insubstantial” narrator, but praises Randall’s signature strengths: “evoking place, setting up 144 situations, casting dialogue, even pointing a moral” (New Zealand Books 18[3], p19). Dispensing with a New Zealand setting entirely, Perkins’s Novel about My Wife centres on a London couple’s marriage, which is beset by Ann Stone’s conviction that she is being shadowed by the ominous presence of a homeless man. One of New Zealand’s most prestigious literary awards, the New Zealand Post Mans eld Literary Prize, went to Jenny Pattrick. The writer of best-selling historical novels, Pattrick declared: “I am possibly the rst popular writer to be awarded this prestigious prize. That’s a special pleasure to me. 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"The Clew of Her Story: Female Myth-Making in Margaret Mahy’s The Tricksters" pp48-62 Re-Embroidering the Robe: Faith, Myth and Literary Creation Since 1850 eds Suzanne Bray, Adrienne E. Gavin and Peter Merchant 278 pp Cambridge Scholars Press (Newcastle upon Tyne) Hb £34.99.</citation></ref><ref><citation citation-type="other" xlink:type="simple">Harris, Laurel, Mary Morris and Joanne Woods eds The Material Mansfield 119pp Random House (Auckland) Hb $39.99.</citation></ref><ref><citation citation-type="other" xlink:type="simple">Hood, Lynley Sylvia! The Biography of Sylvia Ashton-Warner 264pp Penguin (North Shore) Pb $40 [first pub 1988].</citation></ref><ref><citation citation-type="other" xlink:type="simple">---Who is Sylvia? The Diary of a Biography 306pp Longacre (Dunedin) Pb $29.99 [first pub 1990].</citation></ref><ref><citation citation-type="other" xlink:type="simple">Kimber, Gerri Katherine Mansfield: The View from France pp290 Peter Lang (Oxford, Bern) Pb £35.</citation></ref><ref><citation citation-type="other" xlink:type="simple">---A Literary Modernist: Katherine Mansfield and the Art of the Short Story 86pp Kakapo Books (London) Pb £10.</citation></ref><ref><citation citation-type="other" xlink:type="simple">Lambert, Iain B. M. 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