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Can culture be copyrighted ? Commentaries. Author's reply

Identifieur interne : 005F39 ( PascalFrancis/Curation ); précédent : 005F38; suivant : 005F40

Can culture be copyrighted ? Commentaries. Author's reply

Auteurs : M. F. Brown [États-Unis] ; J. A. Barnes [Australie] ; D. A. Cleveland [États-Unis] ; R. J. Coombe [Canada] ; P. Descola [France] ; L. R. Hiatt [Royaume-Uni] ; J. Jackson [États-Unis] ; B. G. Karlsson [Suède] ; D. A. Posey [Royaume-Uni] ; W. R. Powers [États-Unis] ; L. Rosen [États-Unis] ; F. Santos Granero [Panama] ; C. Severi [France] ; D. J. Jr Stephenson [États-Unis] ; M. Strathern [Royaume-Uni] ; D. Tuzin [États-Unis]

Source :

RBID : Francis:529-98-11590

Descripteurs français

English descriptors

Abstract

The digital revolution has dramatically increased the ability of individuals and corporations to appropriate and profit from the cultural knowledge of indigenous peoples, which is largely unprotected by existing intellectual property law. In response, legal scholars, anthropologists, and native activists now propose new legal regimes designed to defend indigenous cultures by radically expanding the notion of copyright. Unfortunately, these proposals are often informed by romantic assumptions that ignore the broader crisis of intellectual property and the already imperiled status of the public domain. This essay offers a skeptical assessment of legal schemes to control cultural appropriation-in particular, proposals that indigenous peoples should be permitted to copyright ideas rather than their tangible expression and that such protections should exist in perpetuity. Also examined is the pronounced tendency of intellectual property debate to preempt urgently needed reflection on the political viability of special-rights regimes in pluralist democracies and on the appropriateness of using copyright law to enforce respect for other cultures.
pA  
A01 01  1    @0 0011-3204
A03   1    @0 Curr. anthropol.
A05       @2 39
A06       @2 2
A08 01  1  ENG  @1 Can culture be copyrighted ? Commentaries. Author's reply
A11 01  1    @1 BROWN (M. F.)
A11 02  1    @1 BARNES (J. A.) @9 comment.
A11 03  1    @1 CLEVELAND (D. A.) @9 comment.
A11 04  1    @1 COOMBE (R. J.) @9 comment.
A11 05  1    @1 DESCOLA (P.) @9 comment.
A11 06  1    @1 HIATT (L. R.) @9 comment.
A11 07  1    @1 JACKSON (J.) @9 comment.
A11 08  1    @1 KARLSSON (B. G.) @9 comment.
A11 09  1    @1 POSEY (D. A.) @9 comment.
A11 10  1    @1 POWERS (W. R.) @9 comment.
A11 11  1    @1 ROSEN (L.) @9 comment.
A11 12  1    @1 SANTOS GRANERO (F.) @9 comment.
A11 13  1    @1 SEVERI (C.) @9 comment.
A11 14  1    @1 STEPHENSON (D. J. JR) @9 comment.
A11 15  1    @1 STRATHERN (M.) @9 comment.
A11 16  1    @1 TUZIN (D.) @9 comment.
A14 01      @1 Williams College @3 USA @Z 1 aut.
A14 02      @1 Sociology Program, Research School of Social Sciences, Australian National University @2 Canberra, A.C.T. 0200 @3 AUS @Z 2 aut.
A14 03      @1 Department of Anthropology, University of California @2 Santa Barbara, Calif. 93106-3210 @3 USA @Z 3 aut.
A14 04      @1 Faculty of Law, University of Toronto @2 Toronto, Ont., M5S 2C5 @3 CAN @Z 4 aut.
A14 05      @1 Ecole des Hautes Etudes en Sciences Sociales @2 Paris @3 FRA @Z 5 aut.
A14 06      @2 79 Addison Way, London NW11 6AR @3 GBR @Z 6 aut.
A14 07      @1 Anthropology Program, MIT @2 Cambridge, Mass. 02139 @3 USA @Z 7 aut.
A14 08      @1 Seminar for Development Studies, Uppsala University, P.O. Box 514 @2 751 20 Uppsala @3 SWE @Z 8 aut.
A14 09      @1 Centre for the Environment, Ethics, and Society, Mansfield College, University of Oxford @2 Oxford @3 GBR @Z 9 aut.
A14 10      @1 Department of Anthropology, University of New Mexico @2 Albuquerque, N.M. 87131 @3 USA @Z 10 aut.
A14 11      @1 Department of Anthropology, Princeton University @2 Princeton, N.J. 08544-1011 @3 USA @Z 11 aut.
A14 12      @1 Smithsonian Tropical Research Institute, P.O. Box 2072 @2 Balboa @3 PAN @Z 12 aut.
A14 13      @1 Laboratoire d'Anthropologie Sociale, 52, rue de Cardinal-Lemoine @2 75005 Paris @3 FRA @Z 13 aut.
A14 14      @2 3888 W. Grambling Dr., Denver, Colo. 80236-2444 @3 USA @Z 14 aut.
A14 15      @1 Department of Anthropology, University of Cambridge @2 Cambridge CB2 3FR @3 GBR @Z 15 aut.
A14 16      @1 Department of Anthropology, University of California, San Diego @2 La Jolla, Calif. 92093-0532 @3 USA @Z 16 aut.
A20       @1 193-222
A21       @1 1998
A23 01      @0 ENG
A43 01      @1 INIST @2 1457 @5 354000075126280020
A44       @0 0000 @1 © 1998 INIST-CNRS. All rights reserved.
A45       @0 2 p.1/4
A47 01  1    @0 529-98-11590
A60       @1 P @3 AR @3 CT @3 R
A61       @0 A
A64   1    @0 Current anthropology
A66 01      @0 USA
A68 01  1  FRE  @1 Est-ce que la culture peut avoir ses "droits réservés"? Commentaires. Réponse de l'auteur
C01 01    ENG  @0 The digital revolution has dramatically increased the ability of individuals and corporations to appropriate and profit from the cultural knowledge of indigenous peoples, which is largely unprotected by existing intellectual property law. In response, legal scholars, anthropologists, and native activists now propose new legal regimes designed to defend indigenous cultures by radically expanding the notion of copyright. Unfortunately, these proposals are often informed by romantic assumptions that ignore the broader crisis of intellectual property and the already imperiled status of the public domain. This essay offers a skeptical assessment of legal schemes to control cultural appropriation-in particular, proposals that indigenous peoples should be permitted to copyright ideas rather than their tangible expression and that such protections should exist in perpetuity. Also examined is the pronounced tendency of intellectual property debate to preempt urgently needed reflection on the political viability of special-rights regimes in pluralist democracies and on the appropriateness of using copyright law to enforce respect for other cultures.
C02 01  N    @0 529104F @1 VIII
C02 02  N    @0 529
C03 01  N  FRE  @0 Droits des Peuples Autochtones @5 01
C03 01  N  ENG  @0 Rights of Indigenous Peoples @5 01
C03 02  N  FRE  @0 Anthropologie juridique @5 02
C03 02  N  ENG  @0 Legal anthropology @5 02
C03 03  N  FRE  @0 Propriété culturelle @5 03
C03 03  N  ENG  @0 Cultural property @5 03
C03 04  N  FRE  @0 Revendication culturelle @5 04
C03 04  N  ENG  @0 Cultural claim @5 04
C03 05  N  FRE  @0 Restitution des biens culturels @5 05
C03 05  N  ENG  @0 Cultural property restitution @5 05
C03 06  N  FRE  @0 Muséologie @5 06
C03 06  N  ENG  @0 Museology @5 06
C03 07  S  FRE  @0 Post-modernisme @5 07
C03 07  S  ENG  @0 Post-Modernism @5 07
C03 08  N  FRE  @0 Ethique @5 08
C03 08  N  ENG  @0 Ethics @5 08
C03 09  N  FRE  @0 Déontologie @5 09
C03 09  N  ENG  @0 Deontology @5 09
C03 10  N  FRE  @0 Ethnographie @5 10
C03 10  N  ENG  @0 Ethnography @5 10
C03 11  N  FRE  @0 Indigénisme @5 11
C03 11  N  ENG  @0 Indigenism @5 11
C03 12  N  FRE  @0 Patrimoine ethnologique @5 12
C03 12  N  ENG  @0 Ethnological inheritance @5 12
C03 13  N  FRE  @0 Minorité ethnique @5 13
C03 13  N  ENG  @0 Ethnic minority @5 13
C03 14  N  FRE  @0 Authenticité @5 14
C03 14  N  ENG  @0 Authenticity @5 14
C03 15  N  FRE  @0 Ethnocide @5 15
C03 15  N  ENG  @0 Ethnocide @5 15
C03 16  N  FRE  @0 Xénophobie @5 16
C03 16  N  ENG  @0 Xenophobia @5 16
N21       @1 285

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</affiliation>
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<term>Authenticity</term>
<term>Cultural claim</term>
<term>Cultural property</term>
<term>Cultural property restitution</term>
<term>Deontology</term>
<term>Ethics</term>
<term>Ethnic minority</term>
<term>Ethnocide</term>
<term>Ethnography</term>
<term>Ethnological inheritance</term>
<term>Indigenism</term>
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<term>Droits des Peuples Autochtones</term>
<term>Anthropologie juridique</term>
<term>Propriété culturelle</term>
<term>Revendication culturelle</term>
<term>Restitution des biens culturels</term>
<term>Muséologie</term>
<term>Post-modernisme</term>
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<term>Indigénisme</term>
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<div type="abstract" xml:lang="en">The digital revolution has dramatically increased the ability of individuals and corporations to appropriate and profit from the cultural knowledge of indigenous peoples, which is largely unprotected by existing intellectual property law. In response, legal scholars, anthropologists, and native activists now propose new legal regimes designed to defend indigenous cultures by radically expanding the notion of copyright. Unfortunately, these proposals are often informed by romantic assumptions that ignore the broader crisis of intellectual property and the already imperiled status of the public domain. This essay offers a skeptical assessment of legal schemes to control cultural appropriation-in particular, proposals that indigenous peoples should be permitted to copyright ideas rather than their tangible expression and that such protections should exist in perpetuity. Also examined is the pronounced tendency of intellectual property debate to preempt urgently needed reflection on the political viability of special-rights regimes in pluralist democracies and on the appropriateness of using copyright law to enforce respect for other cultures.</div>
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<s0>The digital revolution has dramatically increased the ability of individuals and corporations to appropriate and profit from the cultural knowledge of indigenous peoples, which is largely unprotected by existing intellectual property law. In response, legal scholars, anthropologists, and native activists now propose new legal regimes designed to defend indigenous cultures by radically expanding the notion of copyright. Unfortunately, these proposals are often informed by romantic assumptions that ignore the broader crisis of intellectual property and the already imperiled status of the public domain. This essay offers a skeptical assessment of legal schemes to control cultural appropriation-in particular, proposals that indigenous peoples should be permitted to copyright ideas rather than their tangible expression and that such protections should exist in perpetuity. Also examined is the pronounced tendency of intellectual property debate to preempt urgently needed reflection on the political viability of special-rights regimes in pluralist democracies and on the appropriateness of using copyright law to enforce respect for other cultures.</s0>
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