Can culture be copyrighted ? Commentaries. Author's reply
Identifieur interne : 005F39 ( PascalFrancis/Curation ); précédent : 005F38; suivant : 005F40Can culture be copyrighted ? Commentaries. Author's reply
Auteurs : M. F. Brown [États-Unis] ; J. A. Barnes [Australie] ; D. A. Cleveland [États-Unis] ; R. J. Coombe [Canada] ; P. Descola [France] ; L. R. Hiatt [Royaume-Uni] ; J. Jackson [États-Unis] ; B. G. Karlsson [Suède] ; D. A. Posey [Royaume-Uni] ; W. R. Powers [États-Unis] ; L. Rosen [États-Unis] ; F. Santos Granero [Panama] ; C. Severi [France] ; D. J. Jr Stephenson [États-Unis] ; M. Strathern [Royaume-Uni] ; D. Tuzin [États-Unis]Source :
- Current anthropology [ 0011-3204 ] ; 1998.
Descripteurs français
- Pascal (Inist)
- Wicri :
- topic : Ethnographie, Xénophobie.
English descriptors
- KwdEn :
Abstract
The digital revolution has dramatically increased the ability of individuals and corporations to appropriate and profit from the cultural knowledge of indigenous peoples, which is largely unprotected by existing intellectual property law. In response, legal scholars, anthropologists, and native activists now propose new legal regimes designed to defend indigenous cultures by radically expanding the notion of copyright. Unfortunately, these proposals are often informed by romantic assumptions that ignore the broader crisis of intellectual property and the already imperiled status of the public domain. This essay offers a skeptical assessment of legal schemes to control cultural appropriation-in particular, proposals that indigenous peoples should be permitted to copyright ideas rather than their tangible expression and that such protections should exist in perpetuity. Also examined is the pronounced tendency of intellectual property debate to preempt urgently needed reflection on the political viability of special-rights regimes in pluralist democracies and on the appropriateness of using copyright law to enforce respect for other cultures.
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Authenticity</term>
<term>Cultural claim</term>
<term>Cultural property</term>
<term>Cultural property restitution</term>
<term>Deontology</term>
<term>Ethics</term>
<term>Ethnic minority</term>
<term>Ethnocide</term>
<term>Ethnography</term>
<term>Ethnological inheritance</term>
<term>Indigenism</term>
<term>Legal anthropology</term>
<term>Museology</term>
<term>Post-Modernism</term>
<term>Rights of Indigenous Peoples</term>
<term>Xenophobia</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Droits des Peuples Autochtones</term>
<term>Anthropologie juridique</term>
<term>Propriété culturelle</term>
<term>Revendication culturelle</term>
<term>Restitution des biens culturels</term>
<term>Muséologie</term>
<term>Post-modernisme</term>
<term>Ethique</term>
<term>Déontologie</term>
<term>Ethnographie</term>
<term>Indigénisme</term>
<term>Patrimoine ethnologique</term>
<term>Minorité ethnique</term>
<term>Authenticité</term>
<term>Ethnocide</term>
<term>Xénophobie</term>
</keywords>
<keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Ethnographie</term>
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<front><div type="abstract" xml:lang="en">The digital revolution has dramatically increased the ability of individuals and corporations to appropriate and profit from the cultural knowledge of indigenous peoples, which is largely unprotected by existing intellectual property law. In response, legal scholars, anthropologists, and native activists now propose new legal regimes designed to defend indigenous cultures by radically expanding the notion of copyright. Unfortunately, these proposals are often informed by romantic assumptions that ignore the broader crisis of intellectual property and the already imperiled status of the public domain. This essay offers a skeptical assessment of legal schemes to control cultural appropriation-in particular, proposals that indigenous peoples should be permitted to copyright ideas rather than their tangible expression and that such protections should exist in perpetuity. Also examined is the pronounced tendency of intellectual property debate to preempt urgently needed reflection on the political viability of special-rights regimes in pluralist democracies and on the appropriateness of using copyright law to enforce respect for other cultures.</div>
</front>
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<fA11 i1="01" i2="1"><s1>BROWN (M. F.)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>BARNES (J. A.)</s1>
<s9>comment.</s9>
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<fA11 i1="03" i2="1"><s1>CLEVELAND (D. A.)</s1>
<s9>comment.</s9>
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<fA11 i1="04" i2="1"><s1>COOMBE (R. J.)</s1>
<s9>comment.</s9>
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<fA11 i1="05" i2="1"><s1>DESCOLA (P.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="06" i2="1"><s1>HIATT (L. R.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="07" i2="1"><s1>JACKSON (J.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="08" i2="1"><s1>KARLSSON (B. G.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="09" i2="1"><s1>POSEY (D. A.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="10" i2="1"><s1>POWERS (W. R.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="11" i2="1"><s1>ROSEN (L.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="12" i2="1"><s1>SANTOS GRANERO (F.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="13" i2="1"><s1>SEVERI (C.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="14" i2="1"><s1>STEPHENSON (D. J. JR)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="15" i2="1"><s1>STRATHERN (M.)</s1>
<s9>comment.</s9>
</fA11>
<fA11 i1="16" i2="1"><s1>TUZIN (D.)</s1>
<s9>comment.</s9>
</fA11>
<fA14 i1="01"><s1>Williams College</s1>
<s3>USA</s3>
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</fA14>
<fA14 i1="02"><s1>Sociology Program, Research School of Social Sciences, Australian National University</s1>
<s2>Canberra, A.C.T. 0200</s2>
<s3>AUS</s3>
<sZ>2 aut.</sZ>
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<fA14 i1="03"><s1>Department of Anthropology, University of California</s1>
<s2>Santa Barbara, Calif. 93106-3210</s2>
<s3>USA</s3>
<sZ>3 aut.</sZ>
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<fA14 i1="04"><s1>Faculty of Law, University of Toronto</s1>
<s2>Toronto, Ont., M5S 2C5</s2>
<s3>CAN</s3>
<sZ>4 aut.</sZ>
</fA14>
<fA14 i1="05"><s1>Ecole des Hautes Etudes en Sciences Sociales</s1>
<s2>Paris</s2>
<s3>FRA</s3>
<sZ>5 aut.</sZ>
</fA14>
<fA14 i1="06"><s2>79 Addison Way, London NW11 6AR</s2>
<s3>GBR</s3>
<sZ>6 aut.</sZ>
</fA14>
<fA14 i1="07"><s1>Anthropology Program, MIT</s1>
<s2>Cambridge, Mass. 02139</s2>
<s3>USA</s3>
<sZ>7 aut.</sZ>
</fA14>
<fA14 i1="08"><s1>Seminar for Development Studies, Uppsala University, P.O. Box 514</s1>
<s2>751 20 Uppsala</s2>
<s3>SWE</s3>
<sZ>8 aut.</sZ>
</fA14>
<fA14 i1="09"><s1>Centre for the Environment, Ethics, and Society, Mansfield College, University of Oxford</s1>
<s2>Oxford</s2>
<s3>GBR</s3>
<sZ>9 aut.</sZ>
</fA14>
<fA14 i1="10"><s1>Department of Anthropology, University of New Mexico</s1>
<s2>Albuquerque, N.M. 87131</s2>
<s3>USA</s3>
<sZ>10 aut.</sZ>
</fA14>
<fA14 i1="11"><s1>Department of Anthropology, Princeton University</s1>
<s2>Princeton, N.J. 08544-1011</s2>
<s3>USA</s3>
<sZ>11 aut.</sZ>
</fA14>
<fA14 i1="12"><s1>Smithsonian Tropical Research Institute, P.O. Box 2072</s1>
<s2>Balboa</s2>
<s3>PAN</s3>
<sZ>12 aut.</sZ>
</fA14>
<fA14 i1="13"><s1>Laboratoire d'Anthropologie Sociale, 52, rue de Cardinal-Lemoine</s1>
<s2>75005 Paris</s2>
<s3>FRA</s3>
<sZ>13 aut.</sZ>
</fA14>
<fA14 i1="14"><s2>3888 W. Grambling Dr., Denver, Colo. 80236-2444</s2>
<s3>USA</s3>
<sZ>14 aut.</sZ>
</fA14>
<fA14 i1="15"><s1>Department of Anthropology, University of Cambridge</s1>
<s2>Cambridge CB2 3FR</s2>
<s3>GBR</s3>
<sZ>15 aut.</sZ>
</fA14>
<fA14 i1="16"><s1>Department of Anthropology, University of California, San Diego</s1>
<s2>La Jolla, Calif. 92093-0532</s2>
<s3>USA</s3>
<sZ>16 aut.</sZ>
</fA14>
<fA20><s1>193-222</s1>
</fA20>
<fA21><s1>1998</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>1457</s2>
<s5>354000075126280020</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 1998 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>2 p.1/4</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>529-98-11590</s0>
</fA47>
<fA60><s1>P</s1>
<s3>AR</s3>
<s3>CT</s3>
<s3>R</s3>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i2="1"><s0>Current anthropology</s0>
</fA64>
<fA66 i1="01"><s0>USA</s0>
</fA66>
<fA68 i1="01" i2="1" l="FRE"><s1>Est-ce que la culture peut avoir ses "droits réservés"? Commentaires. Réponse de l'auteur</s1>
</fA68>
<fC01 i1="01" l="ENG"><s0>The digital revolution has dramatically increased the ability of individuals and corporations to appropriate and profit from the cultural knowledge of indigenous peoples, which is largely unprotected by existing intellectual property law. In response, legal scholars, anthropologists, and native activists now propose new legal regimes designed to defend indigenous cultures by radically expanding the notion of copyright. Unfortunately, these proposals are often informed by romantic assumptions that ignore the broader crisis of intellectual property and the already imperiled status of the public domain. This essay offers a skeptical assessment of legal schemes to control cultural appropriation-in particular, proposals that indigenous peoples should be permitted to copyright ideas rather than their tangible expression and that such protections should exist in perpetuity. Also examined is the pronounced tendency of intellectual property debate to preempt urgently needed reflection on the political viability of special-rights regimes in pluralist democracies and on the appropriateness of using copyright law to enforce respect for other cultures.</s0>
</fC01>
<fC02 i1="01" i2="N"><s0>529104F</s0>
<s1>VIII</s1>
</fC02>
<fC02 i1="02" i2="N"><s0>529</s0>
</fC02>
<fC03 i1="01" i2="N" l="FRE"><s0>Droits des Peuples Autochtones</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="N" l="ENG"><s0>Rights of Indigenous Peoples</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="N" l="FRE"><s0>Anthropologie juridique</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="N" l="ENG"><s0>Legal anthropology</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="N" l="FRE"><s0>Propriété culturelle</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="N" l="ENG"><s0>Cultural property</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="N" l="FRE"><s0>Revendication culturelle</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="N" l="ENG"><s0>Cultural claim</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="N" l="FRE"><s0>Restitution des biens culturels</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="N" l="ENG"><s0>Cultural property restitution</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="N" l="FRE"><s0>Muséologie</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="N" l="ENG"><s0>Museology</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="S" l="FRE"><s0>Post-modernisme</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="S" l="ENG"><s0>Post-Modernism</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="N" l="FRE"><s0>Ethique</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="N" l="ENG"><s0>Ethics</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="N" l="FRE"><s0>Déontologie</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="N" l="ENG"><s0>Deontology</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="N" l="FRE"><s0>Ethnographie</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="N" l="ENG"><s0>Ethnography</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="N" l="FRE"><s0>Indigénisme</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="N" l="ENG"><s0>Indigenism</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="N" l="FRE"><s0>Patrimoine ethnologique</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="N" l="ENG"><s0>Ethnological inheritance</s0>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="N" l="FRE"><s0>Minorité ethnique</s0>
<s5>13</s5>
</fC03>
<fC03 i1="13" i2="N" l="ENG"><s0>Ethnic minority</s0>
<s5>13</s5>
</fC03>
<fC03 i1="14" i2="N" l="FRE"><s0>Authenticité</s0>
<s5>14</s5>
</fC03>
<fC03 i1="14" i2="N" l="ENG"><s0>Authenticity</s0>
<s5>14</s5>
</fC03>
<fC03 i1="15" i2="N" l="FRE"><s0>Ethnocide</s0>
<s5>15</s5>
</fC03>
<fC03 i1="15" i2="N" l="ENG"><s0>Ethnocide</s0>
<s5>15</s5>
</fC03>
<fC03 i1="16" i2="N" l="FRE"><s0>Xénophobie</s0>
<s5>16</s5>
</fC03>
<fC03 i1="16" i2="N" l="ENG"><s0>Xenophobia</s0>
<s5>16</s5>
</fC03>
<fN21><s1>285</s1>
</fN21>
</pA>
</standard>
</inist>
</record>
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