MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU
Identifieur interne :
000675 ( PascalFrancis/Corpus );
précédent :
000674;
suivant :
000676
MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU
Auteurs : Monika SternSource :
-
Pacific studies [ 0275-3596 ] ; 2013.
RBID : Francis:14-0075907
Descripteurs français
- Pascal (Inist)
- Musique,
Echange,
Tradition,
Nord,
Vanuatu,
Pacifique Sud,
Transmission,
Droit de propriété,
Propriété intellectuelle,
Tradition orale,
Coutume,
Cérémonie,
Océanie.
English descriptors
- KwdEn :
- Ceremony,
Custom,
Exchange,
Intellectual property,
Music,
North,
Oceania,
Oral tradition,
Property rights,
South Pacific,
Tradition,
Transmission,
Vanuatu.
Abstract
Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
| pA |
| A01 | 01 | 1 | | @0 0275-3596 |
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| A03 | | 1 | | @0 Pac. stud. |
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| A05 | | | | @2 36 |
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| A06 | | | | @2 1-2 |
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| A08 | 01 | 1 | ENG | @1 MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU |
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| A09 | 01 | 1 | ENG | @1 Creativity, Innovation, Access to Knowledge, and Development in Pacific Island Countries |
|---|
| A11 | 01 | 1 | | @1 STERN (Monika) |
|---|
| A12 | 01 | 1 | | @1 FARAN (Sue) @9 ed. |
|---|
| A12 | 02 | 1 | | @1 FORSYTH (Miranda) @9 ed. |
|---|
| A14 | 01 | | | @1 CNRS-CREDO (Aix-Marseille University, CNRS, EHESS) @3 FRA @Z 1 aut. |
|---|
| A15 | 01 | | | @1 Northumbria University @3 GBR @Z 1 aut. |
|---|
| A15 | 02 | | | @1 Australian National University @3 AUS @Z 2 aut. |
|---|
| A20 | | | | @1 59-76 |
|---|
| A21 | | | | @1 2013 |
|---|
| A23 | 01 | | | @0 ENG |
|---|
| A43 | 01 | | | @1 INIST @2 28354 @5 354000150795600040 |
|---|
| A44 | | | | @0 0000 @1 © 2014 INIST-CNRS. All rights reserved. |
|---|
| A45 | | | | @0 1 p.1/4 |
|---|
| A47 | 01 | 1 | | @0 14-0075907 |
|---|
| A60 | | | | @1 P @2 C |
|---|
| A61 | | | | @0 A |
|---|
| A64 | 01 | 1 | | @0 Pacific studies |
|---|
| A66 | 01 | | | @0 USA |
|---|
| A99 | | | | @0 15 notes |
|---|
| C01 | 01 | | ENG | @0 Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency. |
|---|
| C02 | 01 | N | | @0 52989 @1 VII |
|---|
| C02 | 02 | N | | @0 52942E @1 III |
|---|
| C02 | 03 | N | | @0 529 |
|---|
| C03 | 01 | N | FRE | @0 Musique @5 01 |
|---|
| C03 | 01 | N | ENG | @0 Music @5 01 |
|---|
| C03 | 02 | N | FRE | @0 Echange @5 02 |
|---|
| C03 | 02 | N | ENG | @0 Exchange @5 02 |
|---|
| C03 | 03 | N | FRE | @0 Tradition @5 03 |
|---|
| C03 | 03 | N | ENG | @0 Tradition @5 03 |
|---|
| C03 | 04 | N | FRE | @0 Nord @2 NG @5 04 |
|---|
| C03 | 04 | N | ENG | @0 North @2 NG @5 04 |
|---|
| C03 | 05 | N | FRE | @0 Vanuatu @2 NG @5 05 |
|---|
| C03 | 05 | N | ENG | @0 Vanuatu @2 NG @5 05 |
|---|
| C03 | 06 | N | FRE | @0 Pacifique Sud @2 NG @5 06 |
|---|
| C03 | 06 | N | ENG | @0 South Pacific @2 NG @5 06 |
|---|
| C03 | 07 | N | FRE | @0 Transmission @5 07 |
|---|
| C03 | 07 | N | ENG | @0 Transmission @5 07 |
|---|
| C03 | 08 | N | FRE | @0 Droit de propriété @5 08 |
|---|
| C03 | 08 | N | ENG | @0 Property rights @5 08 |
|---|
| C03 | 09 | S | FRE | @0 Propriété intellectuelle @5 09 |
|---|
| C03 | 09 | S | ENG | @0 Intellectual property @5 09 |
|---|
| C03 | 10 | N | FRE | @0 Tradition orale @5 10 |
|---|
| C03 | 10 | N | ENG | @0 Oral tradition @5 10 |
|---|
| C03 | 11 | S | FRE | @0 Coutume @5 11 |
|---|
| C03 | 11 | S | ENG | @0 Custom @5 11 |
|---|
| C03 | 12 | N | FRE | @0 Cérémonie @5 12 |
|---|
| C03 | 12 | N | ENG | @0 Ceremony @5 12 |
|---|
| C03 | 13 | N | FRE | @0 Océanie @2 NG @5 13 |
|---|
| C03 | 13 | N | ENG | @0 Oceania @2 NG @5 13 |
|---|
| N21 | | | | @1 104 |
|---|
|
|---|
| pR |
| A30 | 01 | 1 | ENG | @1 Conference on Creativity, Innovation, Access to Knowledge, and Development in Pacific Island Countries @3 Canberra AUS @4 2012-09-24 |
|---|
|
|---|
Format Inist (serveur)
| NO : | FRANCIS 14-0075907 INIST |
|---|
| ET : | MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU |
|---|
| AU : | STERN (Monika); FARAN (Sue); FORSYTH (Miranda) |
|---|
| AF : | CNRS-CREDO (Aix-Marseille University, CNRS, EHESS)/France (1 aut.); Northumbria University/Royaume-Uni (1 aut.); Australian National University/Australie (2 aut.) |
|---|
| DT : | Publication en série; Congrès; Niveau analytique |
|---|
| SO : | Pacific studies; ISSN 0275-3596; Etats-Unis; Da. 2013; Vol. 36; No. 1-2; Pp. 59-76; Bibl. 1 p.1/4 |
|---|
| LA : | Anglais |
|---|
| EA : | Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency. |
|---|
| CC : | 52989; 52942E; 529 |
|---|
| FD : | Musique; Echange; Tradition; Nord; Vanuatu; Pacifique Sud; Transmission; Droit de propriété; Propriété intellectuelle; Tradition orale; Coutume; Cérémonie; Océanie |
|---|
| ED : | Music; Exchange; Tradition; North; Vanuatu; South Pacific; Transmission; Property rights; Intellectual property; Oral tradition; Custom; Ceremony; Oceania |
|---|
| LO : | INIST-28354.354000150795600040 |
|---|
| ID : | 14-0075907 |
|---|
Links to Exploration step
Francis:14-0075907
Le document en format XML
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</keywords><front><div type="abstract" xml:lang="en">Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency.</div>
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</fC01><fC02 i1="01" i2="N"><s0>52989</s0>
<s1>VII</s1>
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<s1>III</s1>
</fC02><fC02 i1="03" i2="N"><s0>529</s0>
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<s5>06</s5>
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<s2>NG</s2>
<s5>06</s5>
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<s5>07</s5>
</fC03><fC03 i1="07" i2="N" l="ENG"><s0>Transmission</s0>
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</fC03><fC03 i1="12" i2="N" l="FRE"><s0>Cérémonie</s0>
<s5>12</s5>
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<s5>12</s5>
</fC03><fC03 i1="13" i2="N" l="FRE"><s0>Océanie</s0>
<s2>NG</s2>
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</fA30><server><NO>FRANCIS 14-0075907 INIST</NO>
<ET>MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU</ET>
<AU>STERN (Monika); FARAN (Sue); FORSYTH (Miranda)</AU>
<AF>CNRS-CREDO (Aix-Marseille University, CNRS, EHESS)/France (1 aut.); Northumbria University/Royaume-Uni (1 aut.); Australian National University/Australie (2 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Pacific studies; ISSN 0275-3596; Etats-Unis; Da. 2013; Vol. 36; No. 1-2; Pp. 59-76; Bibl. 1 p.1/4</SO>
<LA>Anglais</LA>
<EA>Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency.</EA>
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<ED>Music; Exchange; Tradition; North; Vanuatu; South Pacific; Transmission; Property rights; Intellectual property; Oral tradition; Custom; Ceremony; Oceania</ED>
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