MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU
Identifieur interne :
000675 ( PascalFrancis/Corpus );
précédent :
000674;
suivant :
000676
MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU
Auteurs : Monika SternSource :
-
Pacific studies [ 0275-3596 ] ; 2013.
RBID : Francis:14-0075907
Descripteurs français
- Pascal (Inist)
- Musique,
Echange,
Tradition,
Nord,
Vanuatu,
Pacifique Sud,
Transmission,
Droit de propriété,
Propriété intellectuelle,
Tradition orale,
Coutume,
Cérémonie,
Océanie.
English descriptors
- KwdEn :
- Ceremony,
Custom,
Exchange,
Intellectual property,
Music,
North,
Oceania,
Oral tradition,
Property rights,
South Pacific,
Tradition,
Transmission,
Vanuatu.
Abstract
Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency.
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
pA |
A01 | 01 | 1 | | @0 0275-3596 |
---|
A03 | | 1 | | @0 Pac. stud. |
---|
A05 | | | | @2 36 |
---|
A06 | | | | @2 1-2 |
---|
A08 | 01 | 1 | ENG | @1 MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU |
---|
A09 | 01 | 1 | ENG | @1 Creativity, Innovation, Access to Knowledge, and Development in Pacific Island Countries |
---|
A11 | 01 | 1 | | @1 STERN (Monika) |
---|
A12 | 01 | 1 | | @1 FARAN (Sue) @9 ed. |
---|
A12 | 02 | 1 | | @1 FORSYTH (Miranda) @9 ed. |
---|
A14 | 01 | | | @1 CNRS-CREDO (Aix-Marseille University, CNRS, EHESS) @3 FRA @Z 1 aut. |
---|
A15 | 01 | | | @1 Northumbria University @3 GBR @Z 1 aut. |
---|
A15 | 02 | | | @1 Australian National University @3 AUS @Z 2 aut. |
---|
A20 | | | | @1 59-76 |
---|
A21 | | | | @1 2013 |
---|
A23 | 01 | | | @0 ENG |
---|
A43 | 01 | | | @1 INIST @2 28354 @5 354000150795600040 |
---|
A44 | | | | @0 0000 @1 © 2014 INIST-CNRS. All rights reserved. |
---|
A45 | | | | @0 1 p.1/4 |
---|
A47 | 01 | 1 | | @0 14-0075907 |
---|
A60 | | | | @1 P @2 C |
---|
A61 | | | | @0 A |
---|
A64 | 01 | 1 | | @0 Pacific studies |
---|
A66 | 01 | | | @0 USA |
---|
A99 | | | | @0 15 notes |
---|
C01 | 01 | | ENG | @0 Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency. |
---|
C02 | 01 | N | | @0 52989 @1 VII |
---|
C02 | 02 | N | | @0 52942E @1 III |
---|
C02 | 03 | N | | @0 529 |
---|
C03 | 01 | N | FRE | @0 Musique @5 01 |
---|
C03 | 01 | N | ENG | @0 Music @5 01 |
---|
C03 | 02 | N | FRE | @0 Echange @5 02 |
---|
C03 | 02 | N | ENG | @0 Exchange @5 02 |
---|
C03 | 03 | N | FRE | @0 Tradition @5 03 |
---|
C03 | 03 | N | ENG | @0 Tradition @5 03 |
---|
C03 | 04 | N | FRE | @0 Nord @2 NG @5 04 |
---|
C03 | 04 | N | ENG | @0 North @2 NG @5 04 |
---|
C03 | 05 | N | FRE | @0 Vanuatu @2 NG @5 05 |
---|
C03 | 05 | N | ENG | @0 Vanuatu @2 NG @5 05 |
---|
C03 | 06 | N | FRE | @0 Pacifique Sud @2 NG @5 06 |
---|
C03 | 06 | N | ENG | @0 South Pacific @2 NG @5 06 |
---|
C03 | 07 | N | FRE | @0 Transmission @5 07 |
---|
C03 | 07 | N | ENG | @0 Transmission @5 07 |
---|
C03 | 08 | N | FRE | @0 Droit de propriété @5 08 |
---|
C03 | 08 | N | ENG | @0 Property rights @5 08 |
---|
C03 | 09 | S | FRE | @0 Propriété intellectuelle @5 09 |
---|
C03 | 09 | S | ENG | @0 Intellectual property @5 09 |
---|
C03 | 10 | N | FRE | @0 Tradition orale @5 10 |
---|
C03 | 10 | N | ENG | @0 Oral tradition @5 10 |
---|
C03 | 11 | S | FRE | @0 Coutume @5 11 |
---|
C03 | 11 | S | ENG | @0 Custom @5 11 |
---|
C03 | 12 | N | FRE | @0 Cérémonie @5 12 |
---|
C03 | 12 | N | ENG | @0 Ceremony @5 12 |
---|
C03 | 13 | N | FRE | @0 Océanie @2 NG @5 13 |
---|
C03 | 13 | N | ENG | @0 Oceania @2 NG @5 13 |
---|
N21 | | | | @1 104 |
---|
|
pR |
A30 | 01 | 1 | ENG | @1 Conference on Creativity, Innovation, Access to Knowledge, and Development in Pacific Island Countries @3 Canberra AUS @4 2012-09-24 |
---|
|
Format Inist (serveur)
NO : | FRANCIS 14-0075907 INIST |
ET : | MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU |
AU : | STERN (Monika); FARAN (Sue); FORSYTH (Miranda) |
AF : | CNRS-CREDO (Aix-Marseille University, CNRS, EHESS)/France (1 aut.); Northumbria University/Royaume-Uni (1 aut.); Australian National University/Australie (2 aut.) |
DT : | Publication en série; Congrès; Niveau analytique |
SO : | Pacific studies; ISSN 0275-3596; Etats-Unis; Da. 2013; Vol. 36; No. 1-2; Pp. 59-76; Bibl. 1 p.1/4 |
LA : | Anglais |
EA : | Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency. |
CC : | 52989; 52942E; 529 |
FD : | Musique; Echange; Tradition; Nord; Vanuatu; Pacifique Sud; Transmission; Droit de propriété; Propriété intellectuelle; Tradition orale; Coutume; Cérémonie; Océanie |
ED : | Music; Exchange; Tradition; North; Vanuatu; South Pacific; Transmission; Property rights; Intellectual property; Oral tradition; Custom; Ceremony; Oceania |
LO : | INIST-28354.354000150795600040 |
ID : | 14-0075907 |
Links to Exploration step
Francis:14-0075907
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU</title>
<author><name sortKey="Stern, Monika" sort="Stern, Monika" uniqKey="Stern M" first="Monika" last="Stern">Monika Stern</name>
<affiliation><inist:fA14 i1="01"><s1>CNRS-CREDO (Aix-Marseille University, CNRS, EHESS)</s1>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">14-0075907</idno>
<date when="2013">2013</date>
<idno type="stanalyst">FRANCIS 14-0075907 INIST</idno>
<idno type="RBID">Francis:14-0075907</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000675</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU</title>
<author><name sortKey="Stern, Monika" sort="Stern, Monika" uniqKey="Stern M" first="Monika" last="Stern">Monika Stern</name>
<affiliation><inist:fA14 i1="01"><s1>CNRS-CREDO (Aix-Marseille University, CNRS, EHESS)</s1>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Pacific studies</title>
<title level="j" type="abbreviated">Pac. stud.</title>
<idno type="ISSN">0275-3596</idno>
<imprint><date when="2013">2013</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Pacific studies</title>
<title level="j" type="abbreviated">Pac. stud.</title>
<idno type="ISSN">0275-3596</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Ceremony</term>
<term>Custom</term>
<term>Exchange</term>
<term>Intellectual property</term>
<term>Music</term>
<term>North</term>
<term>Oceania</term>
<term>Oral tradition</term>
<term>Property rights</term>
<term>South Pacific</term>
<term>Tradition</term>
<term>Transmission</term>
<term>Vanuatu</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Musique</term>
<term>Echange</term>
<term>Tradition</term>
<term>Nord</term>
<term>Vanuatu</term>
<term>Pacifique Sud</term>
<term>Transmission</term>
<term>Droit de propriété</term>
<term>Propriété intellectuelle</term>
<term>Tradition orale</term>
<term>Coutume</term>
<term>Cérémonie</term>
<term>Océanie</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0275-3596</s0>
</fA01>
<fA03 i2="1"><s0>Pac. stud.</s0>
</fA03>
<fA06><s2>1-2</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG"><s1>MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU</s1>
</fA08>
<fA09 i1="01" i2="1" l="ENG"><s1>Creativity, Innovation, Access to Knowledge, and Development in Pacific Island Countries</s1>
</fA09>
<fA11 i1="01" i2="1"><s1>STERN (Monika)</s1>
</fA11>
<fA12 i1="01" i2="1"><s1>FARAN (Sue)</s1>
<s9>ed.</s9>
</fA12>
<fA12 i1="02" i2="1"><s1>FORSYTH (Miranda)</s1>
<s9>ed.</s9>
</fA12>
<fA14 i1="01"><s1>CNRS-CREDO (Aix-Marseille University, CNRS, EHESS)</s1>
<s3>FRA</s3>
<sZ>1 aut.</sZ>
</fA14>
<fA15 i1="01"><s1>Northumbria University</s1>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
</fA15>
<fA15 i1="02"><s1>Australian National University</s1>
<s3>AUS</s3>
<sZ>2 aut.</sZ>
</fA15>
<fA20><s1>59-76</s1>
</fA20>
<fA21><s1>2013</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>28354</s2>
<s5>354000150795600040</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2014 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>1 p.1/4</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>14-0075907</s0>
</fA47>
<fA60><s1>P</s1>
<s2>C</s2>
</fA60>
<fA64 i1="01" i2="1"><s0>Pacific studies</s0>
</fA64>
<fA66 i1="01"><s0>USA</s0>
</fA66>
<fA99><s0>15 notes</s0>
</fA99>
<fC01 i1="01" l="ENG"><s0>Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency.</s0>
</fC01>
<fC02 i1="01" i2="N"><s0>52989</s0>
<s1>VII</s1>
</fC02>
<fC02 i1="02" i2="N"><s0>52942E</s0>
<s1>III</s1>
</fC02>
<fC02 i1="03" i2="N"><s0>529</s0>
</fC02>
<fC03 i1="01" i2="N" l="FRE"><s0>Musique</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="N" l="ENG"><s0>Music</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="N" l="FRE"><s0>Echange</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="N" l="ENG"><s0>Exchange</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="N" l="FRE"><s0>Tradition</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="N" l="ENG"><s0>Tradition</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="N" l="FRE"><s0>Nord</s0>
<s2>NG</s2>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="N" l="ENG"><s0>North</s0>
<s2>NG</s2>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="N" l="FRE"><s0>Vanuatu</s0>
<s2>NG</s2>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="N" l="ENG"><s0>Vanuatu</s0>
<s2>NG</s2>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="N" l="FRE"><s0>Pacifique Sud</s0>
<s2>NG</s2>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="N" l="ENG"><s0>South Pacific</s0>
<s2>NG</s2>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="N" l="FRE"><s0>Transmission</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="N" l="ENG"><s0>Transmission</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="N" l="FRE"><s0>Droit de propriété</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="N" l="ENG"><s0>Property rights</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="S" l="FRE"><s0>Propriété intellectuelle</s0>
<s5>09</s5>
</fC03>
<fC03 i1="09" i2="S" l="ENG"><s0>Intellectual property</s0>
<s5>09</s5>
</fC03>
<fC03 i1="10" i2="N" l="FRE"><s0>Tradition orale</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="N" l="ENG"><s0>Oral tradition</s0>
<s5>10</s5>
</fC03>
<fC03 i1="11" i2="S" l="FRE"><s0>Coutume</s0>
<s5>11</s5>
</fC03>
<fC03 i1="11" i2="S" l="ENG"><s0>Custom</s0>
<s5>11</s5>
</fC03>
<fC03 i1="12" i2="N" l="FRE"><s0>Cérémonie</s0>
<s5>12</s5>
</fC03>
<fC03 i1="12" i2="N" l="ENG"><s0>Ceremony</s0>
<s5>12</s5>
</fC03>
<fC03 i1="13" i2="N" l="FRE"><s0>Océanie</s0>
<s2>NG</s2>
<s5>13</s5>
</fC03>
<fC03 i1="13" i2="N" l="ENG"><s0>Oceania</s0>
<s2>NG</s2>
<s5>13</s5>
</fC03>
<fN21><s1>104</s1>
</fN21>
</pA>
<pR><fA30 i1="01" i2="1" l="ENG"><s1>Conference on Creativity, Innovation, Access to Knowledge, and Development in Pacific Island Countries</s1>
<s3>Canberra AUS</s3>
<s4>2012-09-24</s4>
</fA30>
</pR>
</standard>
<server><NO>FRANCIS 14-0075907 INIST</NO>
<ET>MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU</ET>
<AU>STERN (Monika); FARAN (Sue); FORSYTH (Miranda)</AU>
<AF>CNRS-CREDO (Aix-Marseille University, CNRS, EHESS)/France (1 aut.); Northumbria University/Royaume-Uni (1 aut.); Australian National University/Australie (2 aut.)</AF>
<DT>Publication en série; Congrès; Niveau analytique</DT>
<SO>Pacific studies; ISSN 0275-3596; Etats-Unis; Da. 2013; Vol. 36; No. 1-2; Pp. 59-76; Bibl. 1 p.1/4</SO>
<LA>Anglais</LA>
<EA>Music is a social phenomenon allowing the possibility of indefinite recreations. Depending on the cultures, places, and times, musical exchanges have been locally managed in various ways. Today the rights to copy a particular music are a sensitive topic of current international interest because of the development of the music industry. In Vanuatu custom, a principle close to the concept of intellectual property rights has existed for centuries for music or other intangible knowledge. Traditionally, not everyone has the right to hand over certain parts of this knowledge; complex rules must be observed. Although for most sets of music anyone who knows a song can sing it, a certain number of sets are governed by precise rules of transmission. Through examples of ceremonies and specific cases observed in northern Vanuatu, I present various ways in which music can be circulated and exchanged with other valuable objects of traditional currency or even coins of modern currency.</EA>
<CC>52989; 52942E; 529</CC>
<FD>Musique; Echange; Tradition; Nord; Vanuatu; Pacifique Sud; Transmission; Droit de propriété; Propriété intellectuelle; Tradition orale; Coutume; Cérémonie; Océanie</FD>
<ED>Music; Exchange; Tradition; North; Vanuatu; South Pacific; Transmission; Property rights; Intellectual property; Oral tradition; Custom; Ceremony; Oceania</ED>
<LO>INIST-28354.354000150795600040</LO>
<ID>14-0075907</ID>
</server>
</inist>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Asie/explor/AustralieFrV1/Data/PascalFrancis/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000675 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000675 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Asie
|area= AustralieFrV1
|flux= PascalFrancis
|étape= Corpus
|type= RBID
|clé= Francis:14-0075907
|texte= MUSIC IN TRADITIONAL EXCHANGES IN NORTH VANUATU
}}
| This area was generated with Dilib version V0.6.33. Data generation: Tue Dec 5 10:43:12 2017. Site generation: Tue Mar 5 14:07:20 2024 | ![](Common/icons/LogoDilib.gif) |