Serveur d'exploration sur l'opéra

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Le cluster houses - why

Terms

2houses
2why
2high
3politics
2imperial
2early
2modern
3changes

Associations

Freq.WeightAssociation
11houses - why
11high - why
11high - politics
11imperial - politics
11early - modern
11early - houses
11changes - why
11changes - houses

Documents par ordre de pertinence
000188 (2001-05-04) Robert W. Harris [Royaume-Uni]Methods to quantify opera houses acoustics-Changes to why, what, and how?
000067 (2010) Helena Daffern [Royaume-Uni] ; David M. HowardVoice source comparison between modern singers of early music and opera.
000164 (2004) Tina K. Ramnarine [Royaume-Uni]Imperial legacies and the politics of musical creativity
000202 (2000) M. Barron [Royaume-Uni]MEASURED EARLY LATERAL ENERGY FRACTIONS IN CONCERT HALLS AND OPERA HOUSES
000258 (1978) Mark Blaug [Royaume-Uni]Why are covent garden seat prices so high?
000264 (1953) Collin Brooks [Royaume-Uni]High Adventure in the Worlds of Art and Politics
000082 (2010) Adrian Pabst [Royaume-Uni]MODERN SOVEREIGNTY IN QUESTION: THEOLOGY, DEMOCRACY AND CAPITALISM
000088 (2009) Elena Daprati [Italie] ; Marco Iosa [Italie] ; Patrick Haggard [Royaume-Uni]A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art
000167 (2003) Brian Young [Royaume-Uni]The Performance of Pastoral Politics: Britten's Albert Herring
000186 (2002) Colin Huehns [Royaume-Uni]Old and new paintings of Huqin in Imperial and New China
000255 (1981) F. Richardson [Royaume-Uni]Vocal recitals in smaller cities: Changes in supply, demand and content since the 1920's

Wicri

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Data generation: Thu Apr 14 14:59:05 2016. Site generation: Thu Jan 4 23:09:23 2024