Le cluster Historical approach - Culture
000162 (2004) | Paul Atkinson [Royaume-Uni] | Performance, culture and the sociology of education |
000175 (2003) | John Storey [Royaume-Uni] | The social life of opera |
000186 (2002) | Colin Huehns [Royaume-Uni] | Old and new paintings of Huqin in Imperial and New China |
000187 (2002) | Jonathan P. J. Stock [Royaume-Uni] | Learning Huju in Shanghai, 1900-1950: Apprenticeship and the acquisition of expertise in a Chinese local opera tradition |
000231 (1995) | C. A. Gerstle [Royaume-Uni] | Amateurs and the theater : the so-called demented art Gidayū |
000038 (2013) | Paul Atkinson [Royaume-Uni] ; Richard Watermeyer [Royaume-Uni] ; Sara Delamont [Royaume-Uni] | Expertise, authority and embodied pedagogy: operatic masterclasses |
000178 (2003) | Terence Chong [Royaume-Uni] | Chinese opera in Singapore: Negotiating globalisation, consumerism and national culture |
000213 (1998) | Dawn K. Reeve [Royaume-Uni] ; John P. Aggleton [Royaume-Uni] | On the specificity of expert knowledge about a soap opera: an everyday story of farming folk |
000219 (1997) | C. Barker [Royaume-Uni] | Television and the reflexive project of the self : soaps, teenage talk and hybrid identities |
000016 (2014) | Ailsa Lyons [Royaume-Uni] ; Ann Mcneill ; John Britton | Tobacco imagery on prime time UK television. |
000024 (2014) | Yu-Wei Lin [Royaume-Uni] ; Alan E. Williams [Royaume-Uni] | Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera |
000039 (2013) | Maria Lamuedra [Espagne] ; Hugh O'Donnell [Royaume-Uni] | Community as context: EastEnders, public service and neoliberal ideology |
000134 (2007) | Lucile Desblache [Royaume-Uni] | Music to my ears, but words to my eyes? Text, opera and their audiences |
000145 (2006) | John Storey [Royaume-Uni] | Inventing opera as art in nineteenth-century Manchester |
000154 (2005) | Steven P. Wainwright [Royaume-Uni] ; Clare Williams [Royaume-Uni] | Culture and ageing: reflections on the arts and nursing |
000164 (2004) | Tina K. Ramnarine [Royaume-Uni] | Imperial legacies and the politics of musical creativity |
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