| 000133 (2007) |
Edward Nye [Royaume-Uni] ; Fanny Thepot | Dramaturgie et musique dans le ballet-pantomime "Médée et Jason" de Noverre et Rodolphe |
| 000227 (1996) |
P. Robinson [Royaume-Uni] | Les vaudevilles : Un médium théâtral |
| 000236 (1993) |
Nicholas Cronk [Royaume-Uni] | THE PLAY OF WORDS AND MUSIC IN MOLIÈRE-CHARPENTIER'S LE MALADE IMAGINAIRE |
| 000060 (2011) |
Francis Grier [Royaume-Uni] | Thoughts on Rigoletto |
| 000066 (2011) |
Derek Connon [Royaume-Uni] | NOTES FROM A COLLABORATION: COCTEAU AND STRAVINSKY'S OEDIPUS REX |
| 000112 (2008) |
Richard Rusbridger [Royaume-Uni] | The internal world of Don Giovanni |
| 000194 (2001) |
Nicholas White [Royaume-Uni] | Paternal perspectives on Divorce in Alphonse Daudet's "Rose et Ninette" (1892) |
| 000204 (2000) |
Philip Robinson [Royaume-Uni] | Beaumarchais et la nostalgie de la foire : Un autre Beaumarchais |
| 000205 (2000) |
Debbie Hindle [Royaume-Uni] | L'enfant et les sortilèges revisited |
| 000207 (1999) |
M. Davies [Royaume-Uni] | The three electras : Strauss, Hofmannsthal, Sophocles, and the tragic vision |
| 000235 (1994) |
M.-C. Canova-Green [Royaume-Uni] | Psyché: from tragédie-ballet to opera (1671-1678) |
| 000237 (1993) |
Nicholas Cronk [Royaume-Uni] | MOLIÈRE-CHARPENTIER'S LE MALADE IMAGINAIRE: THE FIRST OPÉRA-COMIQUE? |
| 000117 (2008) |
Edward Nye [Royaume-Uni] | L'ALLÉGORIE DANS LE BALLET D'ACTION : MARIE SALLÉ À TRAVERS L'ÉCHO DES PARODIES |
| 000138 (2006) |
Debbie Hindle [Royaume-Uni] ; Susie Godsil [Royaume-Uni] | The song of the siren: Some thoughts on idealization and creativity in Martinů's Julietta |
| 000187 (2002) |
Jonathan P. J. Stock [Royaume-Uni] | Learning Huju in Shanghai, 1900-1950: Apprenticeship and the acquisition of expertise in a Chinese local opera tradition |
| 000195 (2001) |
Robert G. Dryden [Royaume-Uni] | John Gay's Polly : Unmasking pirate and fortune hunters in the West Indies |
| 000011 (2015) |
Francis Grier [Royaume-Uni] | La traviata and Oedipus. |
| 000049 (2012) |
Stuart Matthews [Royaume-Uni] ; Pascale Dupuy [France] ; Robert Scovell [Royaume-Uni] ; Antoine Kergomard [France] ; Bernard Urban [France] ; Asko Huuskonen [Finlande] ; Alison Smith [Royaume-Uni] ; Nicolas Gaussiat [Royaume-Uni] | EUMETNET OPERA Radar Data Centre: providing operational, homogeneous European radar rainfall composites |
| 000067 (2010) |
Helena Daffern [Royaume-Uni] ; David M. Howard | Voice source comparison between modern singers of early music and opera. |
| 000145 (2006) |
John Storey [Royaume-Uni] | Inventing opera as art in nineteenth-century Manchester |
| 000146 (2006) |
Amy Wygant [Royaume-Uni] | Fire, sacrifice, "Iphigénie" |
| 000156 (2005) |
David T. Evans [Royaume-Uni] | Speaking over and above the plot : Aural fixation, scopophilia, opera and the gay sensibility |
| 000175 (2003) |
John Storey [Royaume-Uni] | The social life of opera |
| 000178 (2003) |
Terence Chong [Royaume-Uni] | Chinese opera in Singapore: Negotiating globalisation, consumerism and national culture |
| 000231 (1995) |
C. A. Gerstle [Royaume-Uni] | Amateurs and the theater : the so-called demented art Gidayū |
| 000251 (1984) |
Glenn D. Wilson [Royaume-Uni] | The personality of opera singers |
