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Serveur d'exploration sur l'opéra - Curation (Ncbi)

Index « Keywords » - entrée « Psychoanalytic Interpretation »
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Psychoanalysis (history) < Psychoanalytic Interpretation < Psychoanalytic Theory  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 12.
Ident.Authors (with country if any)Title
000056 (2000) D. HindleL'enfant et les sortilèges revisited.
000404 (2006) Debbie Hindle [Royaume-Uni] ; Susie GodsilThe song of the siren: some thoughts on idealization and creativity in Martinů's Julietta.
000480 (2008) Richard Rusbridger [Royaume-Uni]The internal world of Don Giovanni.
000493 (2008) Julie Jaffee Nagel [États-Unis]Psychoanalytic perspectives on music: an intersection on the oral and aural road.
000494 (2008) Julie Jaffee Nagel [États-Unis]Psychoanalytic and musical perspectives on shame in Donizetti's Lucia Di Lammermoor.
000616 (2009) Susan Kavaler-Adler [États-Unis]Object relations perspectives on "Phantom of the Opera" and its demon lover theme: the modern film.
000930 (2011) Francis Grier [Royaume-Uni]Thoughts on Rigoletto.
000A48 (2013) Richard RusbridgerProjective identification in Othello and Verdi's Otello.
000B10 (2013) Moshe Bergstein [Israël]The wish for annihilation in 'love-death' as collapse of the need for recognition, in Wagner's Tristan und Isolde.
000C48 (2015) Francis Grier [Royaume-Uni]La traviata and Oedipus.
000F25 (1988) R D Chessick [États-Unis]On the unique impact of Richard Strauss's Elektra.
001107 (1996) N M CheshireThe empire of the ear: Freud's problem with music.

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