List of bibliographic references
Number of relevant bibliographic references: 54.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000124 (2005) |
Lucy Walker | Opera: The Art of Dying. By Linda Hutcheon and Michael Hutcheon. pp. x + 239. (Harvard University Press, Cambridge, Mass. and London, 2004, £18.95. ISBN 0-674-01326-3.) |
| 000142 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 000151 (2006) |
Emanuele Senici | Opera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.) |
| 000236 (2005) |
Alexandra Wilson | Modernism and the Machine Woman in Puccini’s ‘Turandot’ |
| 000256 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 000297 (2005) |
Rachel A. Lewis | Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question |
| 000315 (2006) |
Laura Basini | Vocal Apparitions: The Attraction of Cinema to Opera. By Michal Grover-Friedlander. pp. xiv + 186. Princeton Studies in Opera. (Princeton University Press, Princeton and Oxford, 2005, £21.50. ISBN 0-691-12008-0.) |
| 000384 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 000400 (2002) |
Steven Huebner | Zola the Sower |
| 000426 (2002) |
Jonathan P. J. Stock | Place and Music: Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949 |
| 000427 (2006) |
Christopher Morris | Opera and Modern Culture: Wagner and Strauss |
| 000500 (2005) |
Buford Norman | Aesthetics of Opera in the Ancien Régime, 1647–1785. By Downing A. Thomas. pp. viii + 411. Cambridge Studies in Opera. (Cambridge University Press, 2002, £55. ISBN 0-521-80188-5.) |
| 000589 (2005) |
Shersten Johnson | Britten’s Musical Syllables |
| 000664 (2006) |
Jacqueline Waeber | Théâtre et opéra à l’âge classique: Une familière étrangeté. By Catherine Kintzler. pp. 335. Les Chemins de la musique. (Fayard, Paris, 2004. €20. ISBN 2-213-62125-X.) |
| 000690 (2006) |
Peter Van Der Merwe | Gender and Sexuality in South African Music. Ed. by Chris Walton and Stephanus Muller. pp. xii + 97. (SUN ePreSS, Stellenbosch, 2005, R150. ISBN 1-919980-40-7.) |
| 000719 (2006) |
Sarah Hibberd | La Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792. By Alessandro Di Profio. pp. 561. Sciences de la musique. (CNRS Éditions, Paris, 2003, €45. ISBN 2-271-06017-6.) |
| 000723 (2006) |
Laura Tunbridge | From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres |
| 000878 (2006) |
Lorraine Byrne | Goethes Musiktheater: Singspiele, Opern, Festspiele, ‘Faust’ |
| 000925 (2006) |
Philip Gossett | Carteggio Verdi–Somma |
| 000970 (2006) |
William E. Hettrick | Syntagma Musicum III: Michael Praetorius. Ed. & trans. by Jeffery Kite-Powell. pp. xxix + 265. Oxford Early Music Series. (Oxford University Press, New York and Oxford, 2004, £46.99. ISBN 0-19-514563-1.) |
| 000A04 (2007) |
Andrew V. Jones [Royaume-Uni] | The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘Rodelinda’ |
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