Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
Identifieur interne : 001109 ( Istex/Corpus ); précédent : 001108; suivant : 001110Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
Auteurs : Allen ForteSource :
- Music Analysis [ 0262-5245 ] ; 2007-03.
Abstract
Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as L’isle joyeuse (1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.
Url:
DOI: 10.1111/j.1468-2249.2007.00252.x
Links to Exploration step
ISTEX:CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CDLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music</title>
<author><name sortKey="Forte, Allen" sort="Forte, Allen" uniqKey="Forte A" first="Allen" last="Forte">Allen Forte</name>
<affiliation><mods:affiliation>Department of Music, Yale University and Harvard University</mods:affiliation>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD</idno>
<date when="2007" year="2007">2007</date>
<idno type="doi">10.1111/j.1468-2249.2007.00252.x</idno>
<idno type="url">https://api.istex.fr/document/CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">001109</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music</title>
<author><name sortKey="Forte, Allen" sort="Forte, Allen" uniqKey="Forte A" first="Allen" last="Forte">Allen Forte</name>
<affiliation><mods:affiliation>Department of Music, Yale University and Harvard University</mods:affiliation>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Music Analysis</title>
<idno type="ISSN">0262-5245</idno>
<idno type="eISSN">1468-2249</idno>
<imprint><publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2007-03">2007-03</date>
<biblScope unit="volume">26</biblScope>
<biblScope unit="issue">1‐2</biblScope>
<biblScope unit="page" from="15">15</biblScope>
<biblScope unit="page" to="24">24</biblScope>
</imprint>
<idno type="ISSN">0262-5245</idno>
</series>
<idno type="istex">CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD</idno>
<idno type="DOI">10.1111/j.1468-2249.2007.00252.x</idno>
<idno type="ArticleID">MUSA252</idno>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0262-5245</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as L’isle joyeuse (1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.</div>
</front>
</TEI>
<istex><corpusName>wiley</corpusName>
<author><json:item><name>Allen Forte</name>
<affiliations><json:string>Department of Music, Yale University and Harvard University</json:string>
</affiliations>
</json:item>
</author>
<articleId><json:string>MUSA252</json:string>
</articleId>
<language><json:string>eng</json:string>
</language>
<abstract>Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as L’isle joyeuse (1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.</abstract>
<qualityIndicators><score>5.25</score>
<pdfVersion>1.4</pdfVersion>
<pdfPageSize>484.805 x 697.207 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<keywordCount>0</keywordCount>
<abstractCharCount>811</abstractCharCount>
<pdfWordCount>3262</pdfWordCount>
<pdfCharCount>18662</pdfCharCount>
<pdfPageCount>10</pdfPageCount>
<abstractWordCount>124</abstractWordCount>
</qualityIndicators>
<title>Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music</title>
<genre><json:string>article</json:string>
</genre>
<host><volume>26</volume>
<publisherId><json:string>MUSA</json:string>
</publisherId>
<pages><total>10</total>
<last>24</last>
<first>15</first>
</pages>
<issn><json:string>0262-5245</json:string>
</issn>
<issue>1‐2</issue>
<genre><json:string>Journal</json:string>
</genre>
<language><json:string>unknown</json:string>
</language>
<eissn><json:string>1468-2249</json:string>
</eissn>
<title>Music Analysis</title>
<doi><json:string>10.1111/(ISSN)1468-2249</json:string>
</doi>
</host>
<publicationDate>2007</publicationDate>
<copyrightDate>2007</copyrightDate>
<doi><json:string>10.1111/j.1468-2249.2007.00252.x</json:string>
</doi>
<id>CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD</id>
<fulltext><json:item><original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD/fulltext/pdf</uri>
</json:item>
<json:item><original>false</original>
<mimetype>application/zip</mimetype>
<extension>zip</extension>
<uri>https://api.istex.fr/document/CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music</title>
<respStmt xml:id="ISTEX-API" resp="Références bibliographiques récupérées via GROBID" name="ISTEX-API (INIST-CNRS)"></respStmt>
</titleStmt>
<publicationStmt><authority>ISTEX</authority>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<availability><p>WILEY</p>
</availability>
<date>2007</date>
</publicationStmt>
<sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music</title>
<author><persName><forename type="first">Allen</forename>
<surname>Forte</surname>
</persName>
<affiliation>Department of Music, Yale University and Harvard University</affiliation>
</author>
</analytic>
<monogr><title level="j">Music Analysis</title>
<idno type="pISSN">0262-5245</idno>
<idno type="eISSN">1468-2249</idno>
<idno type="DOI">10.1111/(ISSN)1468-2249</idno>
<imprint><publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2007-03"></date>
<biblScope unit="volume">26</biblScope>
<biblScope unit="issue">1‐2</biblScope>
<biblScope unit="page" from="15">15</biblScope>
<biblScope unit="page" to="24">24</biblScope>
</imprint>
</monogr>
<idno type="istex">CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD</idno>
<idno type="DOI">10.1111/j.1468-2249.2007.00252.x</idno>
<idno type="ArticleID">MUSA252</idno>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><creation><date>2007</date>
</creation>
<langUsage><language ident="en">en</language>
</langUsage>
<abstract xml:lang="en"><p>Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as L’isle joyeuse (1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.</p>
</abstract>
</profileDesc>
<revisionDesc><change when="2007-03">Published</change>
<change xml:id="refBibs-istex" who="#ISTEX-API" when="2016-3-3">References added</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item><original>false</original>
<mimetype>text/plain</mimetype>
<extension>txt</extension>
<uri>https://api.istex.fr/document/CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata><istex:metadataXml wicri:clean="Wiley, elements deleted: body"><istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration>
<istex:document><component version="2.0" type="serialArticle" xml:lang="en"><header><publicationMeta level="product"><publisherInfo><publisherName>Blackwell Publishing Ltd</publisherName>
<publisherLoc>Oxford, UK</publisherLoc>
</publisherInfo>
<doi origin="wiley" registered="yes">10.1111/(ISSN)1468-2249</doi>
<issn type="print">0262-5245</issn>
<issn type="electronic">1468-2249</issn>
<idGroup><id type="product" value="MUSA"></id>
<id type="publisherDivision" value="ST"></id>
</idGroup>
<titleGroup><title type="main" sort="MUSIC ANALYSIS">Music Analysis</title>
</titleGroup>
</publicationMeta>
<publicationMeta level="part" position="03001"><doi origin="wiley">10.1111/musa.2008.26.issue-1-2</doi>
<numberingGroup><numbering type="journalVolume" number="26">26</numbering>
<numbering type="journalIssue">1‐2</numbering>
</numberingGroup>
<coverDate startDate="2007-03">March‐July 2007</coverDate>
</publicationMeta>
<publicationMeta level="unit" type="article" position="3" status="forIssue"><doi origin="wiley">10.1111/j.1468-2249.2007.00252.x</doi>
<idGroup><id type="unit" value="MUSA252"></id>
</idGroup>
<countGroup><count type="pageTotal" number="10"></count>
</countGroup>
<titleGroup><title type="tocHeading1">Original Articles</title>
</titleGroup>
<copyright>© 2008 The Author. Journal compilation © 2008 Blackwell Publishing Ltd</copyright>
<eventGroup><event type="firstOnline" date="2008-07-08"></event>
<event type="publishedOnlineFinalForm" date="2008-07-08"></event>
<event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:2.3.5 mode:FullText source:FullText result:FullText" date="2010-04-07"></event>
<event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-02-03"></event>
<event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-10-31"></event>
</eventGroup>
<numberingGroup><numbering type="pageFirst" number="15">15</numbering>
<numbering type="pageLast" number="24">24</numbering>
</numberingGroup>
<linkGroup><link type="toTypesetVersion" href="file:MUSA.MUSA252.pdf"></link>
</linkGroup>
</publicationMeta>
<contentMeta><countGroup><count type="figureTotal" number="9"></count>
<count type="tableTotal" number="0"></count>
<count type="formulaTotal" number="0"></count>
<count type="referenceTotal" number="0"></count>
<count type="wordTotal" number="0"></count>
</countGroup>
<titleGroup><title type="main">A<sc>lban</sc>
B<sc>erg</sc>
’<sc>s</sc>
P<sc>iano</sc>
S<sc>onata</sc>
, O<sc>p</sc>
. 1: <sc>a</sc>
L<sc>andmark in</sc>
E<sc>arly</sc>
T<sc>wentieth</sc>
‐C<sc>entury</sc>
M<sc>usic</sc>
</title>
<title type="shortAuthors"><sc><i>allen forte</i>
</sc>
</title>
<title type="short">A<sc>lban</sc>
B<sc>erg</sc>
’<sc>s</sc>
P<sc>iano</sc>
S<sc>onata</sc>
, O<sc>p</sc>
. 1</title>
</titleGroup>
<creators><creator creatorRole="author" xml:id="cr1" affiliationRef="#a1"><personName><givenNames>Allen</givenNames>
<familyName>Forte</familyName>
</personName>
</creator>
</creators>
<affiliationGroup><affiliation xml:id="a1"><unparsedAffiliation>Department of Music, Yale University and Harvard University</unparsedAffiliation>
</affiliation>
</affiliationGroup>
<abstractGroup><abstract type="main" xml:lang="en"><title type="main">ABSTRACT</title>
<p>Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as <i>L’isle joyeuse</i>
(1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.</p>
</abstract>
</abstractGroup>
</contentMeta>
</header>
</component>
</istex:document>
</istex:metadataXml>
<mods version="3.6"><titleInfo lang="en"><title>Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music</title>
</titleInfo>
<titleInfo type="abbreviated"><title>Alban Berg’s Piano Sonata, Op. 1</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA" lang="en"><title>A</title>
</titleInfo>
<name type="personal"><namePart type="given">Allen</namePart>
<namePart type="family">Forte</namePart>
<affiliation>Department of Music, Yale University and Harvard University</affiliation>
<role><roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="article" displayLabel="article"></genre>
<originInfo><publisher>Blackwell Publishing Ltd</publisher>
<place><placeTerm type="text">Oxford, UK</placeTerm>
</place>
<dateIssued encoding="w3cdtf">2007-03</dateIssued>
<copyrightDate encoding="w3cdtf">2007</copyrightDate>
</originInfo>
<language><languageTerm type="code" authority="rfc3066">en</languageTerm>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
</language>
<physicalDescription><internetMediaType>text/html</internetMediaType>
<extent unit="figures">9</extent>
</physicalDescription>
<abstract lang="en">Eventually published in 1926, the Piano Sonata, Op. 1, was completed in 1908, the year after Berg terminated his formal studies with Arnold Schoenberg, and first performed in Vienna in 1911. Berg's decision to assign the first opus number in his compositional canon to this piece was highly significant, since it clearly indicated the status that he accorded to such extraordinary music. The Sonata is one of the most expressive instrumental compositions of the early twentieth century – comparable, for example, to works by Debussy such as L’isle joyeuse (1904) and Bartók's Sonata for piano (1926). The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.</abstract>
<relatedItem type="host"><titleInfo><title>Music Analysis</title>
</titleInfo>
<genre type="Journal">journal</genre>
<identifier type="ISSN">0262-5245</identifier>
<identifier type="eISSN">1468-2249</identifier>
<identifier type="DOI">10.1111/(ISSN)1468-2249</identifier>
<identifier type="PublisherID">MUSA</identifier>
<part><date>2007</date>
<detail type="volume"><caption>vol.</caption>
<number>26</number>
</detail>
<detail type="issue"><caption>no.</caption>
<number>1‐2</number>
</detail>
<extent unit="pages"><start>15</start>
<end>24</end>
<total>10</total>
</extent>
</part>
</relatedItem>
<identifier type="istex">CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD</identifier>
<identifier type="DOI">10.1111/j.1468-2249.2007.00252.x</identifier>
<identifier type="ArticleID">MUSA252</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© 2008 The Author. Journal compilation © 2008 Blackwell Publishing Ltd</accessCondition>
<recordInfo><recordContentSource>WILEY</recordContentSource>
<recordOrigin>Blackwell Publishing Ltd</recordOrigin>
</recordInfo>
</mods>
</metadata>
<serie></serie>
</istex>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001109 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 001109 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= Istex |étape= Corpus |type= RBID |clé= ISTEX:CCC0CF9D7C948BB1836FE5293C06FE5F5D0C61CD |texte= Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music }}
![]() | This area was generated with Dilib version V0.6.21. | ![]() |