Room acoustics and architectural acoustics development in recent years
Identifieur interne : 000F53 ( Istex/Corpus ); précédent : 000F52; suivant : 000F54Room acoustics and architectural acoustics development in recent years
Auteurs : V. L. JordanSource :
- Applied Acoustics [ 0003-682X ] ; 1968.
Abstract
It has not been the intention to cover all aspects but to consider some main trends grouped in three sections: (1) Correlation between acoustical processes (natural or simulated) and subjective listening assessments. (2) Development of measuring technique and model technique. (3) Experience with modern halls and its interpretation.From the work considered some tentative conclusions can be drawn:(1) It seems reasonable to conclude that lateral reflections are most important in creating a subjective impression of space. It has been established that a few incoherent signals may produce a very pronounced impression of (subjective) diffusion.(2) The model technique has developed to an extent where the simulation of halls (designed but not yet built) is comparatively easy to establish. The question therefore is rather what kind of criteria to measure. The technique of acoustical measurements has been greatly improved by the introduction of the pulse-integration method, and the established correlation between “Subjective Reverberation” and “Early Decay Time” motivate the adoption of this method for model testing. The question of a single criterion for acoustical judgement of music rooms cannot be said to have been resolved during the time period considered, but it can be maintained that the introduction of measurements on the “Early Decay” of the reverberation process represents an essential step forward.(3) The experience gained from concert halls inaugurated during the period considered in some instances underlines the importance of the shape of classical concert halls.
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DOI: 10.1016/0003-682X(69)90032-2
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Jordan</name><affiliation><mods:affiliation>Copenhagen Denmark</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">Applied Acoustics</title><title level="j" type="abbrev">APAC</title><idno type="ISSN">0003-682X</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1968">1968</date><biblScope unit="volume">2</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="59">59</biblScope><biblScope unit="page" to="81">81</biblScope></imprint><idno type="ISSN">0003-682X</idno></series><idno type="istex">EFCA18DE45746191397D4EDE850E5DE3C29E81A7</idno><idno type="DOI">10.1016/0003-682X(69)90032-2</idno><idno type="PII">0003-682X(69)90032-2</idno><idno type="ArticleID">69900322</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0003-682X</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">It has not been the intention to cover all aspects but to consider some main trends grouped in three sections: (1) Correlation between acoustical processes (natural or simulated) and subjective listening assessments. (2) Development of measuring technique and model technique. (3) Experience with modern halls and its interpretation.From the work considered some tentative conclusions can be drawn:(1) It seems reasonable to conclude that lateral reflections are most important in creating a subjective impression of space. It has been established that a few incoherent signals may produce a very pronounced impression of (subjective) diffusion.(2) The model technique has developed to an extent where the simulation of halls (designed but not yet built) is comparatively easy to establish. The question therefore is rather what kind of criteria to measure. The technique of acoustical measurements has been greatly improved by the introduction of the pulse-integration method, and the established correlation between “Subjective Reverberation” and “Early Decay Time” motivate the adoption of this method for model testing. The question of a single criterion for acoustical judgement of music rooms cannot be said to have been resolved during the time period considered, but it can be maintained that the introduction of measurements on the “Early Decay” of the reverberation process represents an essential step forward.(3) The experience gained from concert halls inaugurated during the period considered in some instances underlines the importance of the shape of classical concert halls.</div></front></TEI><istex><corpusName>elsevier</corpusName><author><json:item><name>V.L. 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It has been established that a few incoherent signals may produce a very pronounced impression of (subjective) diffusion.(2) The model technique has developed to an extent where the simulation of halls (designed but not yet built) is comparatively easy to establish. The question therefore is rather what kind of criteria to measure. The technique of acoustical measurements has been greatly improved by the introduction of the pulse-integration method, and the established correlation between “Subjective Reverberation” and “Early Decay Time” motivate the adoption of this method for model testing. The question of a single criterion for acoustical judgement of music rooms cannot be said to have been resolved during the time period considered, but it can be maintained that the introduction of measurements on the “Early Decay” of the reverberation process represents an essential step forward.(3) The experience gained from concert halls inaugurated during the period considered in some instances underlines the importance of the shape of classical concert halls.</abstract><qualityIndicators><score>8.308</score><pdfVersion>1.4</pdfVersion><pdfPageSize>454 x 648 pts</pdfPageSize><refBibsNative>true</refBibsNative><keywordCount>0</keywordCount><abstractCharCount>1591</abstractCharCount><pdfWordCount>6537</pdfWordCount><pdfCharCount>36976</pdfCharCount><pdfPageCount>23</pdfPageCount><abstractWordCount>234</abstractWordCount></qualityIndicators><title>Room acoustics and architectural acoustics development in recent years</title><pii><json:string>0003-682X(69)90032-2</json:string></pii><genre><json:string>research-article</json:string></genre><host><volume>2</volume><pii><json:string>S0003-682X(00)X0270-8</json:string></pii><pages><last>81</last><first>59</first></pages><issn><json:string>0003-682X</json:string></issn><issue>1</issue><genre><json:string>Journal</json:string></genre><language><json:string>unknown</json:string></language><title>Applied Acoustics</title><publicationDate>1969</publicationDate></host><publicationDate>1968</publicationDate><copyrightDate>1969</copyrightDate><doi><json:string>10.1016/0003-682X(69)90032-2</json:string></doi><id>EFCA18DE45746191397D4EDE850E5DE3C29E81A7</id><fulltext><json:item><original>true</original><mimetype>application/pdf</mimetype><extension>pdf</extension><uri>https://api.istex.fr/document/EFCA18DE45746191397D4EDE850E5DE3C29E81A7/fulltext/pdf</uri></json:item><json:item><original>true</original><mimetype>text/plain</mimetype><extension>txt</extension><uri>https://api.istex.fr/document/EFCA18DE45746191397D4EDE850E5DE3C29E81A7/fulltext/txt</uri></json:item><json:item><original>false</original><mimetype>application/zip</mimetype><extension>zip</extension><uri>https://api.istex.fr/document/EFCA18DE45746191397D4EDE850E5DE3C29E81A7/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/EFCA18DE45746191397D4EDE850E5DE3C29E81A7/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Room acoustics and architectural acoustics development in recent years</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher>ELSEVIER</publisher><availability><p>ELSEVIER</p></availability><date>1969</date></publicationStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Room acoustics and architectural acoustics development in recent years</title><author><persName><forename type="first">V.L.</forename><surname>Jordan</surname></persName><affiliation>Copenhagen Denmark</affiliation></author></analytic><monogr><title level="j">Applied Acoustics</title><title level="j" type="abbrev">APAC</title><idno type="pISSN">0003-682X</idno><idno type="PII">S0003-682X(00)X0270-8</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1968"></date><biblScope unit="volume">2</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="59">59</biblScope><biblScope unit="page" to="81">81</biblScope></imprint></monogr><idno type="istex">EFCA18DE45746191397D4EDE850E5DE3C29E81A7</idno><idno type="DOI">10.1016/0003-682X(69)90032-2</idno><idno type="PII">0003-682X(69)90032-2</idno><idno type="ArticleID">69900322</idno></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1969</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>It has not been the intention to cover all aspects but to consider some main trends grouped in three sections: (1) Correlation between acoustical processes (natural or simulated) and subjective listening assessments. (2) Development of measuring technique and model technique. (3) Experience with modern halls and its interpretation.From the work considered some tentative conclusions can be drawn:(1) It seems reasonable to conclude that lateral reflections are most important in creating a subjective impression of space. It has been established that a few incoherent signals may produce a very pronounced impression of (subjective) diffusion.(2) The model technique has developed to an extent where the simulation of halls (designed but not yet built) is comparatively easy to establish. The question therefore is rather what kind of criteria to measure. The technique of acoustical measurements has been greatly improved by the introduction of the pulse-integration method, and the established correlation between “Subjective Reverberation” and “Early Decay Time” motivate the adoption of this method for model testing. The question of a single criterion for acoustical judgement of music rooms cannot be said to have been resolved during the time period considered, but it can be maintained that the introduction of measurements on the “Early Decay” of the reverberation process represents an essential step forward.(3) The experience gained from concert halls inaugurated during the period considered in some instances underlines the importance of the shape of classical concert halls.</p></abstract></profileDesc><revisionDesc><change when="1968-09-30">Received</change><change when="1968">Published</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="Elsevier, elements deleted: tail"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//ES//DTD journal article DTD version 4.5.2//EN//XML" URI="art452.dtd" name="istex:docType"></istex:docType><istex:document><converted-article version="4.5.2" docsubtype="fla" xml:lang="en"><item-info><jid>APAC</jid><aid>69900322</aid><ce:pii>0003-682X(69)90032-2</ce:pii><ce:doi>10.1016/0003-682X(69)90032-2</ce:doi><ce:copyright type="unknown" year="1969"></ce:copyright></item-info><head><ce:title>Room acoustics and architectural acoustics development in recent years</ce:title><ce:author-group><ce:author><ce:given-name>V.L.</ce:given-name><ce:surname>Jordan</ce:surname></ce:author><ce:affiliation><ce:textfn>Copenhagen Denmark</ce:textfn></ce:affiliation></ce:author-group><ce:date-received day="30" month="9" year="1968"></ce:date-received><ce:abstract class="author"><ce:section-title>Abstract</ce:section-title><ce:abstract-sec><ce:simple-para view="all" id="simple-para.0010">It has not been the intention to cover all aspects but to consider some main trends grouped in three sections: (1) Correlation between acoustical processes (natural or simulated) and subjective listening assessments. (2) Development of measuring technique and model technique. (3) Experience with modern halls and its interpretation.</ce:simple-para><ce:simple-para view="all" id="simple-para.0015">From the work considered some tentative conclusions can be drawn:</ce:simple-para><ce:simple-para view="all" id="simple-para.0020">(1) It seems reasonable to conclude that lateral reflections are most important in creating a subjective impression of space. It has been established that a few incoherent signals may produce a very pronounced impression of (subjective) diffusion.</ce:simple-para><ce:simple-para view="all" id="simple-para.0025">(2) The model technique has developed to an extent where the simulation of halls (designed but not yet built) is comparatively easy to establish. The question therefore is rather what kind of criteria to measure. The technique of acoustical measurements has been greatly improved by the introduction of the pulse-integration method, and the established correlation between “Subjective Reverberation” and “Early Decay Time” motivate the adoption of this method for model testing. The question of a single criterion for acoustical judgement of music rooms cannot be said to have been resolved during the time period considered, but it can be maintained that the introduction of measurements on the “Early Decay” of the reverberation process represents an essential step forward.</ce:simple-para><ce:simple-para view="all" id="simple-para.0030">(3) The experience gained from concert halls inaugurated during the period considered in some instances underlines the importance of the shape of classical concert halls.</ce:simple-para></ce:abstract-sec></ce:abstract></head></converted-article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Room acoustics and architectural acoustics development in recent years</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Room acoustics and architectural acoustics development in recent years</title></titleInfo><name type="personal"><namePart type="given">V.L.</namePart><namePart type="family">Jordan</namePart><affiliation>Copenhagen Denmark</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="Full-length article"></genre><originInfo><publisher>ELSEVIER</publisher><dateIssued encoding="w3cdtf">1968</dateIssued><dateCaptured encoding="w3cdtf">1968-09-30</dateCaptured><copyrightDate encoding="w3cdtf">1969</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><abstract lang="en">It has not been the intention to cover all aspects but to consider some main trends grouped in three sections: (1) Correlation between acoustical processes (natural or simulated) and subjective listening assessments. 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The question of a single criterion for acoustical judgement of music rooms cannot be said to have been resolved during the time period considered, but it can be maintained that the introduction of measurements on the “Early Decay” of the reverberation process represents an essential step forward.(3) The experience gained from concert halls inaugurated during the period considered in some instances underlines the importance of the shape of classical concert halls.</abstract><relatedItem type="host"><titleInfo><title>Applied Acoustics</title></titleInfo><titleInfo type="abbreviated"><title>APAC</title></titleInfo><genre type="Journal">journal</genre><originInfo><dateIssued encoding="w3cdtf">196901</dateIssued></originInfo><identifier type="ISSN">0003-682X</identifier><identifier type="PII">S0003-682X(00)X0270-8</identifier><part><date>196901</date><detail type="volume"><number>2</number><caption>vol.</caption></detail><detail type="issue"><number>1</number><caption>no.</caption></detail><extent unit="issue pages"><start>1</start><end>81</end></extent><extent unit="pages"><start>59</start><end>81</end></extent></part></relatedItem><identifier type="istex">EFCA18DE45746191397D4EDE850E5DE3C29E81A7</identifier><identifier type="DOI">10.1016/0003-682X(69)90032-2</identifier><identifier type="PII">0003-682X(69)90032-2</identifier><identifier type="ArticleID">69900322</identifier><recordInfo><recordContentSource>ELSEVIER</recordContentSource></recordInfo></mods></metadata><enrichments><istex:refBibTEI uri="https://api.istex.fr/document/EFCA18DE45746191397D4EDE850E5DE3C29E81A7/enrichments/refBib"><teiHeader></teiHeader><text><front></front><body></body><back><listBibl><biblStruct><monogr><title level="m" type="main">Subjective reverberation time and its relation to sound decay</title><author><persName><forename type="first">B</forename><forename type="middle">S</forename><surname>Atal</surname></persName></author><author><persName><forename type="first">M</forename><forename type="middle">R</forename><surname>Schroeder</surname></persName></author><author><persName><forename type="first">G</forename><forename type="middle">M</forename><surname>Sessler</surname></persName></author><imprint><date type="published" when="1965"></date><biblScope unit="page">32</biblScope><pubPlace>ICA V, Proceedings, lb</pubPlace></imprint></monogr></biblStruct><biblStruct><monogr><title level="m" type="main">Evaluation objective de l'Acoustique des Salles</title><author><persName><forename type="first">V</forename><surname>Furdujeff</surname></persName></author><imprint><date type="published" when="1965"></date><pubPlace>ICA V, Proceedings, II</pubPlace></imprint></monogr></biblStruct><biblStruct><analytic><title level="a" type="main">Some results of pulsed measurements in auditoria</title><author><persName><forename type="first">L</forename><forename type="middle">P</forename><surname>Preizer</surname></persName></author></analytic><monogr><title level="j">Soviet Physics-Acoustics</title><imprint><biblScope unit="volume">11</biblScope><biblScope unit="page">305</biblScope><date type="published" when="1966"></date></imprint></monogr></biblStruct><biblStruct><monogr><title level="m" type="main">The building-up process of sound pulses in a room and its relation to concert hall quality</title><author><persName><forename type="first">V</forename><forename type="middle">L</forename><surname>Jordan</surname></persName></author><imprint><date type="published" when="1961"></date><biblScope unit="page">922</biblScope><pubPlace>1CA IV, II</pubPlace></imprint></monogr></biblStruct><biblStruct><analytic><title level="a" type="main">Acoustical considerations concerning New York State Theater</title><author><persName><forename type="first">V</forename><forename type="middle">L</forename><surname>Jordan</surname></persName></author></analytic><monogr><title level="j">J. 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