History, Empire, Opera
Identifieur interne : 000F23 ( Istex/Corpus ); précédent : 000F22; suivant : 000F24History, Empire, Opera
Auteurs : Linda Hutcheon ; Michael HutcheonSource :
- Arcadia – International Journal for Literary Studies [ 0003-7982 ] ; 2003-10-14.
Abstract
The Battle of the Nile in 1798 may have dashed France's hopes of taking India, but it set the stage, so to speak, for a form of aesthetic and mimetic colonization of it through the theatrical and musical discourses of opera. In nineteenth-century France, opera was one of a series of discursive practices that helped the nation restore its prestige by appropriating culturally what it failed to conquer militarily. Curiously, however, in doing so it engaged the Parisian public's (well documented) contradictory responses to the entire idea of empire: desire mixed with anxiety.
Url:
DOI: 10.1515/arca.38.2.266
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ISTEX:BD84246350F893A5F31EE6917829069C186BA2EFLe document en format XML
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