Égypte < États-Unis

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 283.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000004 (2013)	Kendra Preston Leonard [États-Unis]	Significations of Religious Desire in Louise Talma’s The Alcestiad
000006 (2013)	Sergei I. Zhuk [États-Unis]	Popular Religiosity in the “Closed City” of Soviet Ukraine: Cultural Consumption and Religion during Late Socialism, 1959-1984
000011 (2013)	Paul Schofield [États-Unis]	Die Sieger and Die Wibelungen: How Parsifal is the Fifth Opera of Wagner’s Ring
000036 (2012)	Robert M. Marsh [États-Unis]	Musical Taste And Social Structure In Taiwan
000061 (2012)	L. Moore [Allemagne, États-Unis] ; Florian Steinke [Allemagne] ; Volker Tresp [Allemagne]	A Novel Metric for Information Retrieval in Semantic Networks
000075 (2011)	Adrian Daub [États-Unis]	The Power of the Verfluchte Lohe: (Post-)Wagnerian Redheads and the Coherence of the Gesamtkunstwerk in Das Rheingold, Fredigundis, and Irrelohe
000086 (2011)	Lisa Mwaikambo ; Ilene S. Speizer [États-Unis] ; Anna Schurmann ; Gwen Morgan [Kenya] ; Fariyal Fikree	What Works in Family Planning Interventions: A Systematic Review
000092 (2011)	Masha Mimran [États-Unis]	Through the Looking‐Glass: Joyce’s ‘Circe’, Flaubert’s Madame Bovary and the Poetics of Vision
000112 (2011)	Bok Yeon Jo [Corée du Sud] ; Woongghi Shin [Corée du Sud] ; Sung Min Boo [Corée du Sud] ; Han Soon Kim [Corée du Sud] ; Peter A. Siver [États-Unis]	STUDIES ON ULTRASTRUCTURE AND THREE‐GENE PHYLOGENY OF THE GENUS MALLOMONAS (SYNUROPHYCEAE)
000127 (2011)	Youyoung Kang [États-Unis]	Monteverdi's Early Seventeenth‐Century‘Harmonic Progressions’
000142 (2011)	Ning Yu [États-Unis]	Beijing Olympics and Beijing opera: A multimodal metaphor in a CCTV Olympics commercial
000157 (2010)	Edith Law [États-Unis] ; Burr Settles [États-Unis] ; Tom Mitchell [États-Unis]	Learning to Tag from Open Vocabulary Labels
000160 (2010)	Michele Cabrini [États-Unis]	Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata
000165 (2010)	Andrew Moravcsik [États-Unis]	The Stuttgart Ring on DVD: A Review PortfolioEveryday Totalitarianism: Reflections on the Stuttgart Ring
000166 (2010)	Weihong Bao [États-Unis]	The Politics of Remediation: Mise-en-scne and the Subjunctive Body in Chinese Opera Film
000169 (2010)	Anna Nisnevich [États-Unis]	Temporary Floods, Eternal Returns: Opera, Technology, and History in Two Films of Alexander Sokurov
000170 (2010)	Julia L. Foulkes [États-Unis]	Streets and Stages: Urban Renewal and the Arts after World War II
000171 (2010)	Michael Markham [États-Unis]	Sarrasine's Failure, Campaspe's Lament: Solo Song and the Ends of Material Reproduction
000177 (2010)	Kristine Harris [États-Unis]	Re-makes/Re-models: The Red Detachment of Women between Stage and Screen
000184 (2010)	Jiang Qing [États-Unis]	On the Revolution in Peking Opera (Tan Jingju geming)
000185 (2010)	Hui Shi [États-Unis]	Notes about Directing Married to a Heavenly Immortal

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