| 000A96 (1997) |
Kurt Wurmli | Theater in the Sky: Philippe Petit's Unique Art of Theatrical Highwire Performance |
| 000B24 (1997) |
Margaret Benton | Capturing Performance at London’s Theatre Museum |
| 000182 (2010) |
Hanqun Song [Hong Kong] ; Catherine Cheung [Hong Kong] | Attributes affecting the level of tourist satisfaction with and loyalty towards theatrical performance in China: Evidence from a qualitative study |
| 000308 (2008) |
Robert D. Hume | Theatre as Property in Eighteenth‐Century London |
| 000559 (2005) |
Barry Stephenson [Canada] | The Kōan as Ritual Performance |
| 000629 (2005) |
Rebecca Rovit [États-Unis] | Cultural Ghettoization and Theater during the Holocaust: Performance as a Link to Community |
| 000755 (2003) |
Janet Huskinson | THEATRE, PERFORMANCE AND THEATRICALITY IN SOME MOSAIC PAVEMENTS FROM ANTIOCH* |
| 000948 (2000) |
Kalissa Alexeyeff | Dragging Drag: The Performance of Gender and Sexuality in the Cook Islands |
| 000A10 (1999) |
David A. B. Murray | Cultural Scripts of Language and Sexuality in Martinican Theater: The Improvisational Impasse |
| 000D28 (1993) |
Lizbeth Goodman | Death and dancing in the Live Arts: performance, politics and sexuality in the age of AIDS |
| 000E41 (1990) |
Karen Clemente [États-Unis] | Playing with Performance: The Element of the Game in Experimental Dance and Theater |
| 001006 (1985) |
Günter Berghaus | DADA THEATRE OR: THE GENESIS OF ANTI‐BOURGEOIS PERFORMANCE ART |
| 001031 (1984) |
Joseph Rubenstein [États-Unis] | Ritual Healing and Performance |
| 001159 (1979) |
James T. Brink | Invocation of the Theatrical Frame in Bamana Drama Performance |
| 000021 (2012) |
Yin-Tzu Lin [République populaire de Chine, Taïwan] ; Shuen-Huei Guan [République populaire de Chine, Taïwan] ; Yuan-Chang Yao [République populaire de Chine] ; Wen-Huang Cheng [République populaire de Chine, Taïwan] ; Ja-Ling Wu [République populaire de Chine, Taïwan] | U-Drumwave: An Interactive Performance System for Drumming |
| 000093 (2011) |
Stephen Bruce Preece [Canada] | Coming soon to a live theater near you: performing arts trailers as paratexts |
| 000096 (2011) |
Brigitte Biehl-Missal | Business is Show Business: Management Presentations as Performance |
| 000128 (2010) |
Caroline Van Eck ; Stijn Bussels | The Visual Arts and the Theatre in Early Modern Europe |
| 000133 (2010) |
Theresa Saxon | The Art of Theatre in Nineteenth‐Century America: George L. Fox, Pantomime and Artaud |
| 000136 (2010) |
Jasper Hsieh [Taïwan] | Strategic stakeholder orientations and performance consequences—a case of private nonprofit performing arts in the US |
| 000161 (2010) |
Marjorie Rubright [Canada] | Going Dutch in London City Comedy: Economies of Sexual and Sacred Exchange in John Marston'sThe Dutch Courtesan (1605) |
| 000252 (2009) |
Allan Baumer [États-Unis] ; Brian Magerko [États-Unis] | Narrative Development in Improvisational Theatre |
| 000309 (2008) |
Emily Butterworth | The work of the devil? Theatre, the supernatural, and Montaigne's public stage |
| 000317 (2008) |
Tzachi Zamir | The Art of Theater by hamilton, james r |
| 000324 (2008) |
Rebecca Scollen [Australie] | Regional voices talk theatre: audience development for the performing arts |
| 000330 (2008) |
Terry Giles ; William Doan | Performance Criticism of the Hebrew Bible |
| 000345 (2008) |
Joshua Tanenbaum [Canada] ; Karen Tanenbaum [Canada] | Improvisation and Performance as Models for Interacting with Stories |
| 000347 (2008) |
Blair J. Roodenrys [Australie] | How are high school studies related to performance in a psychology degree? |
| 000351 (2008) |
Jennie Klein | EMBODIED ACTS: BOOKS ON PERFORMANCE edited by Tanya Mars, Johanna Householder, Peta Tait, Petra Kuppers, Midori Yoshimoto, Marquard Smith and Joanne Morra |
| 000428 (2007) |
Deborah Dean | Performing industrial relations: the centrality of gender in regulation of work in theatre and television |
| 000478 (2006) |
Tiffany Stern [Royaume-Uni] | ”On each Wall and Corner Poast”: Playbills, Title‐pages, and Advertising in Early Modern London |
| 000504 (2006) |
Kevin M. Leander [États-Unis] ; Deborah Wells Rowe [États-Unis] | Mapping literacy spaces in motion: A rhizomatic analysis of a classroom literacy performance |
| 000510 (2006) |
Miranda Welby-Everard | Imaging the Actor: the Theatre of Claude Cahun |
| 000652 (2005) |
Christopher Howard [États-Unis] | ANA MENDIETA: EARTH BODY, SCULPTURE AND PERFORMANCE, 1972–1985 |
| 000753 (2003) |
Jean N. Baker | The Proclamation Society, William Mainwaring and the Theatrical Representations Act of 1788 |
| 000796 (2003) |
Roy Hawkey | All the (Natural) World's a Stage: Museum Theater as an Educational Tool |
| 000819 (2002) |
Ruba Salih [Italie] | Reformulating tradition and modernity: Moroccan migrant women and the transnational division of ritual space |
| 000874 (2001) |
Jacqualine Pagani | MIXING ART AND LIFE: The Conundrum of the Avant‐Garde's Autonomous Status in the Performance Art World of Los Angeles |
| 000975 (1999) |
Diana Donald | ‘Beastly Sights’: the treatment of animals as a moral theme in representations of London c. 1820–1850 |
| 000A15 (1999) |
Kim Dunphy | A creative arts performance program for incarcerated women |
| 000B10 (1997) |
Mary Thomas Crane | Linguistic Change, Theatrical Practice, and the Ideologies of Status in As You Like It |
| 000B13 (1997) |
John K. Christiansen ; Peter Sk Rb K | Implementing budgetary control in the performing arts: games in the organizational theatre |
| 000B65 (1996) |
Paula Karhunen [Finlande] | The interaction between artists' professional training and employment in the field of finnish theatre |
| 000C35 (1995) |
Laurence Kitching | GERMAN‐LANGUAGE THEATRE IN REVAL, ESTONIA DURING SWEDISH RULE: UNPUBLISHED PETITIONS OF STROLLING PLAYERS 1630‐1692 |
| 000C71 (1994) |
James M. Edie [États-Unis] | The philosophical framework of Sartre's theory of the theater |
| 000E33 (1990) |
J. M. Ritchie | WILLETT'S WEIMAR THEATRE |
| 000E34 (1990) |
Charles Holcombe | Theater of Combat: A Critical Look at the Chinese Martial Arts |
| 000E37 (1990) |
Lisa St. Clair Harvey | Temporary Insanity: Fun, Games, and Transformational Ritual in American Music Video |
| 000E42 (1990) |
C. D. Throsby | Perception of quality in demand for the theatre |
| 000F86 (1986) |
Edith L. B. Turner | ENCOUNTER WITH NEUROBIOLOGY: THE RESPONSE OF RITUAL STUDIES |
| 001003 (1985) |
Ross Kidd | Popular theatre and nonformal education in the Third World: Five strands of experience |
| 001034 (1984) |
Joyce Aschenbrenner [États-Unis] | Public Ritual in an Urban Setting |
| 001041 (1984) |
Kees Epskamp | Going ‘Popular’ with Culture: Theatre as a Small–Scale Medium in Developing Countries |
| 001087 (1982) |
Susan Duffy | Persuasion and Uplift in American Theatrical Advertising During the Depression |
| 001178 (1978) |
John. R. Clark ; William E. Morris | Scherzo, Forte, & Bravura: Satire In America's Musical Theater |
| 001187 (1978) |
Harriet Deer [États-Unis] ; Irving Deer | Musical Comedy: From Performer to Performance |
| 001201 (1976) |
Richard C. Webb | Toward a Popular Theatre: Le Grand Magic Circus |
| 001346 (1942) |
John J. Honigmann [États-Unis] | AN INTERPRETATION OF THE SOCIAL‐PSYCHOLOGICAL FUNCTIONS OF THE RITUAL CLOWN |
