| 000738 (2003) |
Femi Abodunrin ; Ian Henderson ; Bernadette Brennan ; Richard Lane ; Chester St H. Mills ; Ashok Bery ; Nelson Wattie | XVII New Literatures |
| 000806 (2002) |
Femi Abodunrin ; Noel Rowe ; Jennifer Moore ; Richard Lane ; Chester St H. Mills ; Phillip Langran ; Nelson Wattie | XVII New Literatures |
| 000224 (2009) |
Kirstine Moffat [Nouvelle-Zélande] | The Piano as Cultural Symbol in Colonial New Zealand |
| 000336 (2008) |
Gerald R. Williams [États-Unis] ; Larry C. Farmer [États-Unis] ; Melissa Manwaring [États-Unis] | New Technology Meets an Old Teaching Challenge: Using Digital Video Recordings, Annotation Software, and Deliberate Practice Techniques to Improve Student Negotiation Skills |
| 000505 (2006) |
Penelope J. Corfield [Royaume-Uni] | M. J. D. Roberts. Making English Morals: Voluntary Association and Moral Reform in England, 1787–1886. (Cambridge Social and Cultural Histories, number 2.) New York: Cambridge University Press. 2004. Pp. xiii, 321. $75.00. |
| 000518 (2006) |
Martin S. Brook [Royaume-Uni] ; Martin P. Kirkbride [Royaume-Uni] ; Ben W. Brock [Royaume-Uni] | Cirque development in a steadily uplifting range: rates of erosion and long‐term morphometric change in alpine cirques in the Ben Ohau Range, New Zealand |
| 000547 (2005) |
Peter Skilling | Trajectories of Arts and Culture Policy in New Zealand |
| 000548 (2005) |
Kevin Fox Gotham [États-Unis] | Tourism from Above and Below: Globalization, Localization and New Orleans's Mardi Gras |
| 000550 (2005) |
Eileen Carlton Culton ; Benjamin Holtzman | Thompson, Stacy. Punk Productions: Unfinished Business. New York: State U of New York P, 2004 |
| 000610 (2005) |
Eileen Carlton O'Connor [Canada] | Kruse, Holly. Site and Sound: Understanding Independent Music Scenes. New York: Peter Lang, 2003 |
| 000632 (2005) |
Sara Kramer | Crazy Horse, Kandia, ed. Rip It Up: The Black Experience in Rock ’n’ Roll. New York: Palgrave Macmillan, 2003 |
| 000671 (2004) |
David Lipset [États-Unis] | ‘The trial’:1 a parody of the law amid the mockery of men in post‐colonial Papua New Guinea |
| 000700 (2004) |
Elizabeth Strom [États-Unis] ; Angela Cook [États-Unis] | Old Pictures in New Frames: Issue Definition and Federal Arts Policy |
| 000728 (2004) |
Rebecca Stimeling [États-Unis] | Barbara Ching. Wrong's What I Do Best: Hard Country Music and Contemporary Culture. New York: Oxford UP, 2001 |
| 000767 (2003) |
Marc Bekoff [États-Unis] | Minding Animals, Minding Earth: Old Brains, New Bottlenecks |
| 000837 (2002) |
Felice Batlan | A Reevaluation of the New York Court of Appeals: The Home, the Market, and Labor, 1885‐1905 |
| 000862 (2001) |
Margaret Malamud | The Greatest Show on Earth: Roman Entertainments in Turn‐of‐the‐Century New York City |
| 000990 (1999) |
Helen A. Regis | Second Lines, Minstrelsy, and the Contested Landscapes of New Orleans Afro‐Creole Festivals |
| 000A60 (1998) |
N. Potter Jr. [États-Unis] ; E. J. Steig [États-Unis] ; D. H. Clark [États-Unis] ; M. A. Speece [États-Unis] ; G. M. Clark [États-Unis] ; Arika B. Updike [États-Unis] | Galena Creek rock glacier revisited—new observations on an old controversy |
| 000B68 (1996) |
Alastair Bonnett [Royaume-Uni] | THE NEW PRIMITIVES: IDENTITY, LANDSCAPE AND CULTURAL APPROPRIATION IN THE MYTHOPOETIC MEN'S MOVEMENT |
| 000F61 (1987) |
Marlene Pitkow | A Temple for Tourists in New York's Chinatown |
| 000176 (2010) |
Jacinthe Rivard ; Guy Bourgeault ; Céline Mercier | Cirque du Monde in Mexico City: breathing new life into action for young people in difficult situations |
| 000250 (2009) |
Jens Förster [Pays-Bas] | Opening doors for new research questions: On simulatability |
| 000273 (2009) |
Mark Lorenzen [Danemark] ; Kristina Vaarst Andersen [Danemark] | Centrality and Creativity: Does Richard Florida's Creative Class Offer New Insights into Urban Hierarchy? |
| 000355 (2008) |
Mihela Erjavec ; Pauline J. Horne | DETERMINANTS OF IMITATION OF HAND‐TO‐BODY GESTURES IN 2‐ AND 3‐YEAR‐OLD CHILDREN |
| 000374 (2008) |
Ok Nam Park [États-Unis] ; Sam Gyun Oh [Corée du Sud] | A new design structure for a classification system in Korean Traditional Performing Arts |
| 000411 (2007) |
Ann Gallagher [Royaume-Uni] | The Role of the Arts in Mental Health Nursing Emperor's New Suit or Magic Pill? |
| 000429 (2007) |
Dorothy K. Billings | New Ireland Malanggan Art: A Quest for Meaning |
| 000745 (2003) |
Martin Hachet [France] ; Pascal Guitton [France] | Using Virtual Reality for ”New Clowns” |
| 000809 (2002) |
Robert Sugarman | The New Circus: The Next Generation |
| 000812 (2002) |
Chris Gibson | Rural Transformation and Cultural Industries: Popular Music on the New South Wales Far North Coast |
| 000869 (2001) |
Nancy Wolcott | New World School of the Arts: Creativity Across the Curriculum |
| 000870 (2001) |
Bruce Grant | New Moscow Monuments, or, States of Innocence |
| 000920 (2000) |
Gordon Bell [Royaume-Uni] | Towards a New Art Curriculum: Reflections on Pot Fillers and Fire Lighters |
| 000A05 (1999) |
Elizabeth Strom [États-Unis] | Let's Put On a Show! Performing Arts and Urban Revitalization in Newark, New Jersey |
| 000C19 (1995) |
Christopher Hewitt [États-Unis] | The Socioeconomic Position of Gay Men: A Review of the Evidence |
| 000D21 (1993) |
Albert Yonas ; Brenda Hartman | Perceiving the Affordance of Contact in Fourand Five‐Month‐Old Infants |
| 000F10 (1988) |
Katharine Muller | New world school of the arts: Beyond dual enrollment |
| 000F45 (1987) |
Linda B. Robertson [États-Unis] ; Margot Blum Schevill [États-Unis] ; James M. Nyce [États-Unis] ; Linda Parker Elbers [États-Unis] | Reviews, Catalogues & New Publications |
| 001358 (1936) |
| New publications |
