| Ident. | Authors (with country if any) | Title |
|---|
| 000045 |
Francesco Ventrella | Under the Hat of the Art Historian: Panofsky, Berenson, Warburg |
| 000065 |
Thomas Storck [États-Unis] | Seeking Beauty in Art: Some Implicationsof a Thomistic Statement about Glass Saws |
| 000070 |
Michael J. Ryan [États-Unis] | Pueblo street fighting to national martial art: Nation building and the nationalization of a Venezuelan civilian combative practice |
| 000086 |
Monica E. Madyaningrum [Indonésie] ; Christopher Sonn [Australie] | Exploring the meaning of participation in a community art project: A case study on the Seeming project |
| 000129 |
Brigitte Derlon ; Monique Jeudy-Ballini | The Theory of Enchantment and the Enchantment of Theory: the Art of Alfred Gell |
| 000133 |
Theresa Saxon | The Art of Theatre in Nineteenth‐Century America: George L. Fox, Pantomime and Artaud |
| 000140 |
Matthias Bode [Danemark] | Showing doing. The art–science debate in a performative perspective |
| 000173 |
Antony Eastmond | Consular Diptychs, Rhetoric and the Languages of Art in Sixth‐Century Constantinople |
| 000183 |
Vanessa Mathews [Canada] | Aestheticizing Space: Art, Gentrification and the City |
| 000258 |
Noël Carroll | LES CULS‐DE‐SAC OF ENLIGHTENMENT AESTHETICS: A METAPHILOSOPHY OF ART |
| 000277 |
Dr Daniele Conversi | Art, Nationalism and War: Political Futurism in Italy (1909–1944) |
| 000278 |
Scott Lamont ; Scott Brunero ; Dianne Sutton [Australie] | Art psychotherapy in a consumer diagnosed with borderline personality disorder: A case study |
| 000320 |
Jamie Ward [Royaume-Uni] ; Daisy Thompson-Lake [Royaume-Uni] ; Roxanne Ely [Royaume-Uni] ; Flora Kaminski [Royaume-Uni] | Synaesthesia, creativity and art: What is the link? |
| 000334 |
Noël Carroll [États-Unis] | ON THE AESTHETIC FUNCTION OF ART |
| 000353 |
Glenn Parsons | Destination Art by dempsey, amyTopographies by sallis, john |
| 000354 |
Michelle Lavigne | Defining Art, Creating the Canon: Artistic Value in an Era of Doubt by crowther, paul |
| 000356 |
Victoria D. Alexander | Cultural Organizations and the State: Art and State Support in Contemporary Britain |
| 000360 |
Seija Karppinen | Craft‐Art as a Basis for Human Activity |
| 000395 |
Tapati Guha-Thakurta | ‘OUR GODS, THEIR MUSEUMS’:1 THE CONTRARY CAREERS OF INDIA'S ART OBJECTS |
| 000406 |
Francis Martin Jr. | To Ignore Is to Deny: E. W. Kemble's Racial Caricature as Popular Art |
| 000421 |
Theodore Gracyk | Searching for the ‘Popular’ and the ‘Art’ of Popular Art |
| 000429 |
Dorothy K. Billings | New Ireland Malanggan Art: A Quest for Meaning |
| 000432 |
Jeffrey Wilson [États-Unis] | Museum Skepticism: A History of the Display of Art in Public Galleries by carrier, david |
| 000446 |
Natalie M. Underberg ; Kristin G. Congdon | Folkvine.org: Ethnographic Storytelling in Folk Art Web Design |
| 000464 |
Rimgaila Salys | Art Deco Aesthetics in Grigorii Aleksandrov's The Circus |
| 000525 |
Geraldine Brennan [Royaume-Uni] | Art Education and the Visual Arts in Botswana |
| 000545 |
Patricia R. Andrew [Royaume-Uni] | WILLIAM HODGES, 1744–1797: THE ART OF EXPLORATION |
| 000560 |
Mantri Sivananda | The Fashioning of Middle‐Class America: Sartain's Union Magazine of Literature and Art and Antebellum Culture |
| 000580 |
Sara Miyakawa | Schloss, Joseph G. Making Beats: The Art of Sample‐Based Hip‐Hop. Middletown, CT: Wesleyan UP, 2004 |
| 000643 |
Constantijn Koopman | Art as Fulfilment: on the Justification of Education in the Arts |
| 000678 |
Tracie E. Costantino | Training aesthetic perception: John Dewey on the educational role of art museums |
| 000696 |
Fiona Blaikie ; Diederik Schönau [Pays-Bas] ; John Steers [Royaume-Uni] | Preparing for Portfolio Assessment in Art and Design: A Study of the Opinions and Experiences of Exiting Secondary School Students in Canada, England and The Netherlands |
| 000699 |
Holt N. Beekman | Paul Lopes. The Rise of a Jazz Art World. Cambridge: Cambridge UP, 2002 |
| 000719 |
Madeleine Korn | Exhibitions of modern French art and their influence on collectors in Britain 1870–1918: the Davies sisters in context |
| 000769 |
Robyn Gibson [Australie] | Learning to be an Art Educator: Student Teachers’ Attitudes to Art and Art Education |
| 000794 |
Nina Schleif | Art lost to spectacle |
| 000824 |
Richard Lloyd [États-Unis] | Neo–Bohemia: Art and Neighborhood Redevelopment in Chicago |
| 000836 |
Nick Zangwill [Royaume-Uni] | Are There Counterexamples to Aesthetic Theories of Art? |
| 000874 |
Jacqualine Pagani | MIXING ART AND LIFE: The Conundrum of the Avant‐Garde's Autonomous Status in the Performance Art World of Los Angeles |
| 000920 |
Gordon Bell [Royaume-Uni] | Towards a New Art Curriculum: Reflections on Pot Fillers and Fire Lighters |
| 000943 |
Mike Radford | Making Sense in Art Lessons |
| 000950 |
Robert J. Graburn [États-Unis] | Canadian Inuit Art and Coops: Father Steinman of Povungnituk |
| 000952 |
Alan Kay [Royaume-Uni] | Art and community development: the role the arts have in regenerating communities |
| 000953 |
Mimi Marinovic [Chili] ; Elina Carbonell [Chili] | A psychological study of Chilean actors’ views of their art |
| 000977 |
Suzanne Stiegelbauer [Canada] | Without Art the World Would Be a Blank Piece of Nothing (elementary student comment) |
| 000980 |
Paul Wainwright [Royaume-Uni] | The art of nursing |
| 000A11 |
Marjo R S Nen [Finlande] | Building Bridges: Experiential Art Understanding |
| 000A76 |
Rosalind I. J. Hackett [États-Unis] | Art as Neglected ‘Text’ for the Study of Gender and Religion in Africa |
| 000A77 |
Martin R. Seel | Art as Appearance: Two Comments on Arthur C. Danto's After the End of Art |
| 000A96 |
Kurt Wurmli | Theater in the Sky: Philippe Petit's Unique Art of Theatrical Highwire Performance |
| 000B09 |
B. Smith [Royaume-Uni] | Live art's digital horizons: recording recent developments in live art practices |
| 000B92 |
Amy Mullin [Canada] | ART, POLITICS AND KNOWLEDGE: FEMINISM, MODERNITY, AND THE SEPARATION OF SPHERES |
| 000C24 |
Madeleine R. Grumet | SOMEWHERE UNDER THE RAINBOW: THE POSTMODERN POLITICS OF ART EDUCATION |
| 000C48 |
Anita Reardon | Art and Environmental Awareness: A Gloucestershire Case Study |
| 000C91 |
Phoebe M. Dufrene ; Victoria D. Coleman | Art and Healing for Native American Indians |
| 000C92 |
Maggie Rogers ; Jacky Plaster | Art Education in Initial Teacher Education: A Negotiated Education |
| 000C93 |
Lars Lindstrom | Art Education for Understanding: Goodman, Arts PROPEL, and DBAE |
| 000C97 |
Peter S. Li | A world apart: The multicultural world of visible minorities and the art world of Canada |
| 000D96 |
Jerrold Levinson [États-Unis] ; Philip Alperson | What Is a Temporal Art? |
| 000E12 |
John Steers | Current Issues in Art and Design Education: the Future of the Arts in Schools |
| 000E36 |
William S. Hendon | The General Public's Participation in Art Museums: |
| 000F18 |
John Steers | Art and Design in the National Curriculum |
| 000F35 |
Gary Edgerton | The Transformation of Art and Culture in America During the Communication Revolution |
| 000F50 |
Sue Robertson | Current Issues in Art and Design Education: the Professional Arts Organisation |
| 001006 |
Günter Berghaus | DADA THEATRE OR: THE GENESIS OF ANTI‐BOURGEOIS PERFORMANCE ART |
| 001089 |
Robert A. Stebbins | Making Magic: Production of a Variety Art |
| 001096 |
| Art in the arms of power |
| 001097 |
Frank Dobson ; David Jackson | Art and the Pre‐adolescent Child: Applying Robert Witkin's Theory of Subject‐Reflexive Action to the Primary School |
| 001164 |
Alan Gowans | CHILD ART AS AN INSTRUMENT FOR STUDYING HISTORY: The Case for an ‘Ontogeny Repeats Phylogeny’ Paradigm in Universal History |
| 001172 |
Toni Flores Fratto | Undefining art: Irrelevant categorization in the anthropology of aesthetics |
| 001176 |
Georges Fradier | The Georges Pompidou National Centre for Art and Culture, Paris |
| 001209 |
Milton C. Cummings Jr. | GOVERNMENT AND THE ARTS: POLICY PROBLEMS IN THE FIELDS OF ART, LITERATURE, AND MUSIC |
| 001256 |
Michael Kustow | Profiles and situations of some museums of contemporary art |
| 001257 |
Michael Kustow | Profiles and situations of some museums of contemporary art |
