Australie And NotHoward K. Hall
List of bibliographic references
Number of relevant bibliographic references: 40.| Ident. | Authors (with country if any) | Title |
|---|---|---|
| 000032 | Marshall Clark [Australie] | Indonesia’s Jemek Supardi: From pickpocket to mime artist |
| 000086 | Monica E. Madyaningrum [Indonésie] ; Christopher Sonn [Australie] | Exploring the meaning of participation in a community art project: A case study on the Seeming project |
| 000146 | P. A. Danaher [Australie] | Places and Spaces for Circus Performers and Show People as Australian Migratory Workers |
| 000188 | Adrian Vickers [Australie] | When did legong start? A reply to Stephen Davies |
| 000227 | John Golder [Australie] | The Hôtel de Bourgogne in 1760: Some Previously Unpublished Drawings by Louis‐Alexandre Girault |
| 000278 | Scott Lamont ; Scott Brunero ; Dianne Sutton [Australie] | Art psychotherapy in a consumer diagnosed with borderline personality disorder: A case study |
| 000302 | Chris Gibson [Australie] | Youthful Creativity in Regional Australia: Panacea for Unemployment and Out‐Migration? |
| 000324 | Rebecca Scollen [Australie] | Regional voices talk theatre: audience development for the performing arts |
| 000333 | Jill Maglio [Australie] ; Carol Mckinstry [Australie] | Occupational therapy and circus: Potential partners in enhancing the health and well‐being of today's youth |
| 000347 | Blair J. Roodenrys [Australie] | How are high school studies related to performance in a psychology degree? |
| 000350 | Jillian Hamilton [Australie] | Embodied Communication in the Distributed Network |
| 000359 | Pamela Burnard [Royaume-Uni] ; Julie White [Australie] | Creativity and performativity: Counterpoints in British and Australian education |
| 000381 | Marty Branagan [Australie] | The last laugh: humour in community activism |
| 000393 | Gerry Bloustien [Australie] | ‘Wigging people out’: youth music practice and mediated communities |
| 000396 | Glenda Macnaughton [Australie] ; Patrick Hughes [Australie] ; Kylie Smith [Australie] | Young Children's Rights and Public Policy: Practices and Possibilities for Citizenship in the Early Years |
| 000430 | Melissa Permezel [Australie] ; Michelle Duffy [Australie] | Negotiating the Geographies of Cultural Difference in Local Communities: Two Examples from Suburban Melbourne |
| 000448 | Margee Hume [Australie] ; Gillian Sullivan Mort [Australie] ; Hume Winzar [Australie] | Exploring repurchase intention in a performing arts context: who comes? and why do they come back? |
| 000456 | Kevin M. Downard [Australie] | Cavendish's crocodile and dark horse: The lives of Rutherford and Aston in parallel |
| 000485 | Louise Johnson [Australie] | Valuing the Arts: Theorising and Realising Cultural Capital in an Australian City |
| 000507 | Lily Kong ; Chris Gibson [Australie] ; Louisa-May Khoo ; Anne-Louise Semple [Canada] | Knowledges of the creative economy: Towards a relational geography of diffusion and adaptation in Asia |
| 000509 | Megan Cardamone [Australie] ; Ruth Rentschler [Australie] | Indigenous innovators: the role of web marketing for cultural micro‐enterprises |
| 000527 | Sarah E. Agnew [Australie] ; Martine B. Powell [Australie] ; Pamela C. Snow [Australie] | An examination of the questioning styles of police officers and caregivers when interviewing children with intellectual disabilities |
| 000740 | Reginald Magee [Australie] | Writings of Daniel Turner and his views on the practice of surgery |
| 000743 | S. Blows [Australie] ; R Q Ivers [Australie] ; M. Woodward [Australie] ; J. Connor [Nouvelle-Zélande] ; S. Ameratunga [Nouvelle-Zélande] ; R. Norton [Australie] | Vehicle year and the risk of car crash injury |
| 000746 | P. Dunbar All [Australie] | Tradisi and Turisme: Music, Dance, and Cultural Transformation at the Ubud Palace, Bali, Indonesia |
| 000769 | Robyn Gibson [Australie] | Learning to be an Art Educator: Student Teachers’ Attitudes to Art and Art Education |
| 000807 | Heath Mcdonald [Australie] ; Paul Harrison [Australie] | The marketing and public relations practices of Australian performing arts presenters |
| 000818 | Ruth Rentschler [Australie] ; Jennifer Radbourne [Australie] ; Rodney Carr [Australie] ; John Rickard [Australie] | Relationship marketing, audience retention and performing arts organisation viability |
| 000850 | David Throsby [Australie] | Defining the artistic workforce: The Australian experience |
| 000860 | Penelope Latey [Australie] | The Pilates method: history and philosophy |
| 000894 | Barry Harper [Australie] ; John G. Hedberg [Australie] ; Rob Wright [Australie] | Who benefits from virtuality? |
| 000904 | Patrick Alan Danaher [Australie] | Guest editor's introduction |
| 000908 | Mark St Leon [Australie] | Educational practice in Australian circus, 1847–1930 |
| 000913 | Beverley J. Moriarty [Australie] | Australian circuses as cooperative communities |
| 000988 | Chris Gibson [Australie] | Subversive sites: rave culture, spatial politics and the internet in Sydney, Australia |
| 000B22 | Martine B. Powell [Australie] ; Donald M. Thomson [Australie] | Contrasting Memory for Temporal‐Source and Memory for Content in Children's Discrimination of Repeated Events |
| 000B82 | David Throsby [Australie] | Economic circumstances of the performing artist: Baumol and Bowen thirty years on |
| 000C16 | Raymond Evans [Australie] | “Buddy, Can You Spare a Paradigm?” Popular Cultural Studies in Australian History |
| 000D00 | Warren R. Lett [Australie] | Therapist creativity: The arts of supervision |
| 000F99 | David Throsby [Australie] ; Glenn Withers [Australie] | What price culture? |
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