1540-5915 < 1540-5931 < 1540-594X

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List of bibliographic references

Number of relevant bibliographic references: 93.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000002 (1999)	Mark St. Leon	Yankee Circus to the Fabled Land: The Australian‐American Circus Connection
000003 (1992)	Yoram S. Carmeli [Israël]	From Curiosity to Prop—A Note on the Changing Cultural Significances of Dwarves' Presentations in Britain
000005 (2003)	Nancy D. Hargrove	T. S. Eliot and Popular Entertainment in Paris, 1910–1911
000006 (1984)	Nicolas Kanellos	A Brief Overview of the Mexican‐American Circus in the Southwest
000012 (1986)	Scott T. Cummings	Big Circus, Little Circus
000013 (1999)	Wendy Holland	Reimagining Aboriginality in the Circus Space
000016 (1973)	Paul A. Bouissac	Myths vs. Rites: A Study of “Wild” Animal Displays in Circuses and Zoos*
000017 (1973)	James A. Inciardi ; David M. Petersen	Gaff Joints and Shell Games: A Century of Circus Grift
000018 (2001)	Margaret Malamud	The Greatest Show on Earth: Roman Entertainments in Turn‐of‐the‐Century New York City
000023 (1995)	Kenneth Little [Canada]	Surveilling Cirque Archaos: Transgression and the Spaces of Power in Popular Entertainment
000024 (1995)	Yoram S. Carmeli [Israël]	The Invention of Circus and Bourgeois Hegemony: A Glance at British Circus Books
000031 (1976)	Alvin Goldfarb	Gigantic and Miniscule Actors on the Nineteenth‐Century American Stage
000036 (1991)	Arthur Chandler	On the Symbolism of Juggling: The Moral and Aesthetic Implications of the Mastery of Falling Objects
000037 (1975)	George F. Rehin	Harlequin Jim Crow: Continuity and Convergence in Blackface Clowning
000039 (1986)	Jane Freddy	Costumes and Clowns: Bizarre Projects of Norman Bel Geddes
000042 (1980)	Gregory Green	Show‐Man
000053 (1971)	Patrick B. Mullen	E. E. Cummings and Popular Culture
000055 (2001)	Yoram Carmeli	Circus Play, Circus Talk, and the Nostalgia for a Total Order
000057 (2007)	María De Jesus González ; Jesse Sloan	María Izquierdo: Images of the Circus
000061 (2011)	Philip Booth	Fellini's La Strada as Transitional Film: The Road From Classical Neorealism to Poetic Realism
000062 (1981)	Russel B. Nye	Eight Ways of Looking at an Amusement Park

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