0190-292X < 0191-1813 < 0191-8575

Facettes : Author.f AffPays.f AffOrg.f AffRegion.f AffVille.f

List of bibliographic references

Number of relevant bibliographic references: 33.
[0-20] [0 - 20][0 - 33][20-32][20-40]

Ident.	Authors (with country if any)	Title
000000 (1994)	L. Joy Sperling [États-Unis]	The Popular Sources of Calder's Circus: The Humpty Dumpty Circus, Ringling Brothers and Barnum and Bailey, and The Cirque Medrano
000001 (1999)	Jennifer L. Mosier	The Big Attraction: The Circus Elephant and American Culture
000009 (1992)	Judith B. Kerman [États-Unis]	The Clown as Social Healer: A Study of the Clown Ministry Movement
000026 (1983)	Bernth Lindfors	Circus Africans
000034 (1997)	Kurt Wurmli	Theater in the Sky: Philippe Petit's Unique Art of Theatrical Highwire Performance
000052 (1998)	Michael H. Means	“The Field of the Cloth of Gold”: The Ringling Brothers Reinvent Henry VIII Reinventing Chivalry1
000056 (1978)		Book Reviews
000098 (1986)	Paul Francis Erwin [États-Unis]	Bands, Bandmasters and Bandstands: A Search for Public Support in Democracy
000104 (1978)	Marshall Fishwick	Introduction
000124 (1998)		Book Reviews
000152 (1986)	Mark E. Swartz	Motion Pictures on the Move
000171 (1998)	John Haddad	The Romantic Collector in China: Nathan Dunn's Ten Thousand Chinese Things
000266 (1981)	Michael Oriard	Professional Football as Cultural Myth
000316 (1982)		Book Reviews
000372 (1991)		Book Reviews
000441 (1994)		Book Reviews
000458 (1982)	Alan B. Govenar	The Changing Image of Tattooing in American Culture
000459 (1996)	Kris Collins [États-Unis]	White‐Washing the Black‐a‐Moor: Othello, Negro Minstrelsy and Parodies of Blackness1
000464 (1987)	Gary Edgerton	The Transformation of Art and Culture in America During the Communication Revolution
000546 (1982)	Susan Duffy	Persuasion and Uplift in American Theatrical Advertising During the Depression
000706 (1984)	Janet Brown	The “Coon‐Singer” and the “Coon‐Song”: A Case Study of the Performer‐Character Relationship

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