List of bibliographic references
Number of relevant bibliographic references: 61.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000122 (1998) |
Sari Karttunen [Finlande] | How to identify artists? Defining the population for ‘status-of-the-artist’ studies |
| 000147 (1991) |
Frances E. Anderson [États-Unis] | Evaluating the very special arts festival programs nationwide: An attempt at combining subjective and quantitative approaches |
| 000165 (2007) |
Rosalind Shaw [États-Unis] | DISPLACING VIOLENCE: Making Pentecostal Memory in Postwar Sierra Leone |
| 000241 (2009) |
David Davies [Canada] | Works and Performances in the Performing Arts |
| 000245 (2004) |
Gregory B. Lewis ; Bruce A. Seaman | Sexual Orientation and Demand for the Arts* |
| 000341 (2002) |
Jonathan P. J. Stock | Place and Music: Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949 |
| 000344 (1991) |
Rozanna Lilley | The Double Bind: Performing Arts in Hongkong |
| 000346 (2006) |
Martin S. Brook [Royaume-Uni] ; Martin P. Kirkbride [Royaume-Uni] ; Ben W. Brock [Royaume-Uni] | Cirque development in a steadily uplifting range: rates of erosion and long‐term morphometric change in alpine cirques in the Ben Ohau Range, New Zealand |
| 000360 (2005) |
Martha Abreu [Brésil] | Popular Culture, Power Relations and Urban Discipline: The Festival of the Holy Spirit in Nineteenth‐Century Rio de Janeiro |
| 000378 (2005) |
Ruth Towse | Alan Peacock and Cultural Economics* |
| 000379 (1989) |
M. Kiley-Worthington [Royaume-Uni] | Ecological, ethological, and ethically sound environments for animals: Toward symbiosis |
| 000390 (2011) |
Allan Bell [Nouvelle-Zélande] | Falling in love again and again: Marlene Dietrich and the iconization of non‐native English1 |
| 000416 (1994) |
Arthur M. Cohen ; Jan M. Ignash | An overview of the total credit curriculum |
| 000440 (2004) |
Hugh B. Urban [États-Unis] | Magia Sexualis: Sex, Secrecy, and Liberation in Modern Western Esotericism |
| 000468 (2007) |
Margee Hume [Australie] ; Gillian Sullivan Mort [Australie] ; Hume Winzar [Australie] | Exploring repurchase intention in a performing arts context: who comes? and why do they come back? |
| 000496 (2005) |
Lisl Zach | When is “enough” enough? Modeling the information‐seeking and stopping behavior of senior arts administrators |
| 000500 (1996) |
Douglas H. Clark [États-Unis] ; Alan R. Gillespie [États-Unis] | Timing and significance of Late-glacial and Holocene cirque glaciation in the Sierra Nevada, California |
| 000528 (1992) |
Svein Olaf Dahl [Norvège] ; Atle Nesje [Norvège] | Paleoclimatic implications based on equilibrium-line altitude depressions of reconstructed Younger Dryas and Holocene cirque glaciers in inner Nordfjord, western Norway |
| 000547 (2008) |
Erik Stam [Royaume-Uni] ; Jeroen P. J. De Jong [Pays-Bas] ; Gerard Marlet [Pays-Bas] | CREATIVE INDUSTRIES IN THE NETHERLANDS: STRUCTURE, DEVELOPMENT, INNOVATIVENESS AND EFFECTS ON URBAN GROWTH |
| 000579 (1998) |
Melanie Thompson [Royaume-Uni] ; Sheena E. E. Blair [Royaume-Uni] | Creative arts in occupational therapy: ancient history or contemporary practise? |
| 000601 (1994) |
Lyn Spillman [États-Unis] | Imagining community and hoping for recognition: Bicentennial celebrations in 1976 and 1988 |
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