List of bibliographic references
Number of relevant bibliographic references: 37.
[0-20] [
0 - 20][
0 - 37][
20-36][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000134 (2007) |
Theresa A. Kirchner [États-Unis] ; Edward P. Markowski [États-Unis] ; John B. Ford [États-Unis] | Relationships among levels of government support, marketing activities, and financial health of nonprofit performing arts organizations |
| 000138 (1998) |
Mark Peterson [États-Unis] ; Naresh K. Malhotra [États-Unis] | Marketing classic theater in a competitive market of entertainments |
| 000264 (1985) |
Anthony J. Tighe | Cultural tourism in the USA |
| 000278 (2000) |
Alan Peacock | Public financing of the arts in England |
| 000300 (1995) |
Susanne Krebs [Allemagne] ; Werner W. Pommerehne [Allemagne, Suisse] | Politico-economic interactions of German public performing arts institutions |
| 000307 (2001) |
Mark Blaug [Pays-Bas] | Where Are We Now On Cultural Economics |
| 000437 (2010) |
Jasper Hsieh [Taïwan] | Strategic stakeholder orientations and performance consequences—a case of private nonprofit performing arts in the US |
| 000462 (1989) |
| Book Reviews |
| 000468 (2007) |
Margee Hume [Australie] ; Gillian Sullivan Mort [Australie] ; Hume Winzar [Australie] | Exploring repurchase intention in a performing arts context: who comes? and why do they come back? |
| 000487 (2006) |
Megan Cardamone [Australie] ; Ruth Rentschler [Australie] | Indigenous innovators: the role of web marketing for cultural micro‐enterprises |
| 000507 (1993) |
Margaret B. Swain [États-Unis, République populaire de Chine] | Women producers of ethnic arts |
| 000538 (2005) |
Jamie Peck [États-Unis] | Struggling with the Creative Class |
| 000547 (2008) |
Erik Stam [Royaume-Uni] ; Jeroen P. J. De Jong [Pays-Bas] ; Gerard Marlet [Pays-Bas] | CREATIVE INDUSTRIES IN THE NETHERLANDS: STRUCTURE, DEVELOPMENT, INNOVATIVENESS AND EFFECTS ON URBAN GROWTH |
| 000584 (1983) |
Wim Knulst [Pays-Bas] | Qualitative criteria and cultural policy: An examination of the normative basis for government policy on art and the media in the Netherlands |
| 000589 (2002) |
Felice Batlan | A Reevaluation of the New York Court of Appeals: The Home, the Market, and Labor, 1885‐1905 |
| 000621 (2009) |
Michele Rivkin-Fish [États-Unis] | Tracing landscapes of the past in class subjectivity: Practices of memory and distinction in marketizing Russia |
| 000681 (2006) |
Geraldine Brennan [Royaume-Uni] | Art Education and the Visual Arts in Botswana |
| 000708 (2008) |
Luke Taylor | ‘They may say tourist, may say truly painting’: aesthetic evaluation and meaning of bark paintings in western Arnhem Land, northern Australia1 |
| 000777 (1977) |
Rosanne Martorella | The Relationship Between Box Office and Repertoire: a Case Study of Opera* |
| 000846 (1996) |
Robert R. Alford [États-Unis] ; Andras Szanto [États-Unis] | Orpheus wounded: The experience of pain in the professional worlds of the piano |
| 000870 (1995) |
Keith Negus | Where the mystical meets the market: creativity and commerce in the production of popular music |
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