expensive < experience < experienced

Facettes : Author.f AffPays.f AffOrg.f AffRegion.f AffVille.f

List of bibliographic references

Number of relevant bibliographic references: 94.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000062 (1981)	Russel B. Nye	Eight Ways of Looking at an Amusement Park
000080 (1997)	Sally S. Bailey [États-Unis]	The arts in spiritual care
000087 (1988)	D. L. Dutton [Nouvelle-Zélande]	The cold reading technique
000093 (1996)	Angelika Richter [Allemagne] ; Lori A. Zonner [États-Unis]	Clowning—An opportunity for ministry
000153 (1971)	Hans Toch	‘I Shot An Arrow in the Air…’ The Performing Arts As Weapons of Social Change
000158 (2008)	Jeannette Mageo	Zones of ambiguity and identity politics in Samoa
000227 (2011)	Anne De La Croix [Pays-Bas] ; Catharine Rose [Royaume-Uni] ; Emma Wildig [Royaume-Uni] ; Suzy Willson [Royaume-Uni]	Arts‐based learning in medical education: the students’ perspective
000257 (1987)		Ancient and Medieval: Crown, Household and Parliament in Fifteenth‐Century England. By A.R. Myers
000270 (2007)	Thomas More Smith [États-Unis]	THE IMPACT OF GOVERNMENT FUNDING ON PRIVATE CONTRIBUTIONS TO NONPROFIT PERFORMING ARTS ORGANIZATIONS
000272 (1993)	Brenda Gainer [Canada]	An empirical investigation of the role of involvement with a gendered product
000304 (2011)		BOOK REVIEWS
000321 (2011)	Brigitte Biehl-Missal	Business is Show Business: Management Presentations as Performance
000376 (2001)	David Throsby [Australie]	Defining the artistic workforce: The Australian experience
000379 (1989)	M. Kiley-Worthington [Royaume-Uni]	Ecological, ethological, and ethically sound environments for animals: Toward symbiosis
000443 (2002)	Bonita M. Kolb [États-Unis]	Ethnic preference for the arts: the role of the social experience as attendance motivation
000448 (1979)	James T. Brink	Invocation of the Theatrical Frame in Bamana Drama Performance
000468 (2007)	Margee Hume [Australie] ; Gillian Sullivan Mort [Australie] ; Hume Winzar [Australie]	Exploring repurchase intention in a performing arts context: who comes? and why do they come back?
000496 (2005)	Lisl Zach	When is “enough” enough? Modeling the information‐seeking and stopping behavior of senior arts administrators
000518 (2006)	I. C. Mcmanus [Royaume-Uni] ; A. Furnham [Royaume-Uni]	Aesthetic activities and aesthetic attitudes: Influences of education, background and personality on interest and involvement in the arts
000545 (2011)	Monica E. Madyaningrum [Indonésie] ; Christopher Sonn [Australie]	Exploring the meaning of participation in a community art project: A case study on the Seeming project
000549 (2012)	Yin-Tzu Lin [République populaire de Chine, Taïwan] ; Shuen-Huei Guan [République populaire de Chine, Taïwan] ; Yuan-Chang Yao [République populaire de Chine] ; Wen-Huang Cheng [République populaire de Chine, Taïwan] ; Ja-Ling Wu [République populaire de Chine, Taïwan]	U-Drumwave: An Interactive Performance System for Drumming

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