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List of bibliographic references

Number of relevant bibliographic references: 42.
[0-20] [0 - 20][0 - 42][20-40]
Ident.Authors (with country if any)Title
000047 (1992) Book Reviews
000145 (1998) Morris B. HolbrookThe Dangers of Educational and Cultural Populism: Three Vignettes on the Problems‐of Aesthetic Insensitivity, the Pitfalls of Pandering, and the Virtues of Artistic Integrity
000182 (1996) Kimberly Kracman [États-Unis]The effect of school-based arts instruction on attendance at museums and the performing arts
000303 (2005) Stuart Ward [Danemark]“Culture up to our Arseholes”: Projecting Post‐Imperial Australia
000304 (2011) BOOK REVIEWS
000308 (2004) Raymond B. Williams ; Thomas J. Massaro ; Phyllis D. Airhart ; Barbara Brown Zikmund [Japon]The Teacher's Career and Life
000336 (2004) Douglas Fordham [États-Unis]William Hogarth's The March to Finchley and the fate of comic history painting
000343 (2009) John H. Astington [Canada]Shakespeare’s Actors
000356 (1994) Lars LindstromArt Education for Understanding: Goodman, Arts PROPEL, and DBAE
000422 (2004) Frances K. BaraschShakespeare and the Puppet Sphere
000456 (2000) Vera L. Zolberg [États-Unis]Richard Peterson and the sociology of art and literature
000512 (1995) Christian Krohn-Hansen [Norvège]Resistance vs. self-inflicted bonds vs. tacit understandings: or an essay on legitimacy and political practice in light of bread and circuses and weapons of the weak
000524 (2004) Arthur FreemanThe Beginnings of Shakespearean (and Jonsonian) Forgery: Attribution and the Politics of Exposure, Part II
000568 (2004) Kate O'Neill [États-Unis]Transnational Protest: States, Circuses, and Conflict at the Frontline of Global Politics1
000578 (2010) Lucia Ruprecht [Royaume-Uni]Virtuoso Servitude and (De)Mobilization in Robert Walser, W. G. Sebald, and the Brothers Quay
000675 (1987) Linda B. Robertson [États-Unis] ; Margot Blum Schevill [États-Unis] ; James M. Nyce [États-Unis] ; Linda Parker Elbers [États-Unis]Reviews, Catalogues & New Publications
000683 (2009) Jennifer A. GreenhillWINSLOW HOMER AND THE MECHANICS OF VISUAL DEADPAN
000747 (2010) Mordechai GordonLEARNING TO LAUGH AT OURSELVES: HUMOR, SELF‐TRANSCENDENCE, AND THE CULTIVATION OF MORAL VIRTUES
000829 (2008) Sara B. Dykins Callahan [États-Unis]Academic Outings
000864 (2009) Joanna PicciottoBreaking through the Mode: Celia Fiennes and the Exercise of Curiosity
000A02 (2010) Marjorie Rubright [Canada]Going Dutch in London City Comedy: Economies of Sexual and Sacred Exchange in John Marston'sThe Dutch Courtesan (1605)

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