List of bibliographic references
Number of relevant bibliographic references: 54.
[40-60] [
0 - 20][
0 - 50]
| Ident. | Authors (with country if any) | Title |
|---|
| 000B51 (1997) |
Julia S. Ardery [États-Unis] | ‘Loser wins’: Outsider art and the salvaging of disinterestedness |
| 000B87 (2005) |
Koen Van Eijck [Pays-Bas] ; Wim Knulst [Pays-Bas] | No More Need for Snobbism: Highbrow Cultural Participation in a Taste Democracy |
| 000B94 (1998) |
Lee Emery | Autonomy to Accountability: Changing Hegemonies in Australian Arts Education |
| 000C08 (1987) |
Louis A. Scuderi [États-Unis] | Glacier variations in the Sierra Nevada, California, as related to a 1200-year tree-ring chronology |
| 000D12 (2004) |
Anna N. Eremeeva ; Dan Healey | Woman and Violence in Artistic Discourse of the Russian Revolution and Civil War (1917–1922) |
| 000E01 (1990) |
| Reviews and Short Notices |
| 000F62 (1979) |
André Waleffe [Belgique] ; Patrick Bruninx [Belgique] ; Luc Mary-Rabine [Belgique] ; Henri E. Kulbertus [Belgique] | Effects of tocainide studied with programmed electrical stimulation of the heart in patients with reentrant tachyarrhythmias |
| 001089 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
| 001109 (1999) |
William B. Macgregor | The Authority of Prints: an early modern perspective |
| 001183 (1989) |
Steve Harvey | Creative arts therapies in the classroom: A study of cognitive, emotional, and motivational changes |
| 001216 (2011) |
Oliver Benoit | The question of national identity and the institutionalisation of the visual arts in Grenada |
| 001289 (2001) |
Bruce Grant | New Moscow Monuments, or, States of Innocence |
| 001351 (2003) |
Afra Foroud [Canada] ; Sergio M. Pellis [Canada] | The development of “roughness” in the play fighting of rats: A Laban Movement Analysis perspective |
| 001386 (2011) |
Seán Allan | ‘Sagt, wie soll man Stalin danken?’ Kurt Maetzig's Ehe im Schatten (1947), Roman einer Jungen Ehe (1952) and the Cultural Politics of Post‐War Germany |
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