Women producers of ethnic arts
Identifieur interne : 000507 ( Main/Corpus ); précédent : 000506; suivant : 000508Women producers of ethnic arts
Auteurs : Margaret B. SwainSource :
- Annals of Tourism Research [ 0160-7383 ] ; 1993.
Abstract
Gender dynamics of indigenous ethnic arts production cannot be explained by development theories which predict that either women producers are empowered by economic gain, or exploited by the patriarchal drive of global capitalism epitomized by international tourism. Comparative data on commoditization of ethnicity by indigenous groups indicate that internal (family/community) factors enable women's empowerment, while external (market/state) factors in a stratified gender/class/ ethnicity order limit role options for indigenous women and men to the “same old stuff./rd Whether in homeland or refugee status, the common issue of cultural survival shapes the gender dynamics of “Fourth World” arts production.
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DOI: 10.1016/0160-7383(93)90110-O
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Her research on gender issues in tourism development began with work among the Kuna in Panama and continues in her current research project among the Sani Yunnan, China.</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:C1D2393883DDDD6EB42F46FA7765E2B4890C8B01</idno><date when="1993" year="1993">1993</date><idno type="doi">10.1016/0160-7383(93)90110-O</idno><idno type="url">https://api.istex.fr/document/C1D2393883DDDD6EB42F46FA7765E2B4890C8B01/fulltext/pdf</idno><idno type="wicri:Area/Main/Corpus">000507</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="ISTEX">000507</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a">Women producers of ethnic arts</title><author><name sortKey="Swain, Margaret B" sort="Swain, Margaret B" uniqKey="Swain M" first="Margaret B." last="Swain">Margaret B. Swain</name><affiliation><mods:affiliation>University of California, USA</mods:affiliation></affiliation><affiliation><mods:affiliation>Affiliated with the Department of Anthopology, University of California (Davis CA 95616, USA). Her research on gender issues in tourism development began with work among the Kuna in Panama and continues in her current research project among the Sani Yunnan, China.</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">Annals of Tourism Research</title><title level="j" type="abbrev">ATR</title><idno type="ISSN">0160-7383</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1993">1993</date><biblScope unit="vol">20</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="32">32</biblScope><biblScope unit="page" to="51">51</biblScope></imprint><idno type="ISSN">0160-7383</idno></series><idno type="istex">C1D2393883DDDD6EB42F46FA7765E2B4890C8B01</idno><idno type="DOI">10.1016/0160-7383(93)90110-O</idno><idno type="PII">0160-7383(93)90110-O</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0160-7383</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Gender dynamics of indigenous ethnic arts production cannot be explained by development theories which predict that either women producers are empowered by economic gain, or exploited by the patriarchal drive of global capitalism epitomized by international tourism. Comparative data on commoditization of ethnicity by indigenous groups indicate that internal (family/community) factors enable women's empowerment, while external (market/state) factors in a stratified gender/class/ ethnicity order limit role options for indigenous women and men to the “same old stuff./rd Whether in homeland or refugee status, the common issue of cultural survival shapes the gender dynamics of “Fourth World” arts production. </div></front></TEI><istex><corpusName>elsevier</corpusName><author><json:item><name>Margaret B. Swain</name><affiliations><json:string>University of California, USA</json:string><json:string>Affiliated with the Department of Anthopology, University of California (Davis CA 95616, USA). 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Her research on gender issues in tourism development began with work among the Kuna in Panama and continues in her current research project among the Sani Yunnan, China.</affiliation></author></analytic><monogr><title level="j">Annals of Tourism Research</title><title level="j" type="abbrev">ATR</title><idno type="pISSN">0160-7383</idno><idno type="PII">S0160-7383(00)X0057-6</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1993"></date><biblScope unit="vol">20</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="32">32</biblScope><biblScope unit="page" to="51">51</biblScope></imprint></monogr><idno type="istex">C1D2393883DDDD6EB42F46FA7765E2B4890C8B01</idno><idno type="DOI">10.1016/0160-7383(93)90110-O</idno><idno type="PII">0160-7383(93)90110-O</idno></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1993</date></creation><abstract xml:lang="en"><p>Gender dynamics of indigenous ethnic arts production cannot be explained by development theories which predict that either women producers are empowered by economic gain, or exploited by the patriarchal drive of global capitalism epitomized by international tourism. Comparative data on commoditization of ethnicity by indigenous groups indicate that internal (family/community) factors enable women's empowerment, while external (market/state) factors in a stratified gender/class/ ethnicity order limit role options for indigenous women and men to the “same old stuff./rd Whether in homeland or refugee status, the common issue of cultural survival shapes the gender dynamics of “Fourth World” arts production.</p></abstract><abstract xml:lang="fr"><p>Les productrices de l'art ethnique. La dynamique entre les sexes dans la production des arts ethniques ne peut pas être expliquée par les théories du développement, qui prédisent ou que les productrices gagneront du pouvoir en gagnant de l'argent, ou qu'elles seront exploitées par l'énergie patriarcale du capitalisme mondial et du tourisme international. On montre que les facteurs internes (famille/communauté) donnent du pouvoir aux femmes, tandis que les facteurs externes (marché/état) limitent les options pour les hommes et les femmes indigénes à “la même chose que toujours.” Que ce soit dans la patrie ou en tant que réfugiés, le probléme commun de la survie culturelle détermine la dynamique des sexes dans la production des arts au Quart-Monde.</p></abstract><textClass><keywords scheme="keyword"><list><head>Keywords</head><item><term>gender</term></item><item><term>indigenous peoples</term></item><item><term>ethnic arts</term></item><item><term>commoditization</term></item><item><term>cultural survival</term></item><item><term>economic development theory</term></item><item><term>Latin America</term></item><item><term>Southeast Asia</term></item></list></keywords></textClass><textClass><keywords scheme="keyword"><list><head>Keywords</head><item><term>sexe</term></item><item><term>peuples indigènes</term></item><item><term>arts ethniques</term></item><item><term>transformation en marchandise</term></item><item><term>survie culturelle</term></item><item><term>théorie de développement économique</term></item><item><term>Amérique latine</term></item><item><term>Sud-Est asiatique</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="1992-03-03">Received</change><change when="1992-10-10">Registration</change><change when="1992-09-20">Modified</change><change when="1993">Published</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><original>false</original><mimetype>text/plain</mimetype><extension>txt</extension><uri>https://api.istex.fr/document/C1D2393883DDDD6EB42F46FA7765E2B4890C8B01/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="Elsevier, elements deleted: tail"><istex:xmlDeclaration>version="1.0" encoding="utf-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//ES//DTD journal article DTD version 4.5.2//EN//XML" URI="art452.dtd" name="istex:docType"></istex:docType><istex:document><converted-article version="4.5.2" docsubtype="fla"><item-info><jid>ATR</jid><aid>9390110O</aid><ce:pii>0160-7383(93)90110-O</ce:pii><ce:doi>10.1016/0160-7383(93)90110-O</ce:doi><ce:copyright type="unknown" year="1993"></ce:copyright></item-info><head><ce:title>Women producers of ethnic arts</ce:title><ce:author-group><ce:author><ce:given-name>Margaret B.</ce:given-name><ce:surname>Swain</ce:surname><ce:cross-ref refid="FN1"><ce:sup>∗</ce:sup></ce:cross-ref></ce:author><ce:affiliation><ce:textfn>University of California, USA</ce:textfn></ce:affiliation><ce:footnote id="FN1"><ce:label>∗</ce:label><ce:note-para>Affiliated with the Department of Anthopology, University of California (Davis CA 95616, USA). Her research on gender issues in tourism development began with work among the Kuna in Panama and continues in her current research project among the Sani Yunnan, China.</ce:note-para></ce:footnote></ce:author-group><ce:date-received day="3" month="3" year="1992"></ce:date-received><ce:date-revised day="20" month="9" year="1992"></ce:date-revised><ce:date-accepted day="10" month="10" year="1992"></ce:date-accepted><ce:abstract><ce:section-title>Abstract</ce:section-title><ce:abstract-sec><ce:simple-para>Gender dynamics of indigenous ethnic arts production cannot be explained by development theories which predict that either women producers are empowered by economic gain, or exploited by the patriarchal drive of global capitalism epitomized by international tourism. Comparative data on commoditization of ethnicity by indigenous groups indicate that internal (family/community) factors enable women's empowerment, while external (market/state) factors in a stratified gender/class/ ethnicity order limit role options for indigenous women and men to the “same old stuff./rd Whether in homeland or refugee status, the common issue of cultural survival shapes the gender dynamics of “Fourth World” arts production.</ce:simple-para></ce:abstract-sec></ce:abstract><ce:abstract xml:lang="fr"><ce:section-title>Résumé</ce:section-title><ce:abstract-sec><ce:simple-para>Les productrices de l'art ethnique. La dynamique entre les sexes dans la production des arts ethniques ne peut pas être expliquée par les théories du développement, qui prédisent ou que les productrices gagneront du pouvoir en gagnant de l'argent, ou qu'elles seront exploitées par l'énergie patriarcale du capitalisme mondial et du tourisme international. On montre que les facteurs internes (famille/communauté) donnent du pouvoir aux femmes, tandis que les facteurs externes (marché/état) limitent les options pour les hommes et les femmes indigénes à “la même chose que toujours.” Que ce soit dans la patrie ou en tant que réfugiés, le probléme commun de la survie culturelle détermine la dynamique des sexes dans la production des arts au Quart-Monde.</ce:simple-para></ce:abstract-sec></ce:abstract><ce:keywords><ce:section-title>Keywords</ce:section-title><ce:keyword><ce:text>gender</ce:text></ce:keyword><ce:keyword><ce:text>indigenous peoples</ce:text></ce:keyword><ce:keyword><ce:text>ethnic arts</ce:text></ce:keyword><ce:keyword><ce:text>commoditization</ce:text></ce:keyword><ce:keyword><ce:text>cultural survival</ce:text></ce:keyword><ce:keyword><ce:text>economic development theory</ce:text></ce:keyword><ce:keyword><ce:text>Latin America</ce:text></ce:keyword><ce:keyword><ce:text>Southeast Asia</ce:text></ce:keyword></ce:keywords><ce:keywords><ce:section-title>Keywords</ce:section-title><ce:keyword><ce:text>sexe</ce:text></ce:keyword><ce:keyword><ce:text>peuples indigènes</ce:text></ce:keyword><ce:keyword><ce:text>arts ethniques</ce:text></ce:keyword><ce:keyword><ce:text>transformation en marchandise</ce:text></ce:keyword><ce:keyword><ce:text>survie culturelle</ce:text></ce:keyword><ce:keyword><ce:text>théorie de développement économique</ce:text></ce:keyword><ce:keyword><ce:text>Amérique latine</ce:text></ce:keyword><ce:keyword><ce:text>Sud-Est asiatique</ce:text></ce:keyword></ce:keywords></head></converted-article></istex:document></istex:metadataXml><!--Version 3.6 générée le 15-10-2015--><mods version="3.6"><titleInfo><title>Women producers of ethnic arts</title></titleInfo><titleInfo type="alternative" contentType="CDATA"><title>Women producers of ethnic arts</title></titleInfo><name type="personal"><namePart type="given">Margaret B.</namePart><namePart type="family">Swain</namePart><affiliation>University of California, USA</affiliation><affiliation>Affiliated with the Department of Anthopology, University of California (Davis CA 95616, USA). Her research on gender issues in tourism development began with work among the Kuna in Panama and continues in her current research project among the Sani Yunnan, China.</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><originInfo><publisher>ELSEVIER</publisher><dateIssued encoding="w3cdtf">1993</dateIssued><dateCaptured encoding="w3cdtf">1992-03-03</dateCaptured><dateValid encoding="w3cdtf">1992-10-10</dateValid><dateModified encoding="w3cdtf">1992-09-20</dateModified><copyrightDate encoding="w3cdtf">1993</copyrightDate></originInfo><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><abstract lang="en">Gender dynamics of indigenous ethnic arts production cannot be explained by development theories which predict that either women producers are empowered by economic gain, or exploited by the patriarchal drive of global capitalism epitomized by international tourism. Comparative data on commoditization of ethnicity by indigenous groups indicate that internal (family/community) factors enable women's empowerment, while external (market/state) factors in a stratified gender/class/ ethnicity order limit role options for indigenous women and men to the “same old stuff./rd Whether in homeland or refugee status, the common issue of cultural survival shapes the gender dynamics of “Fourth World” arts production. </abstract><abstract lang="fr">Les productrices de l'art ethnique. La dynamique entre les sexes dans la production des arts ethniques ne peut pas être expliquée par les théories du développement, qui prédisent ou que les productrices gagneront du pouvoir en gagnant de l'argent, ou qu'elles seront exploitées par l'énergie patriarcale du capitalisme mondial et du tourisme international. On montre que les facteurs internes (famille/communauté) donnent du pouvoir aux femmes, tandis que les facteurs externes (marché/état) limitent les options pour les hommes et les femmes indigénes à “la même chose que toujours.” Que ce soit dans la patrie ou en tant que réfugiés, le probléme commun de la survie culturelle détermine la dynamique des sexes dans la production des arts au Quart-Monde. </abstract><subject><genre>Keywords</genre><topic>gender</topic><topic>indigenous peoples</topic><topic>ethnic arts</topic><topic>commoditization</topic><topic>cultural survival</topic><topic>economic development theory</topic><topic>Latin America</topic><topic>Southeast Asia</topic></subject><subject><genre>Keywords</genre><topic>sexe</topic><topic>peuples indigènes</topic><topic>arts ethniques</topic><topic>transformation en marchandise</topic><topic>survie culturelle</topic><topic>théorie de développement économique</topic><topic>Amérique latine</topic><topic>Sud-Est asiatique</topic></subject><relatedItem type="host"><titleInfo><title>Annals of Tourism Research</title></titleInfo><titleInfo type="abbreviated"><title>ATR</title></titleInfo><originInfo><dateIssued encoding="w3cdtf">1993</dateIssued></originInfo><identifier type="ISSN">0160-7383</identifier><identifier type="PII">S0160-7383(00)X0057-6</identifier><part><date>1993</date><detail type="volume"><number>20</number><caption>vol.</caption></detail><detail type="issue"><number>1</number><caption>no.</caption></detail><extent unit="issue pages"><start>1</start><end>232</end></extent><extent unit="pages"><start>32</start><end>51</end></extent></part></relatedItem><identifier type="istex">C1D2393883DDDD6EB42F46FA7765E2B4890C8B01</identifier><identifier type="DOI">10.1016/0160-7383(93)90110-O</identifier><identifier type="PII">0160-7383(93)90110-O</identifier><recordInfo><recordOrigin>ELSEVIER</recordOrigin></recordInfo></mods></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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