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Index « AbsEn.i » - entrée « plays »
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List of bibliographic references

Number of relevant bibliographic references: 19.
Ident.Authors (with country if any)Title
000066 (2004) Jeffrey N. CoxRe‐viewing Romantic Drama
000124 (1998) Book Reviews
000165 (2007) Rosalind Shaw [États-Unis]DISPLACING VIOLENCE: Making Pentecostal Memory in Postwar Sierra Leone
000177 (2003) Janet HuskinsonTHEATRE, PERFORMANCE AND THEATRICALITY IN SOME MOSAIC PAVEMENTS FROM ANTIOCH*
000200 (1988) BOOK REVIEWS
000422 (2004) Frances K. BaraschShakespeare and the Puppet Sphere
000505 (2009) Jeanne H. MccarthyThe Emergence of Henrician Drama “in the Kynges absens”
000709 (2010) Ji Young Kim [Corée du Sud]Color characteristics of costumes for Korean folk festivals and color consciousness of Koreans
000783 (2008) John Pendergast“Comedies for Commodities”: Genre and Early Modern Dramatic Epistles
000810 (2010) Laura Weigert‘Theatricality’ in Tapestries and Mystery Plays and its Afterlife in Painting
000846 (1996) Robert R. Alford [États-Unis] ; Andras Szanto [États-Unis]Orpheus wounded: The experience of pain in the professional worlds of the piano
000934 (1992) Rebecca S. Bigler [États-Unis] ; Lynn S. Liben [États-Unis]Cognitive Mechanisms in Children's Gender Stereotyping: Theoretical and Educational Implications of a Cognitive‐based Intervention
000985 (2010) Matthias Bode [Danemark]Showing doing. The art–science debate in a performative perspective
000B13 (1962) Book Reviews
000D28 (2009) C. Jason Throop‘Becoming Beautiful in the Dance’: On the Formation of Ethical Modalities of Being in Yap, Federated States of Micronesia1
000E30 (2006) Maggie Maclure‘A Demented Form of the Familiar’: Postmodernism and Educational Research
000F25 (1981) MLJ Reviews
001191 (2007) Clare McmanusWomen and English Renaissance Drama: Making and Unmaking ‘The All‐Male Stage’
001312 (2006) Susan KnutsonTrickster Shakespeare? Canada and the Bard

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