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Index « AbsEn.i » - entrée « painting »
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List of bibliographic references

Number of relevant bibliographic references: 22.
[0-20] [0 - 20][0 - 22][20-21][20-40]
Ident.Authors (with country if any)Title
000043 (1978) Russell S. King [Royaume-Uni]The poet as clown: Variations on a theme in nineteenth‐century French poetry
000262 (2007) T. Lee Williams [États-Unis]“Reading” the Painting: Exploring Visual Literacy in the Primary Grades
000336 (2004) Douglas Fordham [États-Unis]William Hogarth's The March to Finchley and the fate of comic history painting
000439 (2005) Steven P. Wainwright [Royaume-Uni] ; Clare Williams [Royaume-Uni]Culture and ageing: reflections on the arts and nursing
000619 (1997) Anthea CallenThe Body and Difference: Anatomy training at the Ecole des Beaux‐Arts in Paris in the later nineteenth century
000708 (2008) Luke Taylor‘They may say tourist, may say truly painting’: aesthetic evaluation and meaning of bark paintings in western Arnhem Land, northern Australia1
000721 (1978) Toni Flores FrattoUndefining art: Irrelevant categorization in the anthropology of aesthetics
000810 (2010) Laura Weigert‘Theatricality’ in Tapestries and Mystery Plays and its Afterlife in Painting
000A95 (2005) Élisabeth LavezziTHE ENCYCLOPÉDIE AND THE IDEA OF THE DECORATIVE ARTS
000B47 (1998) Book Reviews
000C36 (2008) D. S. Farrer [Singapour]The Healing Arts of the Malay Mystic
000C83 (1992) J. F. Asmus [États-Unis]Mona Lisa symbolism uncovered by computer processing
000D02 (2004) Exhibitions, Museums and Galleries
000D07 (2003) Mark WaughVivarium
000D40 (2002) Reviews
000D81 (2002) Reviews
000E92 (1998) Susan M. RostanA Study of the Development of Young Artists: The Emergence of on Artistic and Creative Identity
000F17 (2003) Book Reviews
000F65 (1989) Sandra L. Bertman [États-Unis] ; Sandy C. Marks Jr. [États-Unis]The dissection experience as a laboratory for self‐discovery about death and dying: Another side of clinical anatomy
001107 (2003) Anthea Callen [Royaume-Uni]Doubles and Desire: Anatomies of masculinity in the later nineteenth century
001157 (1998) Jonathan HarrisPainting in Theory

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