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Index « AbsEn.i » - entrée « organizational »
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List of bibliographic references

Number of relevant bibliographic references: 17.
Ident.Authors (with country if any)Title
000174 (2011) Stephen Bruce Preece [Canada]Coming soon to a live theater near you: performing arts trailers as paratexts
000203 (1993) Bernie Jones [États-Unis]Current directions in cultural planning
000321 (2011) Brigitte Biehl-MissalBusiness is Show Business: Management Presentations as Performance
000362 (2007) Nicholas P. Marudas [États-Unis] ; Fred A. Jacobs [Suède]The extent of excessive or insufficient fundraising among US arts organizations and the effect of organizational efficiency on donations to US arts organizations
000367 (1997) John K. Christiansen ; Peter Sk Rb KImplementing budgetary control in the performing arts: games in the organizational theatre
000425 (1994) Roland Kushner [États-Unis] ; Arthur E. King [États-Unis]Performing arts as a club good: Evidence from a nonprofit organization
000437 (2010) Jasper Hsieh [Taïwan]Strategic stakeholder orientations and performance consequences—a case of private nonprofit performing arts in the US
000527 (1996) Roberta M. Snow [États-Unis] ; Evan Leach [États-Unis]The institutionalization of the aesthetic: Systemic contradiction in the organization of creativity
000580 (1975) Davld Bradley ; Roy WilkieThe Arts Council: The Case for an Organizational Enquiry
000670 (1977) Book Review Section
000736 (2007) Kwangho Jung [Corée du Sud] ; M. Jae Moon [Corée du Sud]The Double‐Edged Sword of Public‐Resource Dependence: The Impact of Public Resources on Autonomy and Legitimacy in Korean Cultural Nonprofit Organizations
000779 (1997) Book Review Section
001125 (1993) Marc A. OlshanSTANDARDS‐MAKING ORGANIZATIONS AND THE RATIONALIZATION OF AMERICAN LIFE
001254 (2000) N. Anand [Royaume-Uni, États-Unis]Defocalizing the organization: Richard A. Peterson's sociology of organizations
001281 (1967) BOOK REVIEWS
001285 (1989) Books
001351 (2003) Afra Foroud [Canada] ; Sergio M. Pellis [Canada]The development of “roughness” in the play fighting of rats: A Laban Movement Analysis perspective

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