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List of bibliographic references

Number of relevant bibliographic references: 14.
Ident.Authors (with country if any)Title
000341 (2002) Jonathan P. J. StockPlace and Music: Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949
000370 (2011) Johanna Jobst [Allemagne] ; Sabine Boerner [Allemagne]Understanding customer satisfaction in opera: first steps toward a model
000402 (1987) Howard L. Hughes [Royaume-Uni]Culture as a tourist resource — a theoretical consideration
000439 (2005) Steven P. Wainwright [Royaume-Uni] ; Clare Williams [Royaume-Uni]Culture and ageing: reflections on the arts and nursing
000777 (1977) Rosanne MartorellaThe Relationship Between Box Office and Repertoire: a Case Study of Opera*
000951 (1994) Bruno S. Frey [Suisse]The economics of music festivals
000A54 (2011) Paul ThomAesthetics of Opera
000D64 (2006) Bi-Yu ChangWhat's in a Name? The Nationalisation of Traditional Opera in Taiwan
000E12 (2011) Jörg Rössel [Suisse]CULTURAL CAPITAL AND THE VARIETY OF MODES OF CULTURAL CONSUMPTION IN THE OPERA AUDIENCE
000E35 (2001) Jennifer Kuan [États-Unis]The Phantom Profits of the Opera: Nonprofit Ownership in the Arts as a Make‐Buy Decision
001096 (1992) Estelle M. Raben [États-Unis]Peking Opera: The Persistence of Tradition in the People's Republic of China
001105 (1978) Mark Blaug [Royaume-Uni]Why are covent garden seat prices so high?
001130 (2010) Alice Chik [Hong Kong]Creative multilingualism in Hong Kong popular music
001384 (2009) David Charlton [Royaume-Uni]Rousseau and Favart at Fontainebleau, Pergolesi at Versailles

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