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Index « AbsEn.i » - entrée « identity »
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List of bibliographic references

Number of relevant bibliographic references: 81.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000088 (2005) Book Reviews
000092 (2007) Girl Groups, Girl Cultures: Popular Music and Identity in the 1960s by Jacqueline Warwick
000125 (2011) Paul ClementsThe Recuperation of Participatory Arts Practices
000158 (2008) Jeannette MageoZones of ambiguity and identity politics in Samoa
000162 (1995) John Harland ; Kay KinderBuzzes and barriers: young people's attitudes to participation in the arts
000189 (2001) Carolyn BrennanReligion, Cultural Identity, and Kelantan's Dikir Barat
000217 (2005) Book Reviews
000251 (2004) Vanessa Knights [Royaume-Uni]Songs of Creole Identities: The Bolero in the Hispanic Caribbean
000257 (1987) Ancient and Medieval: Crown, Household and Parliament in Fifteenth‐Century England. By A.R. Myers
000260 (2000) Lily Kong [Singapour]Cultural policy in Singapore: negotiating economic and socio-cultural agendas
000272 (1993) Brenda Gainer [Canada]An empirical investigation of the role of involvement with a gendered product
000284 (2003) Review Essays
000303 (2005) Stuart Ward [Danemark]“Culture up to our Arseholes”: Projecting Post‐Imperial Australia
000336 (2004) Douglas Fordham [États-Unis]William Hogarth's The March to Finchley and the fate of comic history painting
000344 (1991) Rozanna LilleyThe Double Bind: Performing Arts in Hongkong
000361 (2005) Peter SkillingTrajectories of Arts and Culture Policy in New Zealand
000380 (2009) Kirstine Moffat [Nouvelle-Zélande]The Piano as Cultural Symbol in Colonial New Zealand
000442 (2011) Yuiko Fujita [Japon]Fabricating Japaneseness? The Identity Politics of Young Designers and Artists in Global Cities
000462 (1989) Book Reviews
000478 (2005) Annegret Staiger“Hoes can be hoed out, players can be played out, but pimp is for life”—The Pimp Phenomenon as Strategy of Identity Formation
000480 (2000) Alan Kay [Royaume-Uni]Art and community development: the role the arts have in regenerating communities

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