Serveur d'exploration sur le cirque - Curation (Accueil)

Index « AbsEn.i » - entrée « identification »
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List of bibliographic references

Number of relevant bibliographic references: 22.
[0-20] [0 - 20][0 - 22][20-21][20-40]
Ident.Authors (with country if any)Title
000160 (2001) Sari Karttunen [Finlande]How to make use of census data in status-of-the-artist studies: Advantages and shortcomings of the finnish register-based census
000198 (2011) Yong Jae Ko [États-Unis] ; Heather Gibson [États-Unis] ; May Kim [Corée du Sud]Understanding donors: A case of university performing arts programs in the USA
000230 (2010) Carla Barbieri [États-Unis] ; Edward Mahoney [États-Unis]Cultural tourism behaviour and preferences among the live‐performing arts audience: an application of the univorous–omnivorous framework
000269 (2006) Johanna Shapiro [États-Unis] ; Lloyd Rucker [États-Unis] ; Jill Beck [États-Unis]Training the clinical eye and mind: using the arts to develop medical students' observational and pattern recognition skills
000354 (1981) Books
000370 (2011) Johanna Jobst [Allemagne] ; Sabine Boerner [Allemagne]Understanding customer satisfaction in opera: first steps toward a model
000376 (2001) David Throsby [Australie]Defining the artistic workforce: The Australian experience
000379 (1989) M. Kiley-Worthington [Royaume-Uni]Ecological, ethological, and ethically sound environments for animals: Toward symbiosis
000390 (2011) Allan Bell [Nouvelle-Zélande]Falling in love again and again: Marlene Dietrich and the iconization of non‐native English1
000639 (1997) James F. Baumann [États-Unis] ; Gay Ivey [États-Unis]Delicate Balances: Striving for Curricular and Instructional Equilibrium in a Second‐Grade, Literature/Strategy‐Based Classroom
000705 (1995) E. Ernst [Royaume-Uni] ; K. L. Resch [Royaume-Uni]The Barnum effect in complementary medicine
000762 (2000) Paul Schimmel‘IT IS MYSELF THAT I REMAKE’: W.B. YEATS'S SELF CONSTRUCTION IN LIFE AND POETRY
000846 (1996) Robert R. Alford [États-Unis] ; Andras Szanto [États-Unis]Orpheus wounded: The experience of pain in the professional worlds of the piano
000B92 (1976) R. J. Lang [Canada] ; K. A. Ryba [Canada]THE IDENTIFICATION OF SOME CREATIVE THINKING PARAMETERS COMMON TO THE ARTISTIC AND MUSICAL PERSONALITY
000C52 (2006) Hiroshi Suzuki [Japon] ; Tadahiko Sato [Japon] ; Koji Yamada [Japon] ; Akira Ishida [Japon]Developing and Analyzing Geographical Content Display System by Using RFID
000D15 (2007) Hemalata Iyer [États-Unis] ; Caitlain Devereaux Lewis [États-Unis]Prioritization strategies for video storyboard keyframes
000E67 (1994) François Abbé-Decarroux [Suisse]The perception of quality and the demand for services
000F21 (2004) Emma K. Frow [Royaume-Uni] ; Jill Reckless [Royaume-Uni] ; David J. Grainger [Royaume-Uni]Tools for anti‐inflammatory drug design: In vitro models of leukocyte migration
000F99 (2007) Gareth A. Jones [Royaume-Uni] ; Elsa Herrera [Royaume-Uni] ; Sarah Thomas De Benítez [Royaume-Uni]Tears, Trauma and Suicide: Everyday Violence among Street Youth in Puebla, Mexico1
001119 (2003) Dorothy RoweCultural Crossings: performing race and transgender in the work of moti roti
001220 (2010) K. Anders Ericsson [États-Unis] ; Tyler J. Towne [États-Unis]Expertise

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